| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
PAX is a concept in which music, lyrics and the sacred space of the cathedral energize each other in these performances of new works by Norwegian composers who all approach the theme of peace with their own individual reflections and interpretations. The music is composed specifically to be performed and recorded as an immersive experience.
| Music | 100% |
Music: Dolby Atmos
Music: Dolby TrueHD 7.1 (48kHz, 24-bit)
Music: Auro-3D
Music: LPCM 2.0 (192kHz, 24-bit)
Music: DTS-HD Master Audio 5.1 (192kHz, 24-bit)
Music: LPCM 2.0 (192kHz, 24-bit)
Music: SACD 5.1
Music: CD 2.0
Auro-3D 7.1.4 (96kHz, 24-bit), Dolby Atmos 7.1.4 (48kHz, 24-bit)
Blu-ray Disc
Two-disc set (1 BD, 1 SACD)
Digital copy
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 0.0 | |
| Audio | 5.0 | |
| Extras | 0.0 | |
| Overall | 4.0 |
Ask any music fan who may not have a particular interest in the classical idiom to name a Norwegian composer, and chances are the most frequent response (if one is even offered) is probably invariably going to be Edvard Grieg, especially since Grieg was so brilliantly memorialized in the film classic Song of Norway (consider that an ill timed April Fools joke). The funny thing is (other than Song of Norway, that is) you might very well get the exact same response from those who do appreciate classical music, since for whatever reason those Norwegians who followed in Grieg's footsteps may not have achieved the international fame that Grieg did. But as any number of really interesting and always spectacularly well recorded efforts from Norway based label 2L have made clear, Norwegian music continues to thrive and impress courtesy of any number of more contemporary composers and/or groups. While I actually mentioned Grieg (and Song of Norway) in my Henning Sommerro: Borders Blu-ray review, I also referenced another "Edvard", namely Edgard Varèse, since Sommerro's music often wafts from 19th century Romanticism to 20th century stridency, and in fact Edgard Varèse may have also been an influence for a second 2L release that was covered in my Lasse Thoresen: Lyden av Arktis. While these are always broad stroke generalizations made in fitful attempts to somehow describe music, I'd argue that at least some of the unique soundscapes found on this new 2L release may remind once again of Varèse and his totally distinctive use of both orchestra and (occasionally, at least) quasi-sound effects.


While there is an AVC 1080 video component to this release, it's really just a standard menu, as can be seen in the fifth photo accompanying this review. A few "moving parts" are included, with the track titles changing and a complete tracklist also available, along with a credits pop up informational screen. You can control which audio codec you prefer via the colored buttons on your remote (see the fifth photo I've included with this review for a "guide") and so really don't need to have a monitor employed to enjoy this release.

It probably won't surprise anyone who has checked out 2L's often dazzlingly well recorded efforts that label honcho and chief engineer Morten Lindberg evidently held the record for most Grammy nominations without a win, until he finally scored his first statuette for surround sound or "immersive" recording for Lux - Nidarosdomens jentekor & TrondheimSolistene. To my ears, there's no finer high res audio being offered, especially of contemporary music, than what 2L releases, and that's once again the case with this wonderfully spacious yet intimate sounding recording. Per 2L's standard operating procedure, there are a glut of audio codecs available, including Dolby Atmos, Auro 3D, DTS-HD Master Audio 5.1 and LPCM 2.0. As Lindberg and his performing groups often seem to favor, the artists here were laid out "in the round", and that layout is imaged to near perfection in the surround offerings on the Blu-ray disc. That decision in and of itself plants the listener squarely in the middle of enveloping soundscapes, and both instrumental and choral forces are rendered with excellent fidelity and some pretty amazing dynamic range.

While there is no on disc bonus content other than mShuttle availability, 2L also includes a CD and a really nicely appointed insert booklet with quite a bit of background information on many of the pieces.

Anyone who thinks Norwegian music began and ended with Grieg will get a rather startling wake up call with this release, not to mention any number of 2L's other offerings which focus on Norwegian composers and performing groups. This particular album will challenge some listeners, though maybe thinking about the climactic light show in 2001: A Space Odyssey will aid some in getting through the Ødegaard works in particular. Joking aside, there's some absolutely fascinating and I'd argue gorgeous music on tap here, and audiophiles with an adventurous bent who appreciate excellent engineering should certainly find this a worthwhile listen. Recommended.