6.7 | / 10 |
Users | 4.5 | |
Reviewer | 4.0 | |
Overall | 4.0 |
A young boy who discovers he has superpowers joins forces with a courageous cop to foil a nefarious plot to destroy New York in this action-packed animated adventure.
Starring: Edouard Baer, Jean-Pierre Marielle, Audrey Tautou, Jackie Berroyer, Gaspard GagnolAnimation | 100% |
Foreign | 75% |
Fantasy | 26% |
Crime | Insignificant |
Adventure | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1
French: DTS-HD Master Audio 5.1
English, English SDH
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
UV digital copy
DVD copy
Slipcover in original pressing
Region A (B, C untested)
Movie | 4.0 | |
Video | 5.0 | |
Audio | 5.0 | |
Extras | 2.5 | |
Overall | 4.0 |
Phantom Boy is the second animated feature helmed by co-directors Jean-Loup Felicioli and Alain Gagnol's following their Oscar-nominated
A Cat in Paris. It tells a magical tale of an
eleven-year-old patient who aids an incapacitated police lieutenant in trying take down a criminal mastermind. The opening titles contain wondrous
images that will remind one of Saul Bass's famous graphic layouts in so many of the legendary designer's films. Felicioli and Gagnol set the film in
contemporary New York City with many recognizable billboards, shops, theaters, and landmarks. However, "the look" of the city, with its old-school
2D handdrawn animation, actually resembles NYC during the fifties and sixties rather than today. There is some architectural drawings that look a
bit like Greenwich Village as seen in Hitchcock's Rear
Window (1954). This is particularly fitting since an immobilized L.B. Jefferies must rely on Lisa Fremont to go to another apartment to
ascertain suspicious activity of a possible crime in Hitch's classic voyeuristic thriller. Likewise in Phantom Boy, Lieutenant Alex is relegated
to his hospital room and must communicate with the stealth Phantom Boy on the outside world so he can relay crime-preventing tips.
Phantom Boy has a funny self-reflexive style that mimics comic books and graphic novels. The movie is book-ended by fantasy scenes in
which the boy Leo reads a detective novel to his younger sister, Titi (or vice-versa). Phantom Boy also plays with the film-within-a-film and
the audience is presumably unsure if the superhero chasing the bad guy on the roof is part of the "real" diegegis or is a contrivance for the purpose
of dramatization by a storyteller. Leo has been sick for a while as evidenced by his hair loss and is undergoing chemotherapy treatments for a form
of leukemia. Unbeknownst to his parents, Leo has a special ability for astral travel. Whether he is comatose, unconscious, or just plain asleep, his
ephemeral spirit can release from his body, levitate, and pass through physical objects like a ghost. Felicioli and Gagnol first establish Leo's story
and then cut to Alex's plight. Alex has always been a policeman who took a lot of chances with utter temerity and his encounter at the local
supermarket is no different. Alex is with his girlfriend, the newspaper reporter Mary, looking at flowers when, as unseen bystanders, they witness a
holdup at a checkout counter. Alex tries to foil the perpetrators' robbery and while Mary and him get out unscathed, the store blows up. Alex is
demoted to a watchman at Port Quay 4 and it is here that he first meets the man with the broken face (aka "The Face") and his two goons. Alex
seems to have the villains under control when he is abruptly blindsided and badly injured. Leo and Alex are recuperating at the same hospital on
different floors and their astral projects meet each other. (Alex was unaware that he also had this power.)
A typical scene from PHANTOM BOY.
Phantom Boy makes its worldwide debut on Blu-ray courtesy of Universal Studios and its offshoot, GKIDS, on this AVC-encoded BD-50. The
movie appears in its original theatrical aspect ratio of 1.85:1 and looks practically spotless. The colors are densely saturated with excellent detail. The
digital master used for this transfer looks newly minted with no compression artifacts to speak of. One critic called Phantom Boy's palette
"charcoaled colors" and I am in the affirmative. Some of the hues have shades of soot in them. There was also a cherry red to a couch early in the
film that stood out. Aerial views from the Phantom Boy's perspective look majestic with three-dimensional depth. Shadow detail is flawless.
Universal has created twenty bookmark-enabled chapter stops.
Universal supplies the original French DTS-HD Master Audio 5.1 sound track and a dubbed English DTS-HD Master Audio 5.1 option. The former has French titles/credits and the latter English titles/credits. English subtitles are available on the French version and optional English SDH can be accessed on the English version. I listened to both tracks and they simulated what it was probably like to hear the film mixed in the recording studio. Sound waves created a very enveloping acoustical environment in my home theater. The strings on composer Serge Besset's original score soared as did the swooshing sounds of the Phantom Boy. Both tracks had outstanding balance. The front channels exhibited seemingly unlimited depth on occasion. The surround channels never missed a beat either. Gunshots, footsteps, the opening/closing of an elevator, et al. showed strong and distinctive separation on the rear speakers. Dialogue is uttered faster on the French version but enunciation is consistently clear and intelligible on both tracks.
Phantom Boy is a delightful fantasy adventure and detective yarn. Universal delivers absolutely superlative visuals and sonics on this BD-50. While I would have liked the supplements to be longer, they are informative for the info they bring and should be helpful to animation novices. If you're a fan of Felicioli and Gagnol's A Cat in Paris, you will not want to miss their follow-up picture. HIGHLY RECOMMENDED.
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