6.7 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
In the near future the two spaceships Argos and Galliot are sent to investigate the mysterious planet Aura. As the Galliot lands on the planet her crew suddenly go berserk and attack each other. The strange event passes, but the crew soon discovers the crashed Argos - and learns that her crew died fighting each other! Investigating further, the explorers come to realize the existence of a race of bodiless aliens that seek to escape from their dying world...
Starring: Barry Sullivan, Norma Bengell, Ángel Aranda, Evi Marandi, Franco Andrei| Horror | Uncertain |
| Foreign | Uncertain |
| Sci-Fi | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
Italian: DTS-HD Master Audio 2.0 Mono
English: DTS-HD Master Audio 2.0 Mono
English
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 4.5 | |
| Audio | 4.0 | |
| Extras | 4.0 | |
| Overall | 4.0 |
They may have missed Halloween by a few days with its slew of kids (and adults, based on my own non-scientific array of trick or treaters) dressed up as Dracula, but Radiance's US branch is releasing a new 4K / 1080 combo pack of Mario Bava's Planet of the Vampires, more than two years after their UK cohort released a 1080 edition of the film (review link below). There aren't many directors whose surnames have become (virtual) adjectives, with Wellesian and Felliniesque springing instantly to mind, but for those who have ever wondered what "Bava-esque" means, there's arguably no finer place to start than on this pesky planet.


Note: Screenshots are sourced from the 1080 disc in this package.
Planet of the Vampires is presented in 4K UHD courtesy of Radiance Films with an HEVC / H.265 encoded 2160p transfer in 1.85:1. An AVC
encoded 1080p transfer in the same aspect ratio is included on a separate disc. Radiance sent a check disc for purposes of the review of the UK 1080
release, and so I wasn't privy to any verbiage in an insert booklet included with that edition, though I noted at the time Radiance's website
mentioned a "4K scan of the film from the original negative under the supervision of Lamberto Bava and carried
out
at Fotocinema in Rome in collaboration with CSC Cineteca Nazionale". A full retail set was sent to me this time, and the insert booklet contains the
following generic information on the transfer:
Planet of the Vampires was scanned in 4K resolution at Fotocinema in Rome in collaboration with CSC Cineteca Nazionale, Titanus and RAICOM. A 4K digital file was supplied to Radiance Films for this UHD release. The restoration was supervised by Lamberto Bava and supported by Nicolas Winding Refn.As with Radiance's previous 1080 release, the Italian version of the film also includes the following prefatory text:
The digital restoration of Tenore nello spazio was carried out from the original 35mm Kodak Eastman Color negative, provided by Italian International Film.This is an impressive looking 4K upgrade, though I might caution those who are familiar with the quasi-adjective Bava-esque to maybe slightly temper their expectations in terms of what the HDR / Dolby Vision grades actually provide. There are absolutely gorgeous new highlights throughout the, well, Bava-esque palette, with blues, purples, reds and greens all popping extremely well, though that said, maybe I suffered from unwarranted expectations in just how much highlights and general palette energy could be improved. There is improvement, and noticeable improvement, but it may not be as gobsmacking as some might desire. The film's often very heavy grain structure may provide a few impediments, including with regard to detail levels, and the unremitting darkness and mist laden environments out on the planet may also tend to slightly mask fine detail levels at times. All of that said, considering the hurdles the compressionists must have encountered given the unrelenting darkness, mist, and at times thick grain, things look commendably well resolved throughout. The HDR grades do help elucidate shadow detail, though perhaps not entirely consistently.
The process was performed by comparing the colorimetry with a contemporary 35mm positive print, preserved at the Cineteca Nazionale.
The color correction was carried out under the supervision of Lamberto Bava, assistant director the of the film.
The scanning, digital restoration and film recording processes, using the Digital Intermediate 35mm Kodak polyester process, were performed by the Fotocinema studio in Rome in 2015.

Both of the prior Region A Blu-ray releases look like they only featured the English language version of the film, while this Radiance release offers the
same
Italian or English language versions that were on their previous 1080 release, with both languages offered via DTS-HD Master Audio 2.0 Mono. Both
tracks offer post looped dialogue
that is almost hilariously mismatched with lip movements, even in the English language version, but both provide capable support for dialogue (such as
it is*) and effects. The two scores are quite interesting, with Kendall Schmidt's reminding me somewhat of John(ny) Williams' great percussion laden
themes for all the Irwin Allen sci-fi series of the sixties. Optional English subtitles are available.
*I love how in the English language version an underling says that "even infrared lighting" can't penetrate the planetary fog, to which Barry Sullivan
immediately replies "I've set it to infrared, maybe that will help".

4K UHD Disc
- Italian Version (HD; 17:10)
- English Version (HD; 17:10)

You kind of have to love that the new supplemental documentary on the 1080 disc states that Barry Sullivan is best remembered for his role on the pilot for Night Gallery: Season One, where he portrayed the agent helping Joan Crawford get new eyes in the segment directed by some kid named Steven Spielberg or something like that. Some aware of Sullivan's decades long career in film, television and Broadway may want to quibble with that assessment, but I found it particularly delightful since I've always loved that particular Night Gallery vignette. One way or the other, though, this release offers solid technical merits and some appealing on disc supplements. The 4K UHD presentation is incredibly gorgeous, though the (color) space between the SDR 1080 and HDR 2160 presentations may not be as vast as some may be expecting. Recommended.

Terrore nello spazio
1965

Terrore nello spazio | 2K Restoration
1965

The Mask of Satan / La maschera del demonio 4K
1960

Includes 8mm Terror Of Dracula edit
1922

AIP Cut | 60th Anniversary
1963

Chi o suu ningyô
1970

呪いの館 血を吸う眼 / Noroi no yakata: Chi o suu me
1971

Space Mission to the Lost Planet / Vampire Men of the Lost Planet
1970

1966

1958

Special Edition | The Creeping Unknown
1955

La perversa caricia de Satán
1976

Nosferatu: Phantom der Nacht
1979

Les démoniaques | Limited Edition | Indicator Series
1974

I vampiri
1957

El gran amor del conde Drácula / Cemetery Girls / Dracula's Virgin Lovers / The Great Love of Count Dracula
1973

El retorno del hombre lobo
1981

La novia ensangrentada
1972

1979

La orgía nocturna de los vampiros
1974

L'amante del vampiro
1960

+ International Cut on BD | Collector's Edition
1985