7.6 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
Buster stars as a man who travels south in 1830's America to claim a family inheritance, only to find himself in the middle of a longtime family feud. Silent film.
Starring: Buster Keaton, Natalie Talmadge, Joe Keaton, Buster Keaton, Jr., Kitty BradburyComedy | Insignificant |
Family | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.33:1
English: DTS-HD Master Audio 2.0
None
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 4.5 | |
Video | 4.0 | |
Audio | 5.0 | |
Extras | 0.5 | |
Overall | 4.5 |
Note: This version of this film is available on Blu-ray as part of Cohen Media Group's The Buster Keaton Collection: Volume 5 release.
After having brought out The Buster
Keaton Collection: Volume 1,
The
Buster Keaton Collection: Volume 2 and The Buster Keaton Collection: Volume 3 in relatively short order starting in 2019, Cohen Media Group then slowed
down
quite a bit before it finally released The
Buster Keaton Collection: Volume 4 over a year later in 2020, and that interim between releases has only been extended with this latest
effort. I in fact had assumed Cohen was done with Keaton since it had been so long and the label had begun a "new" (for it) set of releases
featuring
another titan of cinema even earlier than Keaton in the form of both Douglas Fairbanks Double Feature: Robin Hood / The Black Pirate and
Douglas
Fairbanks Double Feature: The Three Musketeers / The Iron Mask. But the good news is that Cohen evidently isn't through with
Keaton yet, and this double feature offers two of the silent master's best remembered efforts.
Our Hospitality is presented on Blu-ray courtesy of Cohen Film Collection, an imprint of Cohen Media Group, with an AVC encoded 1080p transfer in 1.33:1. While the back cover offers an interesting "for this restoration, a total of 17 elements were compared, with first generation nitrate positive held at the Library of Congress being the main element used", two text cards before the actual presentation offer even more information, to whit:
The Keaton Project was launched in 2015 by Cineteca di Bologna and the Cohen Film Collection to restore all the films made by Buster Keaton between 1920 and 1928.The first thing that many will notice is that Kino's first release had yellow tinting, while its remastered version offered yellow and blue, while this is in black and white only. I'd love to know the history of the tinting and/or toning with regard to this production, but one way or the other, it's probably the most overtly noticeable difference. Aside from any controversy that may engender, the look of this transfer is definitely better than that of Three Ages, at least in terms of recurrent, major damage. Yes, there's certainly observable age related wear and tear on display here, but there's none of the bubbling emulsion issues or recurrent print through problems, and on the whole things are in remarkably good shape. There's obviously nothing close to contemporary levels of fine detail, but "little" items like textures on fabrics manage to peek through more often than not. I frankly expected a bit more grain, but things are never really waxy looking. My score is 4.25.
Seventeen elements have been analyzed, studied and compared for the restoration of Our Hospitality.
Three elements have been used for the reconstruction: a first generation nitrate positive from the Library of Congress; a second generation negative duplicate and another second generation negative duplicate (for one shot only), both held at the Cohen Film Collection.
The first negative duplicate was in better photographic conditions than the other elements, but it featured nitrate decomposition printed in through almost the entire film. Therefore it was used only for some portions of two out of the seven reels. With the exception of one single shot, the rest of the film was restored from the nitrate positive.
The restoration was carried out by Cineteca di Bologna in collaboration with Cohen Film Collection at L'Immagine Ritrovata laboratory in 2016.
Our Hospitality features another enjoyable score by Carl Davis, though I was a little surprised to see a separate orchestrator, namely David Cullen, credited, even though Davis himself conducts the Thames Silents Orchestra. DTS-HD Master Audio 5.1 and DTS-HD Master Audio 2.0 options are offered, and they both support a rather nicely sumptuous approach very well, though I found the surround rendering to be just a little "wet" for my tastes, meaning some of the soaring string work in particular can sound just a little like it's emanating from a well or something. That said, both tracks offer problem free fidelity and some nice dynamic range.
Our Hospitality has long been considered one of Keaton's most significant films, and it certainly bears revisiting. Fans will have to decide whether this monochrome version is to their liking, but the image itself is generally secure, and the Davis score is quite appealing. Cohen needs to up its supplements game if they want to compete with Kino Lorber, but otherwise this comes Recommended.
(Still not reliable for this title)
1925
Ultimate Edition
1920
1934-1937
1927
1924
One Week / Convict 13 / Neighbors / The Scarecrow / The Haunted House / Hard Luck / The High Sign / The Goat / The Play House [Playhouse] / The Boat / The Paleface / Cops / My Wife's Relations / The Frozen North / The Electric House / Day Dreams [Daydreams] / The Balloonatic / The Love Nest
1920-1923
1928
1924
1923
1928
1931
1926
1928
1928
The Woody Allen Collection
1973
1917-1923
1923
Les aventures de Rabbi Jacob
1973
1916
1971