6.7 | / 10 |
Users | 4.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
Gordon MacRae brings his sterling voice to the role of cowboy Curly, and Shirley Jones plays Laurie, the object of his affection. The Rodgers and Hammerstein score includes "The Surrey with the Fringe on Top," "Oh, What a Beautiful Mornin'," and "People Will Say We're in Love." Filmed twice: In 70mm Todd-AO at 30fps and in 35mm CinemaScope at 24fps
Starring: Gordon MacRae, Gloria Grahame, Gene Nelson, Shirley Jones, Rod SteigerRomance | 100% |
Musical | 89% |
Western | 21% |
Video codec: MPEG-4 AVC
Video resolution: 1080p/1080i
Aspect ratio: 2.20:1
Original aspect ratio: 2.20:1
English: DTS-HD Master Audio 7.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 4.0 (48kHz, 24-bit)
7.1 for Todd-AO version. 4.0 for CinemaScope version
English SDH, French, Spanish
50GB Blu-ray Disc
Four-disc set (2 BDs, 2 DVDs)
UV digital copy
DVD copy
Slipcover in original pressing
Region free
Movie | 4.5 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 4.5 | |
Overall | 4.5 |
Note: This film is also available as part of The Rodgers & Hammerstein Collection.
Most theater geeks and fans of Glee could probably correctly pair Strouse with Adams, Bock with Harnick, Adler with Ross,
Kander with Ebb, and Maltby with Shire, but even the relatively unwashed masses would have no problem recognizing
the vaunted partnership of Rodgers and Hammerstein. These two titans of the Broadway musical achieved their renown
though a combination of both incredibly artistry, providing the Great American Songbook with untold treasures from their
musicals, and fairly rare business acumen, which preserved their creative control over their properties but, due at least
in part to their role as producers as well as composer-lyricist-librettist, above the title billing which is usually reserved for
the acting talent. Rodgers and Hammerstein had each had their own individual successes prior to teaming with each
other, Rodgers most notably with Lorenz Hart and Hammerstein with Jerome Kern, but together they seemed almost
ideally suited to remaking the American musical in their own sophisticated yet homespun combined images. From the
1943 premiere of Oklahoma! on Broadway through 1960’s stage version of The Sound of Music, Rodgers
and Hammerstein enjoyed an almost unparalleled string of successes (despite occasional lackluster outings like
Allegro or Pipe Dream), with several of their shows still acclaimed as unmatched masterpieces to this
day. Because Rodgers and Hammerstein were so hands on in the curating of their properties, it actually took over a
decade for the first of their immense hits to even make it to the screen, but 1955 proved to be a stellar year for the
team on the silver screen, with not just that show, Oklahoma!, appearing in not one but two formats (and
versions), but their follow up Broadway smash Carousel also lighting up the screen with some of the same cast
as Oklahoma!. The Rodgers and Hammerstein musicals are all models of expert plotting and precise
characterizations, and they all benefit from the somewhat sardonic but mellifluous genius of Richard Rodgers, one which
acted as a sort of slightly bittersweet gin to Oscar Hammerstein’s effervescent tonic.
What a difference a few years can make. When Oklahoma!'s 50th Anniversary DVD set was released, fans were
over the moon at being able to finally see the long hidden away Todd-AO version—until they saw it, anyway. The Todd-
AO rendering of the film on DVD was inexplicably soft and mushy looking, so much so that fans saw it as a crushing
disappointment. Now several years later, it's going to be the CinemaScope version—the one that most people grew up
with, either theatrically or on television—that comes out the worse for wear. The Todd-AO version of Oklahoma!
is presented in 2.20:1 and 1080i at 30 fps (the Todd-AO norm). Unusual frame rates have been the bane of silent film
aficionado Blu-ray collectors for years, as
various labels have chosen either interlaced presentations to deal with them or repeated random frames to allow for a
progressive presentation. For those who are interested, there's a bit more information on this anomaly in the video
section of my Intolerance Blu-ray
review. Despite the perhaps debatable perceived shortocmings of an interlaced presentation, this is a stunning new
visual experience, one with beautifully
saturated and accurate looking color and most of the time a razor sharp image that reveals abundant fine detail. The
depth of field on the Todd-AO version is absolutely incredible. There are some very minor contrast fluctuations which lead
to a slightly murky look in some interior shots, but this is by and large a revelatory experience that will certainly delight
longtime Oklahoma! fans. The palette here is generally beautifully rendered, with only some outdoor greens
occasionally looking slightly washed out. Both the location and studio work offer a stable image and often immaculate
clarity and precision.
The film's CinemaScope rendering, in 2.55:1 and 1080p courtesy of the AVC codec, probably would have gotten higher
marks if it didn't pale in comparison to the Todd-AO version. The elements here are in slightly less pristine shape (or have
not undergone the extensive restoration that the Todd-AO elements did). There's quite noticeable flicker at times that's
especially apparent in the bright outdoor daytime scenes, where registers in the sky vary quite a bit. The CinemaScope
rendering is also quite a bit more grainy than the Todd-AO version, and is also relatively softer. Colors look like they've
faded minimally but still noticeably, with reds tipping toward orange some of the time and flesh tones just ever so slightly
on the brown side.
Neither version is beset with any egregious compression artifacts, and neither looks to have been digitally manipulated in
any over aggressive fashion.
Note: Screenshots 1-10 are from the Todd-AO version. Screenshots 11-19 are from the CinemaScope version.
The Todd-AO version of Oklahoma! is graced with a DTS-HD Master Audio 7.1 mix, while the CinemaScope version is presented with a DTS-HD Master Audio 4.0 mix. My hunch is most fans are going to prefer the Todd-AO version simply by dint of the video quality alone, but the 7.1 mix does offer greater depth and even spatial nuance than the 4.0 mix accompanying the CinemaScope version does. The big, brassy orchestrations a top flight team provided the film comes through spectacularly clearly on the 7.1 mix, but are incrementally though noticeably muddier in the 4.0 accounting. There's some great directionality at play here even in dialogue scenes, where the sound mixing clearly has the voices of actors at the edge of the frame coming out of the appropriate side channels. The score easily fills all of the surrounds in both mixes, with both dialogue and singing sounding clean and clear.
All of the supplements from the 50th Anniversary DVD set have been ported over to this Blu-ray release:
Disc One (Todd-AO Version)
- "Oh, What a Beautiful Mornin'" performed by Gordon MacRae (480i; 2:57)
- "People Will Say We're in Love" performed by Gordon MacRae and Florence Henderson (480i; 2:26)
Some revolutionaries like to call attention to themselves, but Oklahoma! defies expectation (or at least what used to be expectation) quietly, building a dreamlike quality that seems, not so coincidentally, a uniquely American dream. Cynics may decry the musical as corny or hokum or just seriously uncool, but Oklahoma! has a freshness and immediacy that is instantly tangible and remarkably multi-disciplinary. Fred Zinnemann's film is a brilliant piece of craft in its own right, blending fantastic location work with some very unusual studio set pieces. Seeing the restored Todd-AO version of this film is like getting a blast of that Oklahoma wind sweeping down the plain right in your face —it's like a wake-up call to see this great film with new eyes and ears. If this were coming out on its own, this would get a no holds barred "Highly recommended" from me. I recommend checking the reviews of the other films in the Rodgers and Hammerstein collection before making an informed decision, especially considering the fact that Oklahoma! will reportedly receive a standalone release later this year.
1945
1958
1956
1956
Warner Archive Collection
1929
1948
2012
Warner Archive Collection
1942
Fox Studio Classics
1969
1951
2014
Warner Archive Collection
1950
2001
1955
2005
Swing Romance
1940
1980
2010
2007
Rodgers and Hammerstein's Oklahoma!
1999