7.2 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
A mathematician, Max Cohen, is on the verge of decoding the numerical pattern beneath the ultimate system of ordered chaos—the stock market. However, as he works, he is being pursued by an aggressive Wall Street firm set on stealing the code in order to dominate the financial landscape. Also in the hunt for Max's secrets are a Kabbalah sect intent on unlocking the secrets behind their ancient holy texts. Racing to crack the code, Max succeeds only to find he has a secret everyone is willing to kill for.
Starring: Sean Gullette, Mark Margolis, Ben Shenkman, Pamela Hart (II), Stephen PearlmanDrama | 100% |
Psychological thriller | 64% |
Sci-Fi | Insignificant |
Thriller | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.66:1
Original aspect ratio: 1.85:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
4K Ultra HD
Region A (B, C untested)
Movie | 4.5 | |
Video | 0.0 | |
Audio | 4.5 | |
Extras | 2.5 | |
Overall | 4.5 |
"Pi Day" really was Pi Day this year, or to perhaps offer it in a more diacritically correct fashion, 𝝅 Day, given that Darren Aronofsky's now legendary film (which A24 re-released both for IMAX and on 1080 and 4K UHD disc appropriately on 3/14) often offered its title in that venerable form. Pi was a completely audacious debut for Aronofsky back in 1998, offering a dense narrative within a riveting presentational conceit which, as Aronofsky overtly mentions in his commentary included on this disc as a supplement, was designed to get the viewer "into" the addled mind of mathematician Max Cohen (Sean Gullette, who shares a story credit for this effort along with Aronofsky and Eric Watson). As Aronofsky also gets into in his commentary track, Pi may ultimately be about the search for order which may inevitably end with an unconditional surrender to the forces of chaos. This rather daunting thesis is offered in Pi as near refractions emanating from the psyche of Max, who either hallucinates he's perhaps a pawn in a giant conspiracy or in fact may actually be a pawn in a giant conspiracy. Pi is a completely unnerving viewing experience with a deliberately hallucinatory ambience that intentionally leaves the viewer unsure of what exactly is "really" happening and what may otherwise "simply" be (if anything is simple in this film) the visions of a perhaps disastrously unstable mind.
Note: Screenshots are sourced from A24's standalone 1080 release. Per A24's standard operating procedure, this release does not
feature a 1080 disc, which is why the 2K video score above is left blank.
Pi is presented in 4K UHD courtesy of A24 with an HEVC / H.265 encoded 2160p transfer in 1.66:1. As can be gleaned from the (1080)
screenshots offered here, as well as those accompanying my Pi Blu-ray
review of A24's standalone 1080 release, this film is a stylistic tour de force, with Matthew Libatique's high contrast black and white
cinematography often pushed to the point where whites intentionally bloom and blacks can virtually swallow whole sections of the frame. Despite these
flourishes, detail levels are remarkably consistent, and show an increase in fine detail in particular when compared to the already superb 1080
presentation. Some of this noticeable improvement is courtesy of the extreme close-ups that Aronofsky and Libatique employ, where despite almost
overwhelmingly pushed contrast, things like the downy hairs on Max's face can pretty much be singled out and counted individually. Adding to the
distinctive look of the film are two salient data points: 16mm and reversal stock, both of which lend this presentation a definitely very gritty
at times grain field, though Aronofsky and Libatique play with this presentational aspect along with everything else, so that some scenes are almost
awash in a sea of grain, while other moments are at least relatively less textured looking. Given the small budget and limited funds for an expansive
production design, Pi still delivers "the goods" in terms of fascinating stuffed to the brim frames that despite all manner of post production
tweaking typically offer gorgeous (if intentionally widely variant) gray scale and appealing detail levels.
Pi features a Dolby Atmos track which frankly may disappoint some audiophiles who want nonstop surround activity, especially the over the top variety offered by an Atmos encode. Surround activity throughout this track can be rather subtle and in fact intermittent. Listen, for example, to the jangly, percussive opening "music" by Clint Mansell, and you'll discover the rear channels aren't even engaged until around the producing credits toward the end of the credits sequence. Side and rear engagement, let alone Atmos engagement, can be sporadic, though when it does occur, as in the sudden flight of a dove around the 14 minute mark, it can be quite arresting. With expectations therefore set appropriately, while this may not be the "showiest" Atmos track ever offered, it definitely provides some hallucinatory immersion as Max's mental state deteriorates, and both the bizarre sound effects and Mansell's score penetrate the side and rear channels, if not consistently, then certainly on noticeable and repeated occasions. Max's narration and dialogue tends to be front and center throughout. All spoken material is delivered cleanly and clearly. Optional English subtitles are available.
- 1998 Director Commentary with Darren Aronofsky
- 1998 Actor Commentary with Sean Gullette
I frankly can't remember the last time I saw Pi, but I know it's probably been at least a decade or so, and so revisiting the film was a really visceral experience since I only remembered the general outline of things. Pi may not ultimately "mean" anything, but it's a nightmare fever dream of a story that is absolutely impossible to forget. While I mentioned above how this film would make an interesting double feature with Requiem for a Dream, its "math whiz" focal character and at least one salient plot point may actually remind some of A Beautiful Mind, though the two films couldn't be more different otherwise. A24's release offers secure technical merits and some appealing supplements. Highly recommended.
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Full-Length Director's Cut
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4K Restoration
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Paramount Presents #47
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