6.5 | / 10 |
Users | 0.0 | |
Reviewer | 2.5 | |
Overall | 2.5 |
One for the Road follows Jimmy, Paul, Richard and Mark who meet on a rehabilitation course for drink drivers. Jimmy is young, ambitious and desperate to sell his late father's business; Paul has been salesman of the year three times running, however, that was five years ago; Richard is a retired millionaire property developer and Mark is a taxi driver with a weakness for weed and philosophy. Very quickly they realize the course is the networking opportunity of a lifetime as Paul, Mark and Jimmy plot to relieve Richard of some of his wealth...
Starring: Rupert Procter, Mark Devenport, Hywel Bennett, Julie Legrand, Micaiah DringComedy | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 2.0 | |
Video | 2.5 | |
Audio | 3.5 | |
Extras | 4.0 | |
Overall | 2.5 |
UK director Chris Cooke's first and only feature film One for the Road made a mild ripple upon its 2003 release, picking up a few awards at film festivals and earning comparisons to then-recent hits like Ricky Gervais' original The Office with its quasi-documentary atmosphere and stabs at pitch-black comedy. Shot on low-res digital video, this micro-budget production follows Richard (Hywel Bennett), Jimmy (Gregory Chisholm), Mark (Mark Devenport), and Paul (Rupert Procter), four men from completely different walks of life with one thing in common: they're convicted drunk drivers who have agreed to take a compulsory rehabilitation class to lessen their lengthy driving bans.
Still, that kind of formula can only go so far to maintain interest and, in this case, it's not nearly enough to carry a feature-length film. One for the Road wears out its welcome in relatively short order, occasionally showing signs of life but mostly spinning its wheels in the second half and especially its last 20 minutes, which struggle to reach anything close to a satisfying conclusion. The film's technical limitations are also a factor; its dull and lifeless visual aesthetic looks as bad or worse than most digital video shot during this era, which unsurprisingly sucks additional life out of the proceedings. Director Chris Cooke promptly returned to short films and has stayed there since, and it's easy to see that this lone attempt at full-length fare was an occasionally respectable but mostly missed opportunity.
Anyone with much closer ties to its main characters may find more to like about One for the Road, but its redundant tone and piss-poor
technical roots firmly outweigh any strong points. It's strange, then, that the usually higher-profile boutique label Powerhouse Films has chosen to
include it as part of their ongoing "Indicator" line of limited edition Blu-rays and released it on this side of the pond. But for those who
enjoyed the film more than I, they'll at least find a lot to like about this disc including a decent A/V presentation, great packaging, and plenty of
extras.
One For the Road is certainly an... interesting looking Blu-ray, and one that's advertised by Powerhouse Films as being sourced from original preservation print. (The booklet implies it was an SD source.) Whatever its roots, this is a pretty rough-looking production shot on early 2000s digital video and suffers from all the weaknesses that come with the format: poor image detail, no textures, unsteady black levels, harsh contrast, and more, which is further exacerbated by very noticeable posterization, ringing, jagged edges, and interlacing. The faults are almost too many to name, really. But it's exceedingly tough to review discs like this from a technical standpoint: of course One for the Road deserves a 1/5 in comparison to a carefully preserved or meticulously restored production captured on 35mm film, yet at the same time this is likely as good as it's ever going to look outside of watching original master tapes. Either way, the included screenshots reveal just how ugly One for the Road can be at times, and even in its best moments isn't anywhere close to being truly impressive... so I'll leave it at that and award a 2.5/5 right down the middle.
The included DTS-HD Master Audio tracks, presented in your choice of 2.0 Stereo (the default) or 5.1 surround, are actually much more tolerable in comparison and even borderline admirable at times, squeezing a decent amount of clarity out of dialogue exchanges and background effects with occasional channel separation and discrete activity. The 5.1 takes it two steps further with occasional weight added for dramatic purposes, not to mention a more fluid sonic backdrop that's created by having more subtle real-world ambience in several key areas, from a cramped car to wide-open outdoor locations. While neither of these mixes truly stand out even among genre contemporaries, One for the Road at least sounds decent enough and the presence of both tracks is certainly appreciated.
Optional English (SDH) subtitles are included during the main feature only, and you'll certainly need them to decipher a few drunken ramblings and heavy regional accents along the way.
This one-disc release ships in Indicator's typical deluxe packaging, with a Criterion-style thick keepcase that proudly displays its reversible cover artwork. A thick and glossy booklet is also tucked inside that includes attractive photos, the usual production fare including cast/crew details, acknowledgements, a few essays and interviews, and of course details about the A/V presentations. On-disc extras are surprisingly great for a movie this underwhelming.
Chris Cooke's One For the Road arrived a bit too late to be considered a forerunner of Ricky Gervais' The Office, which it clearly mimics in tone along with other imports like the films of Guy Ritchie (Lock, Stock, and Two Smoking Barrels), Shane Meadows (This is England), and maybe even Peter Cattaneo (The Full Monty), but it's nowhere near as great as its inspirations in most areas. Though good for a few laughs and showing a few signs of intermittent brilliance, One For the Road is a mostly lukewarm and dour affair whose technical limitations routinely work against it. Powerhouse Films' Blu-ray package is surprisingly solid in other respects, from its serviceable A/V presentation (considering the source, at least) to great packaging and a boatload of bonus features. But yeah... try before you buy, at the most.
(Still not reliable for this title)
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