6.8 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
In Northern France, a young man is obsessed with the idea of making himself explode in public. He's not suicidal. He's not driven by ideology. He's just interested in the effect on people.
Starring: Théo Cholbi, O.B. De Alessi, Sylvain Decloitre, Benjamin Sulpice, Julien Fayeulle| Foreign | 100% |
| Drama | 91% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
French: DTS-HD Master Audio 5.1
English, Spanish
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 4.0 | |
| Audio | 4.5 | |
| Extras | 3.0 | |
| Overall | 4.0 |
On the cover of “Permanent Green Light” is press quote that claims the movie is “One of John Waters’ Top Films of 2018.” That’s a fine stamp of approval from a cultured film scholar, but also acts as a bit of a warning to those coming in cold to the picture. Writer/directors Dennis Cooper and Zac Farley try to tap into teen angst with the material, taking such concern to France, following the journey of a boy who wants to die via a large explosion. “Permanent Green Light” plays fairly seriously, but there’s evidence that perhaps it’s meant to be taken as darkly comedic. Either way, the feature isn’t something that necessarily commands attention, happy to exist in its own little realm of self-analysis and secret pain.


The AVC encoded image (1.85:1 aspect ratio) presentation provides a clear look at the HD-shot film. Detail is strong, with numerous close-ups delivering subtleties of skin surfaces, including a fresh look at trials of adolescent acne. Locations are sharp and dimensional, and costuming retains textured fabrics. Colors are satisfactory, favoring a muted palette to fit the somber mood, but hues register as intended, finding more extreme lighting with a carnival visit. Greenery is secure, and skintones are natural. Delineation is supportive. Mild banding is periodically detected.

The 5.1 DTS-HD MA sound mix secures the near-silent mood of "Permanent Green Light," placing emphasis on dialogue exchanges, which emerge with authority and nuance. Minimal use of music carries weight, delivering EDM thump and fullness, giving the surrounds something to work with. Atmospherics are appealing, with a clear read of nature in motion, sharp fireworks, and general interior echo.


"Permanent Green Light" isn't an emotional odyssey, sticking close to the art-house routine of stillness as a measure of meaning. There's nothing outwardly incomplete about the effort, with tech credits sharp and performances capable, achieving exactly what Cooper and Farley are looking for. However, this is a real "your mileage may vary" viewing experience, with some viewers sure to be illuminated by this look at depression, while others might find themselves chuckling inappropriately at the semi-absurdity of it all.