5.6 | / 10 |
Users | 0.0 | |
Reviewer | 2.5 | |
Overall | 2.5 |
A nun prepares to perform an exorcism and comes face to face with a demonic force with mysterious ties to her past.
Starring: Jacqueline Byers, Virginia Madsen, Colin Salmon, Nicholas Ralph, Ben CrossHorror | 100% |
Thriller | 28% |
Supernatural | 28% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
French: Dolby Digital 5.1
Spanish: Dolby Digital 5.1
English SDH, French, Spanish
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Digital copy
DVD copy
Slipcover in original pressing
Region A (B, C untested)
Movie | 2.0 | |
Video | 4.5 | |
Audio | 5.0 | |
Extras | 4.0 | |
Overall | 2.5 |
Prey for the Devil is supposedly "ripped from the headlines", or at least what this film's creative staff said was a documented rise in cases of possession over the past several years which led to the Catholic Church opening "exorcism schools" globally. If that part of the story at least has some tether to reality (since an exorcism school is at the heart of this tale), another plot conceit is still somewhat fanciful, in that a nun named Sister Ann (Jacqueline Byers) is trained in the rite, which any practicing Catholic will tell you is a major "no no", since only Priests or higher (male, lest that need be said) Prelates are permitted to rid humans of the demonic spirits supposedly residing within them. Director Daniel Stamm and screenwriter Robert Zappia are on hand in some actually rather interesting supplements included on this disc where they talk about "exorcism movies" as a subgenre that virtually require certain kinds of set pieces, and Stamm in particular mentions that he was more than willing to provide those, while also attempting to deliver something new. Therefore, yes, we get lots of projectile vomiting, the weird broken back floating trope (where did that become an exorcism motif?), and once beautiful young faces now cover in pustules and other disturbing blemishes. But the film also attempts to weave in a kind of "is she or isn't she?" aspect to possession, both in terms of a focal little girl named Natalie (Posy Taylor), but also with regard to memories of Sister Ann's mother (Koina Ruseva), who may or may not have been possessed, or "merely" schizophrenic.
Prey for the Devil is presented on Blu-ray courtesy of Lionsgate Films with an AVC encoded 1080p transfer in 2.39:1. I haven't been able to track down much technical data on the shoot, and as of the writing of this review the IMDb is largely silent, and so I'm frankly guessing about the resolution of the DI (as always with my reviews, if anyone has authoritative and verifiable information, private message me and I'll happily update things here). As I mention in our Prey for the Devil 4K Blu-ray review, I'm assuming a 2K DI because I really didn't notice a huge uptick in fine detail in the 4K version vs. this 1080 version, though, again, if someone has information to the contrary, let me know. This is a generally sharp digital capture that does encounter a few passing issues with detail levels due to frequency of low light scenes. There are any number of rather nicely lit scenes that nonetheless don't offer a ton of brightness, and occasional murk can attend otherwise kind of nicely burnished and often buttery yellow grading. In normal lighting, detail is generally excellent, though some may have occasional quibbles with the CGI, which is used to up the "exorcism movie set pieces" ante with any number of things you've seen before ("broken back" levitating) along with maybe a couple of exciting new phenomena (like "killer hair"). The palette is rather interestingly bleak a lot of the time, so that things like some of the pops of color of priestly vestments actually probably resonate even more strongly since they're so often the only really colorful thing in the frame. Several flashbacks are in a kind of quasi-sepia tone, which also offers secure detail levels.
Prey for the Devil features a nicely immersive Dolby Atmos track, one which admittedly exploits all sorts of audio tropes horror movie fans in general and exorcism movie fans in particular will no doubt have heard before, but which are handled here with both appealing surround activity as well as clear Atmos engagement. Ambient environmental effects like the rainfall that is featured early in the film can provide some midair moments, but really more of the impressive aspects of the sound design tend to understandably take place during the "big possession" scenes. A whirlwind of sound effects attends a couple of these moments, with some smart prioritization and discrete channelization. Nathan Barr's score also fills the side and rear channels invitingly. Dialogue is rendered cleanly and clearly throughout. Optional English, French and Spanish subtitles are available.
If Prey for the Devil had been just a bit more ambiguous as to whether possessions are real or simply the manifestation of mental illness, that may have made Sister Ann's predicament(s) more viscerally involving. The film has a lot of polish, and some decent performances, but it can't help but feel derivative a lot of the time. Supplements are very appealing, and technical merits solid, for anyone who may be considering making a purchase.
2018
The Fun House / The Cuckoo Clocks of Hell / At the Hour of Our Death
1977
2015
2019
2018
1978
2011
1981
Slipcover in Original Pressing
1980
2023
2023
2020
2015
2015
1978
2021
Unrated
2007
2022
2021
2015