6.5 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
A giant-screen adventure into the world of two freedivers and their unique relationship to the sea.
Starring: Pipin Ferreras, Umberto Pelizzari| Documentary | 100% |
| Nature | 73% |
| Sport | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.43:1
English: DTS-HD Master Audio 5.1 (48kHz, 16-bit)
French: DTS-HD Master Audio 5.1 (48kHz, 16-bit)
None
25GB Blu-ray Disc
Single disc (1 BD)
BD-Live
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 4.5 | |
| Audio | 4.5 | |
| Extras | 1.0 | |
| Overall | 4.0 |
The competitive sport—perhaps "passion" might be a better word—of freediving was the subject of Luc Besson's 1988 film The Big Blue, a heavily fictionalized account of the lifelong competition between freediving champions Jacques Mayol and Enzo Maiorca (called "Enzo Molinari" in the film). Freedivers push their bodies to unimaginable extremes so that they can reach ever greater depths in the ocean without the assistance of breathing equipment, using only the air in their lungs. New records are routinely set, and old ones broken. The shorter theatrical cut of The Big Blue focused on rivalries and relationships, but Besson's longer director's cut included extensive underwater footage intended to convey the allure of freediving and the unique relationship that freedivers establish between themselves and the ocean, which is essential to their ability to remain underwater longer than anyone would imagine possible. That same sense of marine spirituality dominates director Bob Talbot's IMAX film, Ocean Men: Extreme Dive, which chronicles the efforts of Mayol's and Maiorca's modern day counterparts, Pipin Ferreras and Umberto Pelizzari to dive even deeper than their forbearers. Talbot is not interested in chronicling a rivalry; he doesn't even put Ferreras and Pelizzari together on screen. His goal is to use the enhanced definition of the IMAX format to convey some sense of what so draws these men to the underwater realm that they repeatedly risk death to extend their stay there, unencumbered by any apparatus of life support. Talbot is one of the world's leading underwater photographers. He has contributed cinematography, camera work and research to such films as Flipper, Free Willy, Into the Blue and The Life of Pi. The narration for Ocean Men was written by Mose Richards, a prolific scripter of nature documentaries, although much of the voiceover was supplied by Ferreras and Pelizzari themselves, with a small portion contributed by Jacques Mayol. The film was released to IMAX theaters in 2001.


Director Bob Talbot handled his own IMAX cinematography, and the gorgeous large-format images, both above and below the ocean's surface, are nicely showcased on Image/RLJ's 1080p, AVC-encoded Blu-ray. With the exception of a few sequences at great depth or in caves, the underwater scenes appear to have been filmed in waters shallow enough to benefit from the illumination of brilliant overhead sun, providing plenty of detail for the IMAX camera to capture. The surface sequences are so exceptionally clean, clear and detailed that at moments one could be looking through a window. In just a few shots, notably of Miami seen from a helicopter, a touch of aliasing betrays the limitations of the Blu-ray's resolution. Blacks are deep, and the colors are spectacular, especially the many variants and gradations of blue in the different ocean locations and depths. Establishing a strong contrast with these blues are the bright colors of the many corporate logos and sponsorship insignia, notable indications of how these freedivers finance their exploits. Given the feature's short 40-minute running time, Image has not even had to use the entirety of a BD-25 to accommodate Ocean Men without noticeable artifacts.

Although distant sounds of water and waves occur on Ocean Men's lossless DTS-HD MA 5.1 soundtrack, director Talbot has chosen to set the mood with a dominant musical score, which allows him to move freely back and forth between different scenes and the efforts of the two different divers. The score has been recorded and mixed with an enveloping orchestral presence that is well suited to the subject matter. The original instrumental accompaniment is by Cliff Eidelman (Star Trek VI: The Undiscovered Country), but the track's most memorable element comes from the songs contributed by Irish vocalist Enya.

Warning: If your player is connected to the internet, the disc will attempt to download "disc updates" at startup. Even with a good internet connection and a fast-loading player such as a PS3, this process can extend loading time by several minutes, for no discernible benefit. I recommend disconnecting one's player from the internet (or switching off access) before loading the disc. Otherwise, it will be necessary to cancel the update operation, which isn't as easy as it sounds.

The theatrical market for specialty large-format films like Ocean Men has largely dried up, now that IMAX theaters are a regular element in the marketing of studio tentpoles. That's unfortunate, because a standard 35mm (or digital video) documentary about freediving would be just as interesting, but it wouldn't be as effective at conveying the pure sensual enjoyment that Ferreras and Pelizzari so obviously derive from their ocean adventures. Talbot's film puts you as much in their place as is possible without actually getting wet, and the Blu-ray brings the experience home. Recommended.