7.5 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Follow this autobiography where Pharrell Williams shows his imaginative and creative process using Lego, as he constructs Lego models representing his artistic development. Each build reflects a different creative milestone.
Starring: Pharrell Williams, Morgan Neville, Gwen Stefani, Timbaland, Snoop Dogg| Animation | Uncertain |
| Music | Uncertain |
| Documentary | Uncertain |
| Biography | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: Dolby TrueHD 7.1
French: Dolby Digital 5.1
Spanish: Dolby Digital 5.1
English SDH, French, Spanish
Blu-ray Disc
Single disc (1 BD)
Digital copy
Slipcover in original pressing
Region A, B (C untested)
| Movie | 3.5 | |
| Video | 4.5 | |
| Audio | 4.5 | |
| Extras | 0.5 | |
| Overall | 3.5 |
Part biopic, part LEGOŽ movie, and all Pharrell Williams, 'Piece by Piece' makes its Blu-ray debut courtesy of Universal. In this first-of-its-kind
feature film from Director Morgan Neville, viewers can trace the life and career of musician and cultural icon Pharrell Williams through the freeing
and
imaginative perspective of LEGOŽ animation all the way from his childhood through his rise to fame and leading up to the present day. A host of
well-known
musicians appear throughout the feature to share their thoughts and remembrances including Snoop Dogg, Gwen Stefani, Busta Rhymes, and
more,
all of whom are likewise rendered in LEGOŽ form. The release boasts solid technical merits, though the supplemental material is very light. Both a
slipcover and a digital code redeemable through Movies Anywhere are included. Subtitles are available.
Whether or not you knew who was singing, writing, or producing, it would be extremely difficult to navigate through the modern world without
having heard at least one song that 13-time Grammy winner Pharrell Williams had a hand in. Originally from Virginia Beach, Williams has worked
with a veritable who's who of the top pop and rap acts including Justin Timberlake, Snoop Dogg, Jay-Z, Ludacris, Gwen Stefani, and Kendrick
Lamar, just to name a few. Songs like Daft Punk's "Get Lucky" for which Willaims supplied the vocals was inescapable in 2014 and it persists as an
instantly recognizable earworm a decade later. But it's perhaps his own song, "Happy", from the following year that blasted him into the global
consciousness, with fans from all over the world expressing what the song meant to them and going so far as to craft their own videos for the
track.
As one would expect, his overnight success took years, from his humble beginnings playing music with friends from school, to getting fired from
hourly jobs in youth, and his attempts to break into the industry, before finally achieving success in music and other ventures. This is the fairly
traditional tale that Piece by Piece tells.


As is the case with the LEGOŽ shorts and films that have come before it, Piece by Piece provides neverending opportunities for primaries to pop, and they do so ceaselessly. Yellows, blues, and reds leap off the screen whether part of a character's wardrobe or the environment. The animated lines that denote characters' eyes and mouths as they speak, squint, or blink are universally clean and sharp. Image depth is solid, aided by very satisfying blacks which are deep and inky without crushing. Shading on the LEGOŽ avatars of the people in Williams' story and in the world they populate is done excellently, without banding. Even though the bulk of the people and objects on display in Piece by Piece are smooth, as is the case with most LEGOŽ pieces, there are moments when texture is added to walls on building exteriors, clothing, hair, floors (such as in Chad's attic studio, and various props. Pieces can even sometimes display nicks and wear along their edges simulating the notion that they have been assembled and disassembled numerous times. High gloss surfaces like bottles and elevator doors are suitably and realistically reflective. It's a very strong 1080p transfer.

The English Dolby TrueHD 7.1 audio track is tasked with two primary chores: handling dialogue and reproducing music. It accomplishes both very well. Dialogue is almost exclusively located front and center as is appropriate for a film of this type. It's properly prioritized and is clear, clean, and understandable. Even when the music is the dominant presence, as is often the case, never a word is missed. The real star here, however, is the music, and the surrounds are leveraged to support it frequently and often. The first opportunity to appreciate the precision and fidelity of how music is rendered comes early, as a Stevie Wonder track fills the sound field when Williams recounts his love of listening to the artist over and over in his youth and experiencing synesthesia for the first time. Later, Gwen Stefani's "Hollaback Girl" provides a few moments to appreciate sharp horn flourishes, and later her group's (No Doubt) "Hella Good" allows percussion to take the forefront, coupled with crisp guitar work and throbbing synths. As is necessary for most of the songs that he produced, performed, or that influenced him, bass is of critical importance. Here the track once again does not disappoint, and the thumping bass adds depth and power when it is called upon to do so. Sound effects are also accurate and include delicately clicking LEGOŽ pieces as scenery and objects magically assemble themselves, car wheels, closing doors, and the fantastic and room-rumbling moment when Future Records lands in Virginia Beach. Directionality is precise, and objects including jets, birds, and flying LEGOŽ pieces move realistically from front to back and side to side. The track is frequently immersive, and one of the track's most playfully enveloping moments recounts the iterative process of crafting Snoop Dogg's "Drop it Like it's Hot" in the studio and then following it to the stage at the Staples Center in its finished form. It's a great track.

The only extra included is a very brief piece entitled "Building the Story" which allows Pharrell Williams and Director Morgan Neville a few minutes to share some quick comments on the origin and intent of the project (3.13) without having the time to go into meaningful detail. In the overall scheme of things, this seems to be a missed opportunity. An audio commentary from Williams and Neville would have been most welcome to allow the pair to comment on the included moments, decisions about what to cut, and so on. Full-length LEGOŽ music videos for some select songs included would also have been an excellent addition. Likewise, including a Pharrell Williams LEGOŽ Minifigure would have been an excellent add and is in keeping with LEGOŽ movie releases of the past. Instead, the one short promo spot is all that there is.

While not the first LEGOŽ movie, Piece by Piece does have the unique distinction of being the first LEGOŽ biography/documentary/rockumentary. Director Morgan Neville makes great use of the medium leveraging the ubiquitous bricks to bring viewers into the past and view Williams' origins, his successes and failures, while bringing music, the creative process, and abstract thoughts to life. Like Williams, it's a project that doesn't fit well into any one mold. While it's unfortunate that the film wasn't granted a 4K UHD release resplendent with a Dolby Atmos track, what is here from a 1080p video and audio perspective is quite pleasing. Despite the aesthetic, fans of the host of LEGOŽ video games, features, and shorts that have come before should approach Piece by Piece with caution as it is not exactly in line with those projects. But for those who love the LEGOŽ style of animation and also happen to be die-hard Pharrell Williams fans, Piece by Piece comes recommended.

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