7.7 | / 10 |
Users | 4.8 | |
Reviewer | 4.5 | |
Overall | 4.5 |
Marjane is precocious and outspoken young Iranian girl who was nine years old during the Islamic Revolution when the fundamentalists first take power—forcing the veil on women and imprisoning thousands. She cleverly outsmarts the "social guardians" and discovers punk, ABBA and Iron Maiden, while living with the terror of government persecution and the Iran/Iraq war. Then Marjane's journey moves on to Austria where, as a teenager, her parents send her to school in fear for her safety and, she has to combat being equated with the religious fundamentalism and extremism she fled her country to escape. Marjane eventually gains acceptance in Europe, but finds herself alone and horribly homesick, and returns to Iran to be with her family, although it means putting on the veil and living in a tyrannical society. After a difficult period of adjustment, she enters art school and marries, continuing to speak out against the hypocrisy she witnesses. At age 24, she realizes that while she is deeply Iranian, she cannot live in Iran. She then makes the heartbreaking decision to leave her homeland for France, optimistic about her future, shaped indelibly by her past.
Starring: Chiara Mastroianni, Catherine Deneuve, Gena Rowlands, Sean Penn, Iggy PopForeign | 100% |
Drama | 80% |
Animation | 33% |
Biography | 15% |
Comic book | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: Dolby TrueHD 5.1
French: Dolby TrueHD 5.1
English, English SDH, Spanish
50GB Blu-ray Disc
Single disc (1 BD)
BD-Live
Region A (locked)
Movie | 4.5 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 4.0 | |
Overall | 4.5 |
Just days before watching Persepolis, I finished reading the autobiography of
Ayaan
Hirsi
Ali. After living in Somalia, Saudi Arabia, Ethiopia and Kenya, Ali immigrated to the
West and dedicated her life to public service, studying politics and sharing her observations about
the
Muslim world. I consider Ali and women like her to be heroes. The few who speak out show great
courage
and strength, coming from a strict culture that would demonize and silence them.
Persepolis tells
the story of such a woman. Marjane Satrapi grew up in war-torn Iran after the Islamic revolution,
struggling to
reconcile her country's policies of oppression with
her ideals of freedom, self-expression, and dignity.
Satrapi eventually immigrated
to
France and became an artist. She cowrote and co-directed Persepolis based on her life
story
and her illustrations. The result is a unique and touching animated feature. It is a coming-of-age
story, a comedy, a tragedy, a political story, a family story, a story of Islamic fascism and above
all a human story of rare power, simplicity and elegance. Satrapi is somewhat tormented by the
violence and
oppression in her homeland that claims the lives of a few of her
family and friends and stifles her self expression. Both Ali and Satrapi possess a keen political
and moral compass that leads each to tell her story in her own way. It is of
paramount importance to listen to their
stories
so that we may hear through them the voices of millions of
women who don't have a voice in their own countries. In the west, we have no framework to
understand the
kind of oppression in places like Iran. Persepolis builds that
framework
for us, with its unflinching honesty and accessible characters, delivering messages that everyone
can understand.
Much of the inspiration and moral anchoring of Marjane Satrapi's story is rooted in the values instilled in her by family members such as her grandmother.
It is difficult to evaluate the picture quality fairly. Blu-ray discs are usually rated in terms of depth
and contrast, black level and detail. But Persepolis is a deceptively simple cartoon--99%
of which is in black and white. As solid and sharp as the picture appears, the imagery is arguably
simple enough to be paid off with upscaled standard definition. But why would anyone opt for
anything but the BD version? The black level is deep and the definition in 1080p looks
exceptional. This resolution is important even for the "low-tech", greyscale animation approach
taken in Persepolis. The organic qualities of the picture are impressive. I find it more
human and artistic than the typical CGI fare like Teenage Mutant Ninja
Turtles. What Persepolis gives up in its lack of color and lack of three-
dimensional imagery, it makes up for in fine-arts style, grace and simple elegance.
The only scenes in color show an adult Marjane making her way through airports to her new life
in France. The significance of black and white is to indicate memories or past occurrences that
make up the bulk of the film. Illustrated images ranging from falling flowers to the horrors of war
are paid off with delicate lines, patterns, mottled gradients and solid blocks of black, grey and
white. Watch the floating car driving the "in-love" Marjane over the streets of Austria with ornate
buildings in the background. The patters like stylized stars in the sky and flowers and wisps of
smoke offer design elements that are paid off in the story and that resolve gorgeously in 1080p.
No bombastic explosions will push your subwoofer. No stereophonic acrobatics will have you
looking over your shoulder in the direction of the surround speakers. Still, the purity and
simplicity of the audio, like the picture quality, demonstrates good resolution. Some ambient
sounds do make their way to the surround channels and add spacial cues that heighten the
emotional impact of the film. The treble
extention is very good. Voices--including Sean Penn and Iggy Pop--convey authority and
heightened definition in 5.1
Dolby TrueHD. Iggy Pop's presence is especially apropos, since Marjane seems to greatly enjoy
punk music. And speaking of music, the soundtrack of Persepolis is well suited to the film
and resolved gorgeously in TrueHD.
Listen to the mid-bass in Iggy's gravelly tenor delivery. It lends an authenticity to his character.
The voices in the French Dolby TrueHD version--including Chiara Mastroianni, Catherine Deneuve,
Danielle Darreux and Simon Abkarian--are even more authentic and also demonstrate the
resolution of TrueHD. The most interesting sequence, from an audio standpoint, occurs in a
dramatic explosion as Iraq shells Tehran. While the explosion is tame by today's action film
standards, it gives way to a haunting musical interlude as Marjane witnesses the horrors of war.
Kudos to the filmmakers for ensuring good audio quality. With a low budget, it would have been
easy to let the recording quality lapse into mediocrity, but the film maintains a commitment to
quality and clarity, with good imaging and no-nonsense stereophonics throughout.
While the film dialogue is available with a carefully produced English Dolby TrueHD track featuring
Iggy Pop and Sean Penn, the supplementary material is mostly in French, making it a bit
inaccessible. There are some exceptions in the featurettes and English subtitles, so there are
many nuggets to be mined here. High definition content is nowhere to be found, unfortunately.
The highlights of the bonus content are Satrapi's interviews and commentary.
Audio Commentary: Covering only a few scenes, the commentary by Marjane Satrapi, Vincent
Faronnald and Chapa Mastroianni runs only seven fascinating minutes. Too bad there isn't more!
Hidden Side of Persepolis: This featurette is in French with English subtitles and runs about 20
minutes. It shows the illustrations that Satrapi used for her graphic novel that were then used
for the starting points in animation.
Behind the Scenes of Persepolis: One of the most rewarding supplements on the BD, focusing on
Satrapi in English interviews, this is another 20 minutes featurette that describes in more detail
how Satrapi's graphic novel was adapted for screen. Highly recommended.
Animated Scene Comparisons: Satrapi provides commentary in this 11-minute explanation of the
differences between the graphic novel and the film. Not nearly as good as the other two
featurettes that touch on the graphic novel.
2007 Cannes Film Festival Press Conference: Another treasure trove of information from the
filmmakers, involving questions from the press. The journalists, cast and crew speak in French
(with English subtitles).
Persepolis is worth buying because it has succeeded in ways most films never do: delivering an important story with humor, style, urgency and honesty. Satrapi unveils life in Tehran in a thoroughly unique and disarming way, offering instant access to a repressive, Islamic society in a manner that westerners can understand: through the eyes of a willful young lady. But consider all the other women in Iran and even poorer countries in the Muslim world. What are their lives like? Persepolis is only the tip of a very big iceberg that is one of the most serious sociological problems of our time. The film avoids looking directly at these issues and actually it is relatively non-judgmental on Islam. The main objects of its criticisms are the religious police, the Iranian Revolutionary Guard. Persepolis looks on the west with an equally critical eye, with our wishy-washy metrosexuals and our idealists who know nothing about sacrifice, fascism, revolution or political vision. Satrapi does know about those, yet she has not lost sight of the human lives behind them, and her ability to express that vision is her greatest gift.
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