6 | / 10 |
Users | 2.8 | |
Reviewer | 3.0 | |
Overall | 2.8 |
PRIMAL stars Cage as Frank Walsh, a big game hunter and collector who finally bags his prized prey, a rare white jaguar. Unfortunately for Frank, the boat carrying his score is also ferrying an international assassin, Richard Loffler (Kevin Durand), to face justice. The trip turns treacherous when Loffler not only breaks out of his constraints, but also frees the jaguar in the process.
Starring: Nicolas Cage, Famke Janssen, Kevin Durand, LaMonica Garrett, Michael ImperioliThriller | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.38:1
Original aspect ratio: 2.39:1
English: Dolby TrueHD 5.1
English, English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
Digital copy
Slipcover in original pressing
Region A (B, C untested)
Movie | 2.0 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 1.5 | |
Overall | 3.0 |
In this installment of “Nicolas Cage Doesn’t Say No to Anything,” attention turns to the arrival of “Primal,” which, from the film’s marketing efforts, appears to concern Cage’s character as he does battle with a cargo ship full of wild animals secretly released from their cages by a very bad man. Oh, dear readers, if that were the actual picture, what a state of B-movie bliss we’d all be in. The screenplay by Richard Leder (“Christmas on Chestnut Street,” “A Thousand Men and a Baby”) isn’t that bonkers, not even close. Instead of pure exhilaration as the hero(?) is forced to fight for his life against the animal kingdom, the production offers a prisoner escape feature instead, spending more time with a human protagonist. There’s no zoo- gone-mad aspect to “Primal,” but, as always, there’s Cage, and he’s in peak Cage-osity here, trying to give the blandness that surrounds him some much needed thespian spice.
The AVC encoded image (2.38:1 aspect ratio) presentation is dealing with a flat, HD-shot production, and one that makes a lot of use of boat interiors, which coat the feature in a sickly yellow look. This is not a visual stunner, but detail comes through with facial surfaces, opening ruggedness and unnatural smoothness up for study. Dials, switches, and cages are also defined, securing interiors. Jungle and boat tours have dimension. Interestingly, the general artificiality of the animals is noted, with CGI showing off fine hairs and angry faces, identifying budgetary limitations. Colors aren't explosive, but costuming brings out primaries and skintones are natural. Greenery during the opening act is boosted, and dockside life offers bright signage and waters. Delineation does struggle with solidification, losing frame information with shadow play and encounters with limited lighting. Banding is periodically detected.
The 5.1 Dolby TrueHD mix does very well with atmospherics, finding the highlights of the track involving time in the bowels of the boat with the animals, finding specific chirps, screams, and growls nicely ordered, adding some separation effects to the listening experience. Surrounds also do well with room tone, adding touches of metallic echo to interactions, Open air is noted as well, with jungle visits animated with creatures, and top deck encounters boosted by the sounds of the sea. Dialogue exchanges are direct, with sharp voices and distinct argumentative behavior, losing nothing to screaming matches. Low-end adds some rumble to violence and more aggressive ship movements. Sound effects are appealing, deliver snappy gunfire and naturalistic animal activity.
"Primal" has something with its contained version of "Jumanji," but it doesn't reach its full potential, electing to remain with twists and turns I doubt few will care about. There's Cage as Frank, tasked with reclaiming his collection, opening the door to screen bedlam as animals take over the ship, forcing the hunter to learn a thing or two about his troubling vocation. But Leder is more interested in scripting a "hunter vs. hunter" scenario, making Loffler the prize of the story. Cage brings welcome irritability to his performance as Frank is surrounded by idiots and a chatty parrot, and the actor is the sole highlight of the film. However, such anger doesn't support the entire endeavor, as Powell seems determined to disappoint his audience, refusing to supply a semi-campy unleashing of confused animals, with Frank the only hope anyone has to restore order. There's the movie, not some tired nonsense about a captured killer and the country who made him.
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