| Users | 3.5 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
| Foreign | 100% |
| Drama | 40% |
| Crime | 18% |
| Adventure | Insignificant |
| Thriller | Insignificant |
| Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1, 2.35:1
Original aspect ratio: 2.35:1, 1.85:1
French: DTS-HD Master Audio 2.0
English: DTS-HD Master Audio 2.0 (48kHz, 16-bit)
English, English SDH
Blu-ray Disc
Three-disc set (3 BDs)
Slipcover in original pressing
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 0.5 | |
| Overall | 3.5 |
Someone thought it would be a good idea to reinvent Jean Bruce's iconic spy OSS 117 as a blundering oaf, with the result being what I personally found to be the surprisingly unfunny OSS 117: Cairo, Nest of Spies and OSS 117: Lost in Rio. As I mentioned in my OSS 117 Blu-ray review, while anyone who sees a spy with two repeated digits and then a seven in their codename might naturally instantly think of, um, someone else, Bruce's creation actually predates Ian Fleming's work both in the book arena and the film world. Perhaps for licensing issues, the very first OSS 117 film, 1957's OSS 117 n'est pas mort, is not included here (and just as weirdly, it's not even in our database, which is why I linked to its IMDb listing). That particular outing featured Ivan Desny as Bruce's perhaps unfortunately named spy (officially Hubert Bonisseur de la Bath), but starting with 1963's OSS 117 se déchaîne, Kerwin Mathews took over the role for two films, followed by lookalike Frederick Stafford for the next two, and then by stalwart John Gavin for the final film in this collection, 1968's Pas de roses pour OSS 117. (Kind of interestingly in the trivia department, both Stafford and Gavin seem to be relatively "forgotten" Hitchcock actors.)


Video quality is assessed in the above linked reviews.

Audio quality is assessed in the above linked reviews.

Three trailers are included on OSS 117: Double Agent. See that review for details. Packaging features a slipcover.

As long as you don't expect these films to be carbon copies of James Bond outings (and some Francophiles will probably want to argue that it's the Bond outings which are the carbon copies), all five of the films in this set have certain pleasures. Technical merits are generally solid. Recommended.