7.2 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
The unspoken system that has shaped America and chronicles how lives today are defined by a hierarchy of human divisions.
Starring: Aunjanue Ellis-Taylor, Jon Bernthal, Niecy Nash, Emily Yancy, Finn Wittrock| History | 100% |
| Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English: Dolby TrueHD 5.1
English: Dolby Digital 2.0
English, English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 2.5 | |
| Video | 4.0 | |
| Audio | 4.5 | |
| Extras | 3.0 | |
| Overall | 4.0 |
“Origin” is a giant swing from writer/director Ava DuVernay, who hasn’t made a screen offering since the financial and creative failure of “A Wrinkle in Time,” a production meant to bring the helmer to the big leagues of event moviemaking. DuVernay is back with a much smaller film about an expansive topic, adapting the 2020 best-seller, “Caste: The Origins of Our Discontents,” which takes a hard look at the source of prejudice as people experience it in several parts of the world and different moments in time. It’s 496 pages of journalism transformed into a 140-minute-long feature, and DuVernay doesn’t always appear to have a game plan for the endeavor. She uses a scattergun approach to “Origin,” which wants to say so much about the state of emergency numerous societies are experiencing, but DuVernay is overwhelmed by the task. It’s obviously an ambitious picture with important ideas to share, but it doesn’t take long to realize that reading “Caste” is likely more rewarding then sitting through this cluttered effort.


"Origin" was shot in Super 16, and the softness such cinematography is preserved during the AVC encoded image (1.85:1 aspect ratio) presentation. Detail goes about as far as possible here, exploring the time changes in the film, dealing with a wide range of textured costuming and skin particulars. Location changes are also examined, securing a decent feel for dimension around living spaces and educational buildings. Exteriors retain some depth, taking in the expanse of bustling communities and different architectural achievements. Color is rich, with a deep sense of primary power, bringing style and decorative additions to life. Earth tones are equally appreciable, and greenery is distinct. Skin tones are natural. Delineation is acceptable, with some heaviness at times. Grain is decently resolved.

The 7.1 Dolby TrueHD mix strives to create an immersive listening experience for a movie that's largely focused on monologues, research, and
conversation. It's not an incredibly active track, but it works for the picture's intent, dealing with sharp dialogue exchanges from a variety of
performance choices and accents. Argumentative events are nicely balanced with hushed encounters. Music carries with fullness and accuracy,
delivering crisp instrumentation. Scoring cues explore surrounds with power at times, and while this isn't a film with major bass-y moments, low-end
does register with heavier beats on soundtrack selections. Sound effects are crisp. Atmospherics are active, with pronounced room activity during
parties and gatherings, providing circular engagement.
Subtitles are included, but act a little odd at times, with some scenes set in Germany and India skipping lines in English, while Spanish subtitles offer
some translation.


Theres's a lot of information to process in the effort, but DuVernay doesn't trust the power of a purely journalistic endeavor. She makes many attempts to soften the material for a wide audience, which borders on cartoonishness at times, eliminating intended shock value. There's Isabel's interaction with a MAGA plumber (Nick Offerman), who shows up wearing a red hat and obvious disdain for his customer. Law enforcement during the Davis sequence is turned into a puppet show as cops happily wave at white residents and scowl at black ones. DuVernay isn't one to value subtlety, and her drive to reach the back row dilutes the insidiousness of the material (a metaphor involving Isabel's rejuvenation of Ruby's old home is also too on the nose). The helmer doesn't trust her audience to understand the complex feelings and relationships in play, limiting the value of "Origin" as a movie, which offers a critical interpretation of dehumanization and injustice that everyone should comprehend. "Origin" hopes to be sprawling, jumping around history and perspectives, but it doesn't gel as one woman's journey, with the viewing experience more about DuVernay's clumsy determination than true enlightenment.

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