7.9 | / 10 |
Users | 4.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Ka-Kui, a Hong Kong police inspector, goes rogue to bring down a drug kingpin and protect the case's star witness from retribution.
Starring: Jackie Chan, Maggie Cheung, Brigitte Lin, Kwok-Hung Lam, Bill TungForeign | 100% |
Martial arts | 33% |
Crime | 19% |
Comedy | Insignificant |
Action | Insignificant |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
Cantonese: LPCM Mono
Cantonese: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: LPCM Mono (48kHz, 16-bit)
English
Blu-ray Disc
Single disc (1 BD)
Region B (locked)
Movie | 3.5 | |
Video | 4.0 | |
Audio | 5.0 | |
Extras | 3.5 | |
Overall | 4.0 |
Jackie Chan's "Police Story" (1985) arrives on Blu-ray courtesy of Eureka Entertainment. The supplemental features on the disc include original trailers for the film; alternate and deleted scenes; vintage video interview with Jackie Chan; the longer Japanese cut of the film; and more. The release also arrives with a collector's booklet featuring new writing on the film and rare archival material. In Cantonese or English, with optional English subtitles for the main feature. Region-B "locked".
The interloper
Presented in an aspect ratio of 2.35:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Jackie Chan's Police Story arrives on Blu-ray courtesy of Eureka Entertainment.
This release is sourced from a new 4K remaster of the film, and is included in this two-disc box set. Because there is such a dramatic gap in quality between the original Hong Kong release, which was sourced from a very old standard definition remaster, and this new release, I will not focus on direct comparisons. Instead, below I will highlight the pros and cons of the new presentation.
The Good: The density levels of the new 4K remaster are outstanding. I think that this is very important to underscore because as bigger TVs and projectors become more affordable, more people will notice that density is a key quality. Fluidity is dramatically better as well, though any proper high-definition master would have excelled in this area. Image stability is fantastic, which means that all of the annoying flicker from the old release has been completely eliminated. There are no traces of compromising degraining corrections. Also, there are no traces of sharpening adjustments. So, the basic qualities of the new remaster are all very solid and as a result the old release is now irrelevant.
The Not So Good: I don't know where the film was graded, but some of the issues that I noticed while viewing it are of the kind that I have seen introduced by European labs. For example, virtually all skin tones have a stronger than usual darker brownish hue. Blacks appear slightly elevated and remain such throughout the entire film as well. As a result, quite often there is noticeable black crush, and even during daylight footage with plenty of natural light there are nuances that are clearly lost (see examples in screencapture #3, 11). Also, there are subtle but noticeable shifts in the film's dynamic range, which I am fairly certain were introduced during the grading process, and they produce light flatness that is not part of the original cinematography (see examples in screencapture #17, 27, 28, 29, 30). So, I feel that the overall color balance is slightly warmer than it needs to be, and then the entire film looks marginally but noticeably darker than it should be.
To sum it all up, a more careful color grading would have produced quite a stunner as the basic qualities of the remaster are excellent. (I actually feel that for the most part the color temperature of the Japanese version that is included on this release is vastly superior, so using it as a blueprint would have gotten the job done). On the other hand, considering the alternative, it is very obvious that currently this is without a doubt the best overall presentation of the film on the marketplace. (Note: This is a Region-B "locked" Blu-ray release. Therefore, you must have a native Region-B or Region-Free player in order to access its content).
There are four standard audio tracks on this Blu-ray release: Cantonese: LPCM Mono, Cantonese: DTS-HD Master Audio 5.1, English: DTS-HD Master Audio 5.1, and English: LPCM Mono (U.S. alternate track). Optional English subtitles are provided for the main feature. When turned on, they appear inside the image frame.
I viewed the entire film with the original Cantonese Mono track, which has been fully remastered. It is quite the revelation because both stability and dynamic balance are outstanding. Indeed, there is a lot of action footage in the film and where previous remixed tracks used to alter dynamic intensity in very odd ways now there is proper stability that is very refreshing to hear. Furthermore, the music is very sharp and clear, and again nicely balanced. There are absolutely no traces of age-related imperfections in any register.
The new 4K remaster that was created for Police Story is obviously dramatically better than the old standard definition remaster that Kam & Ronson Enterprises used nearly ten years ago for the first Blu-ray release of the film. I am not at all surprised that this is the case. However, I would have preferred to see it retain the color temperature of the longer Japanese version that is included as a bonus. While there are obvious source limitations on the Japanese remaster, including some color stability issues, I feel that for the most part it has the better primary values that older fans of the film remember. Either way, considering the alternative, it is very obvious that currently this is without a doubt the best overall presentation of the film on the marketplace. RECOMMENDED.
(Still not reliable for this title)
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