Cover coming soon |
7.2 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
Jim "Lucky" Moore (Allan Jones), an insurance salesman, comes up with a novel policy for his friend, Steve (Robert Cummings): a 'love insurance policy', that will pay out $1-million if Steve does not marry his fiancée, Cynthia (Nancy Kelly). The upcoming marriage is jeopardized by Steve's ex-girlfriend, Mickey (Peggy Moran), and Cynthia's disapproving Aunt Kitty. The policy is underwritten by a nightclub owner, Roscoe (William Frawley), who sends two enforcers - Abbott and Costello - to ensure that the wedding occurs as planned. Everyone involved in the situation winds up sailing or flying to San Marcos (a fictional South American country), where another complication arises, when Lucky falls for Cynthia. Lucky winds up marrying Cynthia, but Roscoe does not have to pay the $1-million because Steve ends up marrying Mickey.
Starring: Allan Jones, Nancy Kelly (I), Robert Cummings, Bud Abbott, Lou CostelloComedy | 100% |
Musical | 45% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.36:1
Original aspect ratio: 1.37:1
English: Dolby Digital 2.0 Mono (192 kbps)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.0 | |
Video | 3.0 | |
Audio | 3.0 | |
Extras | 2.5 | |
Overall | 3.0 |
A hotshot insurance salesman, Lucky (Allan Jones) decides to push his luck, testing his professional success by drawing up a “love insurance” policy for his dear friend, Steve (Robert Cummings), who’s having trouble with his fiancée, Cynthia (Nancy Kelly). Complicating the plan is Steve’s ex- girlfriend, Mickey (Peggy Moran), who arrives to discuss her relationship with the future groom. Tasked with maintaining the integrity of the policy are Abbott (Bud Abbott) and Costello (Lou Costello), two goons trailing the foursome, who soon embark on a trip to paradise.
The AVC encoded image (1.36:1 aspect ratio) presentation provides an older scan of "One Night in the Tropics," with the source struck by consistent wear and tear, emerging in the form of scratches, a few damaged frames, speckling, and some visible hairs. Detail isn't strong but it remains in modest amount, surveying the set-bound nature of the production and all its decoration. Delineation struggles with sense outfits. Grain is thick, looking processed with chunkiness.
The Dolby Digital 2.0 sound mix is hampered by hiss, which carries heavily throughout the listening event. While restrained by age, dialogue exchanges are intelligible, just not sharp, keeping rat-tat-tat performances adequately appreciable, including the louder antics of Abbott and Costello. Music also suffers some, lacking defined instrumentation, but the general swell of musical performances and scoring are understood.
"One Night in the Tropics" does manage to close with some gusto, building to a final musical number that gives the picture some needed scale, scored with a Jerome Kern song. Last act appeal is welcome, but "One Night in the Tropics" is best remembered as the debut for Abbott and Costello, with their honed shtick clearly besting anything else the production has to offer.
(Still not reliable for this title)
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