6.7 | / 10 |
| Users | 0.0 | |
| Reviewer | 2.5 | |
| Overall | 2.5 |
WWI has ended but events surrounding the first free election in Italy threaten to tear the village apart. Padre Pio struggles with his own personal demons, ultimately emerging to become one of Catholicism's most venerated figures.
Starring: Shia LaBeouf, Cristina Chiriac, Asia Argento| Drama | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 5.1
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 2.5 | |
| Video | 3.0 | |
| Audio | 3.5 | |
| Extras | 0.0 | |
| Overall | 2.5 |
Padre Pio is loosely based on the story of a real Italian priest who received the stigmata (scars and wounds similar to those suffered by Christ on the cross) in 1918. In the film, he is played by Shia LaBeouf in a good part that is partially devoured by choppy narrative cohesion. The Blu-ray is middling, with no supplement, troubled video, and decent audio.


Gravitas Ventures releases Padre Pio to Blu-ray via a burned, not pressed, BD-25 disc. The image is something of a mixed bag. On one hand, it
can, and often does, look pretty solid. Textures frequently delight for the absolute intricacy on display. Take an early shot of Padre Pio outside the
monastery. The static shot lingers up against the wall, allowing viewers to soak in the roughhewn textures on the stone facade and road. Both are very
tangible and tactile, and the shot is a delight to behold. Likewise, period clothes, grime on faces, facial scruff, and the like tend to look very good,
boasting expert complexity and nicely cinematic definition in closeups and medium distance shots alike. Color reproduction in daytime exteriors, often
under overcast skies, is very solid, even if the film looks slightly desaturated for effect. There's a nice balance to the full spectrum of colors that ranges
from natural greens to other assorted clothing and object shades as well.
However, there is trouble to go along with the good. Judder is a frequent issue. It's difficult to say if the filmmakers are going for a weirdly slow motion
shot every time the judder appears, but there's no mistaking the shake and unnatural panning effects seen throughout the film. Noise is pervasive in
low light, which is much of the film. Just for a couple of the numerous examples throughout the film, look at the 11:24 mark for an example of the
casual noise and see the 16:00-miunate mark for an example of the extraordinarily pervasive and very clumpy noise. Noise can also look frozen in place
(1:10:50 being a fine example). Further, black levels are rather poor.
They are soupy, inorganic, and crushed, lacking any hint of shadow detail or low light texturing. Additionally, macroblocking can appear (1:37:01) and a
few jagged edges appear, but these are
few and far between. Unfortunately, this is something of a hit or miss image, but with the numerous low light shots where the noise and the poor blacks
dominate, the bad outweighs the good. Most of this appears to trace back to the source, but still...this is not an attractive image.

For the most part, Padre Pio's DTS-HD Master Audio 5.1 lossless soundtrack delivers a satisfying core listen. The film is not brimming with opportunity to stretch and utilize the 5.1 configuration, mostly lingering up front and often in the center. However, there are some instances of higher intensity surround yield, such as when a bell blares in town only minutes into the movie, signaling a gaggle of returning soldiers from the war. The sense of immersion is pretty solid, and no matter where the camera is positioned or pointed, that bell continues to saturate the stage. The accompanying din of reuniting families is also nicely immersive. Music stretches along the front with positive clarity and satisfying definition. There's not much in terms of ample surround usage or dominant subwoofer engagement, however. Dialogue primarily moves the film forward from a sonic perspective. It is fairly clear, nicely grounded in the center, and always well prioritized.

This Blu-ray release of Padre Pio contains no supplemental content. The main menu screen only offers options to "Play" the film and toggle "Subtitles" on and off. It's a static image screen with overlayed music. No DVD or digital copies are included with purchase. This release does not ship with a slipcover.

Padre Pio is a deeply flawed film, but it's worth watching for a fairly deep and captivating performance from Shia LaBeouf. The contrast between the political and religious climates doesn't mesh well, and the film feels frequently at odds with itself and unable to draw either into focus to a particular point or better define its various scenes. The Blu-ray is featureless and delivers troubled video but solid enough audio. Worth a look on a steep sale.
(Still not reliable for this title)

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