8.5 | / 10 |
Users | 0.0 | |
Reviewer | 5.0 | |
Overall | 5.0 |
Dockworker Terry Malloy had been an up-and-coming boxer until powerful local mob boss Johnny Friendly persuaded him to throw a fight. When a longshoreman is murdered before he can testify about Friendly's control of the Hoboken waterfront, Terry teams up with the dead man's sister Edie and the streetwise priest Father Barry to testify himself, against the advice of Friendly's lawyer, Terry's older brother Charley.
Starring: Marlon Brando, Karl Malden, Lee J. Cobb, Rod Steiger, Pat HenningDrama | 100% |
Film-Noir | 24% |
Romance | 23% |
Crime | 2% |
Thriller | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.33:1, 1.67:1, 1.85:1
Original aspect ratio: 1.85:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 5.1
English: DTS-HD Master Audio 2.0 Mono
French: DTS-HD Master Audio 2.0 Mono
German: DTS-HD Master Audio 2.0 Mono
Italian: DTS-HD Master Audio 2.0 Mono
Spanish: DTS-HD Master Audio 2.0 Mono
Spanish: DTS-HD Master Audio 2.0 Mono
English, French, German, Italian, Portuguese, Spanish, Arabic, Danish, Dutch, Finnish, Korean, Norwegian, Swedish, Thai, Turkish
Blu-ray Disc
Four-disc set (4 BDs)
4K Ultra HD
Region A (B, C untested)
Movie | 5.0 | |
Video | 5.0 | |
Audio | 5.0 | |
Extras | 4.0 | |
Overall | 5.0 |
An unforgettable Marlon Brando stars in On the Waterfront (1954), which makes its domestic 4K debut courtesy of the Volume 5 box set of the Columbia Classics Collection, a terrific release that also features 4K versions of Robert Rossen's All the King's Men (1949), Best Picture biopic A Man for All Seasons (1966), the still-hilarious Tootsie (1982), the sumptuous Daniel Day Lewis-led The Age of Innocence (1993), and Greta Gerwig's masterful Little Women (2019). Each volume in Sony's ongoing collection not only highlights a spread of the best of the best of the decades, it gives each film a high quality video presentation, (when necessary) a striking remaster or restoration, cutting edge audio (typically an Atmos upgrade), and often new extras.
Presented on three separate 4K discs with three separate aspect ratios -- 1.33:1, 1.67:1 and 1.85:1 -- Sony's 4K release of On the Waterfront
is as thorough and high-quality as anyone could ask for. To answer the obvious question of every newcomer, start with 1.66:1, move to 1.33:1 for a
second viewing, and somewhere in the middle, be sure to watch the aspect ratio featurette included on Disc Four. The 1.85:1 presentation is strictly for
those bothered by side bars, though it features the same gorgeous image quality as its 1.33 and 1.67 counterparts. But never mind that. How does it
look? Magnificent. Perfect. Flawless. Definitive. To cut to the chase, this is, hands down, the best release of On the Waterfront on the
market. No matter the presentation you choose, the black and white photography has never fared better, nor has its detail and grain ever been crisper
or more filmic. Bright portions of the image are striking and clean, while black levels reveal just how careful the restoration's contrast has been dialed in
masterfully. Gradient tones are smooth, depth and dimensionality are remarkable, edge definition is perfectly exacting yet free of any halos whatsoever,
and fine textures are more revealing than ever. This is truly an upgrade of top tier proportions. Grain is aggressive at times but altogether natural, and
not a speck of it has been scrubbed away. Better still, all three encodes are free of blocking, banding and any protentional digital issues, making for one
helluva contender no matter which aspect ratio you prefer.
Each presentation of the film also features three audio options: a sparkling new Dolby Atmos experience, the DTS-HD Master Audio 5.1 surround track from Criterion's 2013 release, and a DTS-HD Master Audio 2.0 Mono mix. It seems the consensus among cinephiles, myself included, is to skip past the fancy surround tracks and stick with the mono track, which boasts perfectly prioritized dialogue, a suitably era-centric soundscape, and a killer rendition of the movie's score. And our review of the Criterion release already addressed the benefits of the 5.1 lossless track. Which brings us to Sony's Atmos offering, a killer experience in every way that retains the tone and tenor of the Mono mix while adding a sense of "being there" with an immersive and involving soundfield. Directionality proves fairly welcome -- more so than in the DTS-HD 5.1 run -- and does a better job integrating original audio elements with more spacious exterior ambience and interior acoustics. It never quite reaches the level of an Atmos track whose film was designed with multi-directionality from the get-go, but it will no doubt please modern film fans seeking out the latest and greatest in technological achievements. All that said, I'll be watching On the Waterfront in 1.66:1 with its Mono mix anytime I make a visit to Terry's stomping grounds.
While Sony's 4-disc set offers plenty of supplemental material, it's still missing quite a bit of content from the Criterion release. Completists will need
to hold onto their previous edition to take advantage of all the film's extras.
On the Waterfront remains one of the best films of all time; a true classic in every sense of the word. Sony's 4-disc 4K edition suggests no less, with a terrific trio of remastered video presentations (at 1.33:1, 1.66:1 and 1.85:1, each presented on its own 4K disc), an top notch trio of audio tracks (including a new Atmos experience), and a pretty hefty collection of extras. Highly, highly recommended.
(Still not reliable for this title)
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4K Restoration
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2018
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Limited Edition to 3000 - SOLD OUT
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2019
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Encore Edition | Limited Edition to 3000 - SOLD OUT
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