5.8 | / 10 |
| Users | 3.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
Benson is a police detective. After a series of murders in the Gay community he is ordered to go undercover with a gay police clerk named Kerwin as his partner. In order to be noticed they have to be flamboyant enough to attract attention which Benson finds rather disturbing. Can an uptight heterosexual and a mousey homosexual form a meaningful relationship?
Starring: Ryan O'Neal, John Hurt, Kenneth McMillan, Jay Robinson, Denise Galik| Comedy | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0
None
25GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 1.0 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 0.0 | |
| Overall | 3.0 |
From the “Who thought this was a good idea?” file comes 1982’s “Partners,” which looks at an odd couple relationship between two undercover cops, one heterosexual (Ryan O’Neal) and one homosexual (John Hurt), as they pose as a couple to help hunt down a possible serial killer targeting the gay community. A rare foray into feature-length filmmaking from legendary television director James Burrows, “Partners” takes a bad idea and spends 90 minutes pretending it’s a good one, trying to dilute any ugliness by infusing the movie with enlightenment arcs that aren’t the least bit credible.


The AVC encoded image (1.78:1 aspect ratio) presentation balances the brightly photographed feature acceptably, presenting bold primaries that carry most potently on costuming and set decoration, while the effort's ample skintones are natural. Grain is present and filmic. Delineation is secure, exploring the picture's evening excursions with clarity. Detail is also encouraging, with sharper facial reactions and sure handle on exterior events. Source carries some mild damage points during the midsection of the movie, while speckling and minor scratches are spotted throughout.

The 2.0 DTS-HD MA sound mix isn't built to stun, but it's functional. Dialogue exchanges are alert and easy to follow, periodically hitting crispness when tensions rise between the cops. Music is generally comfortable, with soundtrack cuts sounding purposeful, while scoring needs are met, supporting the action without smothering it. Atmospherics and group activity are defined adequately.

There is no supplementary material on this disc.

"Partners" isn't hateful, it's just clueless about its tone, sense of humor, and balance of mystery and what's meant to pass for heart. O'Neal and Hurt do what they can to add some humanity to one-dimensional characters, but it's Burrows and Veber who insist that this buddy cop tale is something worth exploring, under the delusion that they're challenging bigotry when they're actually participating in it.
(Still not reliable for this title)

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Paramount Presents #32
1996