6.8 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
Attorney Wayne Fletcher (Lon Chaney, Jr.) intends to divorce his wife and marry his secretary, Donna Kincaid (Brenda Joyce), who comes from a wealthy family. When the wife is found suffocated to death, he naturally becomes the suspect. As others are killed in the same manner and a phony medium, Julian Julian (J. Edward Bromberg) also claims Fletcher is guilty, Fletcher begins to imagine his dead wife is communicating with him, making it even more difficult for him to prove his innocence.
Starring: Lon Chaney Jr., Brenda Joyce, J. Edward Bromberg, Rosalind Ivan, Clara BlandickHorror | 100% |
Mystery | 26% |
Crime | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.36:1
Original aspect ratio: 1.37:1
English: LPCM 2.0 Mono (48kHz, 24-bit)
BDInfo
English SDH
Blu-ray Disc
Single disc (1 BD)
Region B (A, C untested)
Movie | 3.0 | |
Video | 2.5 | |
Audio | 3.5 | |
Extras | 4.0 | |
Overall | 3.0 |
Note: This film is available as part of Inner Sanctum Mysteries: The Complete Film Series.
There may be two schools of thought with regard to those who make horror films, with one group opting for graphic, on screen representations of
whatever traumas characters experience, and with another group thinking that it’s best not to show every jot and tittle of various
nefarious
behaviors, in the belief that the audience’s imagination can make things even scarier than any overt offerings can. In that regard, it’s interesting to
think
about some of the old radio shows that frequently featured mystery, thriller or horror elements, since it probably goes without saying that a
broadcast
without a video element necessarily requires the active participation of a listener’s imagination in order to make everything “click”.
There
were any number of “spooky” radio programs back in the day, including such well remembered efforts as Suspense (which kind of
amazingly
managed to last until 1962), though Inner Sanctum owed its genesis to another medium that requires an active imagination — namely,
reading. Simon and Schuster launched an imprint called Inner Sanctum in 1930 which did traffic in mystery and thriller novels, but which kind of
humorously also offered other genres, including romance.
In 1941, the radio edition premiered in January and became a staple of the American
broadcast landscape,
with a licensing deal with Simon and Schuster that required regular advertising of whatever the latest Inner Sanctum book was. A little bit over
two
years later, Universal did another licensing deal with Simon and Schuster to use the Inner Sanctum title, though as the commentary on
Calling Dr. Death gets into, Universal was kind of aggressively circumscribed by both the publishing house and the radio version in
that
the film company could not use the radio sound effect of a creaking door (which memorably opened and closed each episode), and was also
prohibited
from actually adapting any of the Simon and Schuster books (which may seem like a kind of odd requirement). Universal ended up making six
titles under their Inner Sanctum imprint, with all of them offering Lon Chaney, Jr. a chance to do something other than grow hair (The Wolf Man), get wrapped in
ragged bandages (The Mummy's Tomb) or attempt
to maraud around in Boris Karloff's oversized boots (The Ghost of
Frankenstein). With regard to the two "schools" of horror mentioned above, for reasons probably related as much to the production era
as to any deliberate stylistic choice, things can be somewhat discursive in terms of on screen horror.
Pillow of Death is presented on Blu-ray courtesy of Eureka! Entertainment with an AVC encoded 1080p transfer in 1.37:1. This is clearly the outlier in terms of overall quality in the Inner Sanctum set, with a noticeably more "dupey" look that has a coarser grain field, shallower contrast and kind of overall fuzzier appearance than many of the rest of the films offered in the collection. (It's interesting to note in this regard that this film still bears a "Universal presents", rather than RealArt, as was the case in another "dupey" looking transfer in this set, The Frozen Ghost.) These aspects are probably only further exacerbated by the glut of almost completely dark scenes, as well as quite a few optical dissolves, some of which look even rougher than the rest of the presentation. There's still decent detail to be had, especially in some of the more brightly lit close-ups, but this is arguably the least pleasing transfer in the set.
Unlike the video element, which is noticeably more ragged than the other films in this set, this film's LPCM 2.0 Mono track is very much in keeping with the other audio presentations in the collection. While there's a bit of background noise at times, dialogue comes through without any major problems, and scoring is also secure. Optional English subtitles are available.
Eureka! has packaged this set on two discs, with both film specific and more generalist supplements on each disc. Here is a list of all the contents,
including supplements,
on both discs.
Disc One
- Calling Dr. Death
- Audio Commentary by C. Courtney Joyner and Regina Le Borg can be accessed under Calling Dr. Death on the Main Menu.
- Trailer (HD; 1:07) can be accessed under Calling Dr. Death on the Main Menu.
- Weird Woman
- Audio Commentary by Justin Humphreys and Del Howison can be accessed under Weird Woman on the Main Menu.
- Trailer (HD; 1:22) can be accessed under Weird Woman on the Main Menu.
- Dead Man's Eyes
- Trailer (HD; 1:05) can be accessed under Dead Man's Eyes on the Main Menu.
- The Amazing Death of Mrs. Putnam (25:15)
- The Black Seagull (28:46)
- The Skull That Walked (29:42)
- The Frozen Ghost
- Trailer (HD; 1:11) can be accessed under The Frozen Ghost on the Main Menu.
- Strange Confession
- Audio Commentary by Peter Atkins and C. Courtney Joyner can be accessed under Strange Confession on the Main Menu.
- Pillow of Death
- Skeleton Bay (29:44)
- The Man Who Couldn't Die (29:22)
- Death of a Doll (25:08)
You can sense a certain entropy creeping into the Inner Sanctum series by this point, but it's also obvious that Universal wasn't averse to maybe injecting a hint of humor into the proceedings. This may not be overly memorable, but it's enjoyable on its own small scale level. Video is definitely improvable, but audio is fine, for those who are considering a purchase.
(Still not reliable for this title)
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1945
1945
1944
1943
2013
2016
2014
Follia omicida | Limited Edition
1981
2016
Eureka Classics
1939
Premium Collection
1933
2019
2018
Il rosso segno della follia / The Italian Collection #69
1970
La notte che Evelyn uscì dalla tomba
1971
Indicator Series
1974
1978
2009
1976