7.2 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
The newest executive in a large firm, Fred Staples, becomes friendly with the vice president to whom he reports and who has devoted his entire life to the company. But Staples finds his ethics at odds with his ambition, when the CEO reveals that he's been recruited to replace his new friend.
Starring: Van Heflin, Beatrice Straight, Everett Sloane, Ed Begley| Drama | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.66:1
Original aspect ratio: 1.66:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 3.5 | |
| Audio | 3.0 | |
| Extras | 0.0 | |
| Overall | 3.5 |
Patterns has an unusual history. Like Marty,
which is a better known film because of Ernest Borgnine's
Oscar-winning lead performance, Patterns was originally written as a one-hour teleplay for live
TV, where it debuted as an episode of Kraft Television Theater in January 1955. The broadcast
was so well received that NBC repeated it four weeks later—and in those days of live telecasts,
repeating a show meant performing it all over again. A feature film appeared the
following year, with the same director and much of the same cast. The author of this surprise
success was a young TV writer named Rod Serling, future creator of The Twilight Zone, for
whom Patterns was a career breakthrough.
Patterns was distributed theatrically by United Artists, but the film fell into the public domain as
a result of disputes among its producers. The Film Detective, which specializes in PD releases,
has created a new transfer from the print in its library, which it is releasing on BD-R.


Patterns' black-and-white photography was shot by Boris Kaufman, the Oscar-winning
cinematographer of On the Waterfront. With one
major exception discussed below, the print used
by Film Detective as a source for this 1080p, AVC-encoded BD-R is in quite good shape. It has
its share of dirt and scratches, but they are minor and not a distraction from the drama. Both the
print and the scan are of sufficient quality to capture the interiors of Ramsey & Company with the
realism for which Kaufman's work was known, with reasonably detailed representations of the
offices, meeting rooms and long hallways dotted with secretarial desks. The most obvious mark
of the film's public domain status is the grain structure, which is rougher and chunkier than it
would be if the source were a well-preserved fine-grain master positive instead of a print. Still,
good black levels and fine delineations of gray bring out the best that one could hope from a
public domain source.
A few scenes are noticeably softer than others (e.g., the conversation in a bar between Staples
and his wife near the film's end), but this is no doubt a source issue. In general, Patterns looks
remarkably good for a PD presentation, and Film Detective has maintained that
level of quality by mastering the disc with a high average bitrate of 33.48 Mbps and a capable encode.
The video score attempts to balance the limitations of the transfer against the challenges of the
source.

Patterns' original mono soundtrack has been encoded in lossless DTS-HD MA 2.0, and the mix is striking for the complete absence of any score. The audio consists of dialogue and sound effects, with the latter occasionally amplified for effect. Film Detective presumably used the optical track from the print in their library, and it has been cleaned of any pops, clicks or excessive hiss (although some hiss remains). The dialogue is almost always clearly articulated, with the striking exception of the film's end (beginning at around time mark 1:21:49), where voices suddenly acquire a hollow, muffled quality. Since this is most pronounced in the same scene noted in Video where the image softens, I suspect this is a source issue.

The disc has no extras.

While Patterns was successful on TV, it made little impact at the box office, where it was
overshadowed by a flashier exploration of similar themes, The Man in the Gray Flannel Suit, which Fox released just two weeks later. The film holds up today, even though modern
corporate culture is more fluid, informal and inclusive (at least on the surface). The competition
for advancement that Serling dissected so expertly may take different forms, but it hasn't gone
away. Despite some flaws, Film Detective's Blu-ray is the best version we're likely to get and is,
therefore, recommended.
(Still not reliable for this title)

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Limited Edition to 3000
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