Paris, Texas Blu-ray Movie

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Paris, Texas Blu-ray Movie France

Arte Vidéo | 1984 | 145 min | Rated U Tous publics | Sep 22, 2010

Paris, Texas (Blu-ray Movie)

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Movie rating

8.4
 / 10

Blu-ray rating

Users0.0 of 50.0
Reviewer4.0 of 54.0
Overall4.0 of 54.0

Overview

Paris, Texas (1984)

Travis, a mysterious, nearly mute drifter, tries to reconnect with his young son, living with his brother in Los Angeles, and his missing wife.

Starring: Harry Dean Stanton, Dean Stockwell, Nastassja Kinski, John Lurie, Bernhard Wicki
Director: Wim Wenders

Drama100%

Specifications

  • Video

    Video codec: MPEG-4 AVC
    Video resolution: 1080p
    Aspect ratio: 1.78:1
    Original aspect ratio: 1.66:1

  • Audio

    English: DTS-HD Master Audio 5.1
    French: DTS-HD Master Audio 2.0

  • Subtitles

    French, French SDH

  • Discs

    50GB Blu-ray Disc
    Single disc (1 BD)

  • Playback

    Region B (locked)

Review

Rating summary

Movie5.0 of 55.0
Video4.5 of 54.5
Audio5.0 of 55.0
Extras3.0 of 53.0
Overall4.0 of 54.0

Paris, Texas Blu-ray Movie Review

Reviewed by Dr. Svet Atanasov February 10, 2011

Winner of the prestigious Palme d'Or and FIPRESCI awards at the Cannes Film Festival, Wim Wenders' "Paris, Texas" (1984) arrives on Blu-ray courtesy of French distributors Arte Video. The supplemental features on the disc include deleted scenes with commentary by director Wim Wenders; the film's original French theatrical trailer; and a conversation with director Wim Wenders. The disc also arrives with a 14-page illustrated booklet. In English, with optional French and French SDH subtitles for the main feature. Region-B "locked".

Somewhere in Texas


Travis Henderson (Harry Dean Stanton), who has been missing for four years, suddenly reappears in a vast Texas desert. Exhausted and quite possibly on the verge of suffering a heat stroke, he collapses in a rundown bar, where a German doctor (Bernhard Wicki) picks him up and phones his brother, Walt (Dean Stockwell), who lives in Los Angeles.

Some hours later, Travis is picked up by Walt and the two head back to Los Angeles. Initially, Travis refuses to speak, but later, after Walt becomes visibly frustrated by his uncanny behavior, confesses that to him that he has spent the last four years walking. Travis also shows Walt a picture of Paris, Texas, the place where many years ago their parents made love for the first time, which he now calls home.

In Los Angeles, Travis meets Walt's wife, Anne (Aurore Clément), and reunites with his son, Hunter (Hunter Carson), who has been living with them and has no memories of him. As the father and son quickly warm up to each other, the former announces that he must travel to Huston where, apparently, his ex-wife and the latter's mother (Nastassja Kinski) lives.

Written by Sam Shepherd and directed by Wim Wenders, Paris, Texas may well be the most American film ever made by a non-American director. Indeed, it is a deeply emotional character study of a man and region done with terrific emphasis on detail. In a way, it is also a political film, one that examines American values and the manner in which Americans communicate their feelings.

There are two key characters in Paris, Texas. The first is Travis, the heartbroken loner who has embarked on a seemingly endless journey through the deserts of the American South, hoping to forget the woman he loves and no longer has in his life. Walking, like a machine and in complete silence, is the only therapy that is helping him accomplish his goal.

The presence of the second character, the American South, is what transforms Paris, Texas into an unforgettable film. Like Travis, the American South looks lonely, numbed by the scorching heat, perhaps also lost.

It is fascinating to see that a German managed to capture so persuasively a part of America that even today many Americans are largely unfamiliar with. Indeed, every scene, object, and color in Paris, Texas adds convincingly to a truly special cinematic portrait of an area with a unique pulse and culture.

The unforgettable atmosphere that permeates this special cinematic portrait would not have materialized without Ry Cooder's masterful soundtrack. It is a collection of simple yet astonishingly rich guitar solos that blend perfectly with the great visuals.

In 1984, Paris, Texas won the prestigious Palme d'Or and FIPRESCI awards at the Cannes Film Festival. A year later, the film won the Critics Award for Best Foreign Film granted by the French Syndicate of Cinema Critics, as well as the BAFTA Film Award for Best Direction.


Paris, Texas Blu-ray Movie, Video Quality  4.5 of 5

Presented in an aspect ratio of 1.78:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Wim Wenders' Paris, Texas arrives on Blu-ray courtesy of French distributors Arte Video.

A small note included with this release indicates that the high-transfer was supervised by director Wim Wenders. And, indeed, a direct comparison with Criterion's Blu-ray release of Paris, Texas reveals practically identical technical characteristics -- fine object detail is very good, clarity pleasing, and contrast levels consistent throughout the entire film. The color-scheme is identical to that of the Criterion Blu-ray release as well; I could not see any major discrepancies to report in this review. To me, the variety of reds, greens, blues, yellows, browns, and blacks look the same. Edge-enhancement is not a serious issue of concern, though selected scenes almost create the impression that mild traces of it are indeed present. Generally speaking, the film's grain structure is intact, but I must speculate that at least some minor noise corrections might have been applied to the actual master Criterion and now Arte Video have used for their transfers. Lastly, though the two look practically identical, it seems like compression is just a tiny bit better on the Criterion release. Regardless, Arte Video's release is a great alternative for those of you who reside in Region-B territories. (Note: This is a Region-B "locked" Blu-ray disc. Therefore, you must have a native Region-B or Region-Free PS3 or SA in order to access its content).


Paris, Texas Blu-ray Movie, Audio Quality  5.0 of 5

There are two audio tracks on this Blu-ray disc: English DTS-HD Master Audio 5.1 and French DTS-HD Master Audio 2.0. For the record, Arte Video have provided optional French and French SDH subtitles for the main feature.

The English DTS-HD Master Audio 5.1 track is excellent, and I can only echo my comments from my review of the Criterion Blu-ray release of Paris, Texas - Ry Cooder's legendary score sounds fantastic. The moody guitar solos have never sounded this good, and if you are about to see Paris, Texas for the very first time on Blu-ray, you are in for a very special treat. Additionally, the dialog is crisp, clean, stable, and exceptionally easy to follow. I also did not detect any pops, cracks, hissings, or audio dropouts to report in this review.


Paris, Texas Blu-ray Movie, Special Features and Extras  3.0 of 5

  • Entretien avec Wim Wenders - a conversation with director Wim Wenders. In French, not subtitled. (26 min, PAL).
  • Scenes coupees - a collection of deleted scenes. In English, with optional French subtitles. (23 min, PAL).
  • Scenes coupees commentees - the same collection of deleted scenes with a commentary by director Wim Wenders. In English, with optional French subtitles. (23 min, PAL).
  • Bande-annonce - the original theatrical trailer for Paris, Texas, with footage from the Cannes Film Festival. In French, not subtitled. (3 min, 1080p).
  • Booklet - 14-page illustrated booklet.


Paris, Texas Blu-ray Movie, Overall Score and Recommendation  4.0 of 5

If you reside in a Region-B territory and have not been able to take advantage of Criterion's Region-A "locked" Blu-ray release of Wim Wenders' legendary Paris, Texas, this French Blu-ray release, courtesy of Arte Video, is something you might want to consider - it uses the same supervised by director Wim Wenders high-definition transfer. Criterion's Blu-ray release, however, has a number of exclusive supplemental features. HIGHLY RECOMMENDED.


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