7.5 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
While discovering her own sexuality during a seaside holiday, teenager Pauline observes the romantic misadventures of the adults around her, including her older cousin Marion.
Starring: Amanda Langlet, Arielle Dombasle, Pascal Greggory, Féodor Atkine, Simon de la BrosseForeign | 100% |
Drama | 77% |
Romance | 29% |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.66:1
Original aspect ratio: 1.37:1
French: DTS-HD Master Audio 2.0
English
50GB Blu-ray Disc
Single disc (1 BD)
Region A (C untested)
Movie | 3.5 | |
Video | 3.5 | |
Audio | 4.0 | |
Extras | 2.5 | |
Overall | 3.5 |
1983’s “Pauline at the Beach” is regarded as an installment of writer/director Eric Rohmer’s “Comedies and Proverbs” series, with the French New Wave veteran continuing his examination of human behavior as its challenged by deception, painful truths, and disappointment. For this production, Rohmer takes his fixations into the sun, adding the sensuality of beach bodies and the lure of a long vacation to ornament a coming-of-age exploration, puckered by sketchy characters and extended dissections of romantic need.
The AVC encoded image (1.66:1 aspect ratio) presentation provides a filmic viewing experience, with dimensional appearance and fine grain. Colors are also supportive, delivering on bold primaries and lush skintones, helping the sexual mood of the feature. Detail is strong, capturing set decoration and close-ups with satisfactory texture, while outdoor adventures are open for study. Delineation isn't troublesome. Source isn't in rough shape, but speckling is constant, along with periodic scratches and mild flicker.
The 2.0 DTS-HD MA sound mix replicates Rohmer's leisurely mood, finding an appealing balance of dialogue and atmospherics. Dramatics are crisp, handling argumentative and soul-searching exchanges comfortably, emphasizing performances. Music is limited, but it's never problematic. Beach visits amplify the track, filling it with crashing waves and group encounters, adding to the picture's mood. A few points of damage are detected during the listening experience, but nothing distracting.
Rohmer works to knot "Pauline at the Beach" with betrayals and botched seduction attempts, and the film does manage to contribute interesting, complex characterizations, even with the helmer's deliberate pacing. Personalities are the star of the show here, not speed, and "Pauline at the Beach" delivers on thoughtful exchanges, philosophical ideas, and primal desires without tripping over itself, managing to remain emotionally authentic as it teases French comedy convention.
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