8.2 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Clumsy Monsieur Hulot finds himself perplexed by the intimidating complexity of a gadget-filled Paris.
Starring: Jacques Tati, Rita Maiden, France Rumilly, France Delahalle, Laure PailletteForeign | 100% |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
French: DTS-HD Master Audio 2.0
French: DTS-HD Master Audio 3.0
English, French SDH
50GB Blu-ray Disc
Single disc (1 BD)
Region B (locked)
Movie | 4.5 | |
Video | 3.5 | |
Audio | 5.0 | |
Extras | 3.5 | |
Overall | 3.5 |
Jacques Tati's "PlayTime" (1967) arrives on Blu-ray courtesy of StudioCanal. The supplemental features on the disc include selected-scene audio commentary by Stephane Goudet; archival documentary feature; selected-scene audio commentary by Jerome Deschamps; and visual analysis of "PlayTime" by Stephane Goudet. In French, with optional English and French SDH subtitles for the main feature. Region-B "locked".
The future
Presented in an aspect ratio of 1.78:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Jacques Tati's PlayTime arrives on Blu-ray courtesy of StudioCanal.
The release uses as a foundation the new 4K restoration of PlayTime. Rather predictably, depth and fluidity are improved. Grain is far better resolved and distributed. The light halo effects that are occasionally visible on the previous restoration (2004) of the film have been eliminated as well, though I never found them to be distracting. Also, it appears that some new stability enhancements have been applied. With all of these positive improvements the new 4K restoration brings a drastically different color scheme. For example, the prominent metalic silver and cold blues from the previous restoration of the film have been replaced with notably warmer light blues, greens and yellows. Even the blacks have been adjusted and now much of the darker footage looks drastically different. More importantly, however, the overall color balance is very different -- compare screencapture #22 with screencapture #21 from our review of Criterion's first release of PlayTime and see how the green traffic light on the left side of the frame essentially becomes white on the new restoration. There are even more serious discrepancies during the first half of the film, where Monsieur Hulot gets lost in the large building. Here the metalic silver is no longer cold and intimidating while the light blues are simply missing. Unsurprisingly, the film's 'futuristic vibe' is also eliminated. During the second half the warmer color scheme is somewhat easier to tolerate (see screencaoture #18), but it is again easy to see that the color balance is off (the greens and reds are clearly destabilized). All in all, I have mixed feelings about the new 4K restoration of PlayTime. I like the improved fluidity and clarity it brings, but I am not convinced that the new color scheme is entirely appropriate. (Note: This is a Region-B "locked" release. Therefore, you must have a native Region-B or Region-Free PS3 or SA in order to access its content).
There are two standard audio tracks on this Blu-ray release: French DTS-HD Master Audio 2.0 and French DTS-HD Master Audio 3.0. For the record, StudioCanal have provided optional English and French SDH subtitles for the main feature.
I viewed the film with the French DTS-HD Master Audio 3.0 track and can confirm that depth is indeed better on it (when compared to the LPCM 2.0 track from the Criterion release). Some of the random noises are also handled differently (they are better enhanced and separation is different). For example, see and compare the sequence where the busy man from the building hits the glass door and then listen to the traffic noise (the sequence begins somewhere around the 44-minute mark). The dialog is clean, stable, and easy to follow. Also, there are no pops, cracks, background hiss, or distortions to report in this review.
I have mixed feelings about the new 4K restoration of Jacques Tati's PlayTime. I like the improved fluidity and clarity it brings, but I am not convinced that the new color scheme is entirely appropriate. The film looks very, very different now. This being said, StudioCanal's technical presentation of the new 4K restoration is excellent.
(Still not reliable for this title)
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1971
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