6.5 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
A family discover they are not alone when they move into a new house.
Starring: Lucy Liu, Julia Fox, Chris Sullivan (XII), Callina Liang, West Mulholland| Horror | Uncertain |
| Psychological thriller | Uncertain |
| Thriller | Uncertain |
| Drama | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English: Dolby TrueHD 5.1
English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
4K Ultra HD
Slipcover in original pressing
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 0.0 | |
| Audio | 4.5 | |
| Extras | 0.0 | |
| Overall | 3.5 |
“Presence” is a ghost story. However, it’s a ghost story from director Steven Soderbergh, who’s usually not interested in giving viewers exactly what they expect, endeavoring to mix things up with his indie-minded ways. His latest is no different, but Soderbergh isn’t in an esoteric mood with the feature, heading in a more observational direction in a story about a spirit studying a dysfunctional family’s life inside an old house they’ve recently moved into. Scary business isn’t the focus of the offering, as screenwriter David Koepp is primarily interested in broken relationships and domestic issues, gradually working on a developing mystery involving a roving phantom. “Presence” isn’t going to please horror junkies used to more pressurized haunted house tales, but those with patience and some appreciation for Soderbergh’s filmmaking ways are offered an engrossing puzzle of death and household distance.


Screencaps are taken from the Blu-ray
"Presence" is a film that remains around a single location, often spending time in stillness to capture the unfolding drama. Shot with Sony a9 III
camera, the feature delivers a subtle viewing experience as the ghostly presence flies around the house. Detail is capable, examining decorative
offerings
in the living spaces, and skin particulars are compelling, handling age differences. Clothing remains textured. Color offers a sharp sense of paint and
greenery outside the dwelling. Clothing carries defined hues. Lighting dips into softer yellows and golds for evening activity. Blacks are mostly deep,
preserving evening activity and shadowy events. Highlights are tasteful. Compression struggles at times, with mild banding periodically detected.

The 7.1 Dolby TrueHD mix isn't going to become a demo disc, as the track primarily deals with silences and conversations. There's nuance to the quiet, following crisp dialogue exchanges as they explore quieter emotionality and argumentative behavior. Performances are fully intact as they move around different parts of the house. Scoring supports with sharp instrumentation. Surrounds open up for some musical moods, also doing well with room tone and atmospherics with ghostly happenings, adding panning effects at times. Low-end isn't challenged, but vibrational activity handles with weight. Sound effects are distinct.

There is no supplementary material on this release.

"Presence" isn't "Poltergeist" (though the font used for the end credits is similar to the 1982 classic), but the material doesn't deny some supernatural asides, bringing in Lisa and her "second sight" to help identify what's going on in the house once Chloe's belief that she's not alone turns out to be true. Koepp is going somewhere in the story, which is nice to see, and he has some fun with the spirit, playing with its intentions for others during the run time. There's talk of "mirrors" and "windows," but the script doesn't get too ridiculous, and Soderbergh is generally capable when it comes to maintaining an atmosphere of the unknown, allowing the audience to make their own discoveries. A few elements come up short (including Mulholland's weak performance), and, again, "Presence" isn't out to shock, and it's definitely not a "Paranormal Activity" sequel. It's something more restrained and cinematic (boasting an impressive sound design), reflecting the helmer's usual filmmaking appetites.

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Adrift
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