Prime Cut 4K Blu-ray Movie

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Prime Cut 4K Blu-ray Movie United States

4K Ultra HD + Blu-ray
Kino Lorber | 1972 | 88 min | Rated R | Aug 20, 2024

Prime Cut 4K (Blu-ray Movie)

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Movie rating

7.2
 / 10

Blu-ray rating

Users0.0 of 50.0
Reviewer4.0 of 54.0
Overall4.0 of 54.0

Overview

Prime Cut 4K (1972)

An underworld enforcer sent to Kansas City to collect money from a mysterious mobster who has no intention of paying up.

Starring: Lee Marvin, Gene Hackman, Angel Tompkins, Gregory Walcott, Sissy Spacek
Director: Michael Ritchie

ThrillerInsignificant
CrimeInsignificant
DramaInsignificant
ActionInsignificant

Specifications

  • Video

    Video codec: HEVC / H.265
    Video resolution: 4K (2160p)
    Aspect ratio: 2.39:1
    Original aspect ratio: 2.39:1

  • Audio

    English: DTS-HD Master Audio 2.0
    English: DTS-HD Master Audio 5.1

  • Subtitles

    English SDH

  • Discs

    Blu-ray Disc
    Two-disc set (2 BDs)
    4K Ultra HD

  • Packaging

    Slipcover in original pressing

  • Playback

    Region A (locked)

Review

Rating summary

Movie4.0 of 54.0
Video4.0 of 54.0
Audio5.0 of 55.0
Extras2.5 of 52.5
Overall4.0 of 54.0

Prime Cut 4K Blu-ray Movie Review

Reviewed by Dr. Svet Atanasov August 21, 2024

Michael Ritchie's "Prime Cut" (1972) arrives on 4K Blu-ray courtesy of Kino Lorber. The supplemental features on the release include audio commentary by Lee Marvin biographer Dwayne Epstein; audio commentary by critics Steve Mitchell and Nathaniel Thompson; and vintage trailer. In English with optional English SDH subtitles for the main feature. Region-Free.

We sent Murphy down to Kansas City to see Mary Ann and his boys. This is how they sent him back.


A Chicago mafia boss (Eddie Egan, The French Connection) hires aging enforcer Nick Devlin (Lee Marvin, Point Blank) to go to Kansas City and convince cattle rancher Mary Ann (Gene Hackman, Riot) to pay back the $500,000 he owes. Before they part ways, the boss shows Devlin a small gray packet and tells him to be careful because the sausages in it is all that is left from the last guy he used to recover his money.

Assisted by a couple of eager to please Chicago boys, Devlin arrives in Kansas City and quickly locates Mary Ann. They meet at his ranch, where in addition to cows, Mary Ann sells young white girls. Devlin tells him that he has a day to pay back what he owes and then leaves with one of his girls, Poppy (Sissy Spacek, Badlands), who is so drugged up that she can’t even move. Shortly after, the enraged Mary Ann vows to send more fresh sausages to Chicago.

Michael Ritchie’s Prime Cut is a fascinating hybrid of a film. It blends the rawness of Sam Peckinpah’s crime films with the attitude of Fernando Di Leo’s mafia films, but it has the moody atmosphere of a late film noir classic. Throughout the film, there are also splashes of very dark humor.

The film is broken into multiple episodes and the majority of them are very unusual. In one of them, Devlin warms up to Poppy and the two go out for a fancy dinner, but there is no romance and roses. The whole episode is very anticlimactic. In another, Devlin meets Mary Ann’s wife Clarabelle (played by the stunningly beautiful Angel Tompkins), who tries to seduce him, but at the crucial moment he does what James Bond wouldn’t do – he walks away. There is also a really intense episode in which Mary Ann’s right-hand man, Weenie (Gregory Walcott, Thunderbolt and Lightfoot), attacks Devlin with a wiener. All of these episodes are shot with a degree of seriousness that makes it very difficult to decide whether Prime Cut was meant to be a serious gangster film or some sort of parody.

But this is what makes Prime Cut so fascinating to behold. It is totally out there, and it feels like it might have been conceived by the great Robert Altman before he figured out that you can have a great film without having a great story. (Nashville was released only a couple of years after Prime Cut). It is about atmosphere, attitudes, and all the clichés gangster films have rehashed over and over again, mixed with a good dose of very dark humor which makes the final product look surprisingly fresh.

The cast is excellent. Marvin wears white shoes and looks jaded yet dangerous, the type of good ol’ boy from Chicago that is guaranteed to stick out like a sore thumb in Kansas City. Hackman looks exactly like the type of lunatic that can make a fortune selling the people what they want – dope and flesh. Spacek’s role, her acting debut, is a small one, but she does leave a lasting impression. Walcott could not have been better as the crazy butcher.

Gene Polito’s (Westworld, Futureworld) cinematography is unusually beautiful. It is easy to tell that the film had a limited budget, but Polito made it look gorgeous. Lalo Schifrin's (Cool Hand Luke, Bullitt) score is also terrific. It is deceivingly simple but very elegant, reminding of the great scores legendary Italian composers such as Piero Piccioni and Armando Trovajoli created for various genre films.


Prime Cut 4K Blu-ray Movie, Video Quality  4.0 of 5

Kino Lorber's release of Prime Cut is a 4K Blu-ray/Blu-ray combo pack. The 4K Blu-ray disc is Region-Free. However, the Blu-ray disc is Region-A "locked".

Please note that some of the screencaptures that appear with this article are taken from the 4K Blu-ray and downscaled to 1080p. Therefore, they do not accurately reflect the quality of the 4K content on the 4K Blu-ray disc, including the actual color values of this content.

Screencaptures #1-31 are from the Blu-ray.
Screencaptures #34-38 are from the 4K Blu-ray.

The release introduces a new 4K makeover of Prime Cut sourced from the original camera negative. In native 4K, the 4K makeover can be viewed with Dolby Vision and HDR grades. I chose to view it with Dolby Vision. However, I frequently switched between the native 4K and 1080p presentations because I had a very difficult time deciding how I feel about the film's appearance now.

The entire film looks a lot healthier now. I have this Swiss/German release from Explosive Media and the minor nicks and blemishes that pop up on it are nowhere to be seen on the 4K makeover. Many well-lit close-ups boast wonderful delineation and sharpness. Depth tends to be superior as well. However, there are quite a few areas where some darker material looks a bit too dark. There isn't any seriously distracting black crush, but in a few places it is quite easy to tell that more finer nuances should be visible. This is more of an issue on the native 4K presentation than it is on the 1080p presentation. Also, the entire film looks a tad cooler than it should. I still think that large portions of it look very good, but in several areas this cooler temperature pushes some ranges of primary red toward light brown. Sometimes the shift is small and easy to ignore, but sometimes it is not. You can see an obvious example here. I think that it is easy to see the browning sneaking in even on white and some faces. Image stability is excellent.


Prime Cut 4K Blu-ray Movie, Audio Quality  5.0 of 5

There are two standard audio tracks on this release: English DTS-HD Master Audio 2.0 and English DTS-HD Master Audio 5.1. Optional English SDH subtitles are provided for the main feature. When turned on, they appear inside the image frame.

I only used the DTS-HD Master Audio 2.0 track. It is healthy and stable. It handles all action material very well, plus the music breathes easily throughout the film. Dynamic intensity is somewhat limited, but this is to be expected. The European release of Prime Cut I have in my library does not have optional English SDH subtitles, but this release does.


Prime Cut 4K Blu-ray Movie, Special Features and Extras  2.5 of 5

4K BLU-RAY DISC

  • Commentary One - this audio commentary was recorded by Lee Marvin biographer Dwayne Epstein.
  • Commentary Two - this audio commentary was recorded by critics Steve Mitchell and Nathaniel Thompson.
BLU-RAY DISC
  • Commentary One - this audio commentary was recorded by Lee Marvin biographer Dwayne Epstein.
  • Commentary Two - this audio commentary was recorded by critics Steve Mitchell and Nathaniel Thompson.
  • Trailer - presented here is a remastered trailer for Prime Cut. In English, not subtitled. (3 min).


Prime Cut 4K Blu-ray Movie, Overall Score and Recommendation  4.0 of 5

Completed three years after Downhill Racer, Michael Ritchie's Prime Cut is a cracking gangster film that has all the right ingredients to be considered a minor classic. It is as quirky as Robert Altman's Nashville, but a lot darker and a lot funnier. Kino Lorber's combo pack is sourced from an exclusive new 4K master struck from the film's original camera negative. I had a very difficult time deciding how I feel about the new 4K makeover because most of it looks good, but a couple of things could have been handled better. If you are interested in adding the combo pack to your collection, I suggest you find a way to test it first.


Other editions

Prime Cut: Other Editions