7.9 | / 10 |
Users | 4.5 | |
Reviewer | 4.0 | |
Overall | 4.1 |
A revolutionary ex-con leads a robbery that goes horribly wrong. Injured and hunted by the police, he seeks refuge throughout the city, while the woman he loves searches for him among the shadows.
Starring: James Mason (I), Robert Newton, Cyril Cusack, F.J. McCormick, William HartnellDrama | 100% |
Film-Noir | 42% |
Crime | Insignificant |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
English: LPCM 2.0 (48kHz, 24-bit)
English SDH
25GB Blu-ray Disc
Single disc (1 BD)
Region B (locked)
Movie | 4.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 3.5 | |
Overall | 4.0 |
Nominated for the prestigious Golden Lion Award at the Venice Film Festival and winner of BAFTA Award for Best British Film, Carol Reed's "Odd Man Out" (1947) arrives on Blu-ray courtesy of British distributors Network. The supplemental features on the disc include an archival unedited interview with James Mason; a documentary film on the acclaimed actor; and various stills. The disc also arrives with a a 23-page illustrated booklet. In English, with optional English SDH subtitles for the main feature. Region-B "locked".
Johnny
Presented in its original aspect ratio of 1.37:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Carol Reed's Odd Man Out arrives on Blu-ray courtesy of British distributors Network.
The following text was supplied by Network:
"The video transfer was made by Granada International from the best available safety element - a 35mm Dupe Negative - after it was compared to original nitrate fine grain master (held by the BFI) and found to be in superior condition. It had a slightly sharper image and better stability than the nitrate material although the usual film defects inherent in 1940's material were still present. They included: picture weave; distortion; dirt and scratches; water marks; and splice jumps. The transfer was carried out by Technicolor on a Spirit Datacine in High Definition (Colourist - Dave Mason) and then the image restored digitally using Teranex and Edifis. The soundtrack was taken from a 35mm Sound Master Positive Print and then restored, removing any noticeable hiss, crackle, and audio defects. The film was shown at the 2006 Cannes International Film Festival as part of the centenary celebrations for director Carol Reed."
The presentation is quite impressive. Most close-ups convey very pleasing depth (see screencapture #5), while the noirish dark sequences with the long shadows boast excellent clarity (see screencapture #3). Contrast levels are well balanced and stable. The color grading does not disappoint either - there is a good range of nuanced grays, while the blacks look lush but never boosted. The best news, however, is that there are no traces of excessive denoising. Grain does fluctuate from time to time, but it is clear that these fluctuations are inherited from the elements the restorers had to work with. The same could be said about image stability - there are no serious stability issues, though occasionally some frame transitions could be a bit shaky. Lastly, there are some very light scratches that could not be effectively removed with digital tools, but large damage marks, cuts, splices, and warps are indeed nowhere to be seen. All in all, the restoration has produced some marvelous results, and I must speculate that this is indeed the very best Carol Reed's film has ever looked. (Note: This is a Region-B "locked" Blu-ray disc. Therefore, you must have a native Region-B or Region-Free PS3 or SA in order to access its content).
There is only one audio track on this Blui-ray disc: English LPCM 2.0. For the record, Network have provided optional English SDH subtitles for the main feature.
The audio treatment is even more impressive than the video treatment. The dialog is consistently crisp, clean, and stable. The outstanding outscore by William Alwyn (The Fallen Idol, A Night to Remember) has also benefited enormously from the lossless treatment. Some of the very best sequences in the film are the ones where the rather long and quite atmospheric main theme. For the record, there is no problematic hiss, crackle, or audio dropouts to report in this review.
Carol Reed's stylish Odd Man Out has been recently restored and now brought to Blu-ray by British distributors Network. I personally think that it is as atmospheric and entertaining as Reed's famous The Third Man, and featuring one of the best soundtracks ever done for a noir film. If you could play Region-B "locked" releases, consider adding this one to your collections. HIGHLY RECOMMENDED.
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1950
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