5.9 | / 10 |
Users | 0.0 | |
Reviewer | 2.5 | |
Overall | 2.5 |
O.C. and Stiggs aren't your average unhappy teenagers. They not only despise their suburban surroundings, they plot against it. They seek revenge against the middle class Schwab family, who embody all they detest: middle class. The film, a raunchy teen comedy described by the British Film Institute as "probably Altman's least successful film," was shot in 1983, but not released until long after post-production was completed. MGM shelved it for a couple of years, finally giving it a theatrical release in 1987 and 1988.
Starring: Daniel Jenkins (I), Neill Barry, Jane Curtin, Paul Dooley, Jon CryerRomance | 100% |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.35:1
English: LPCM 2.0 Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region B (locked)
Movie | 2.5 | |
Video | 3.5 | |
Audio | 4.0 | |
Extras | 2.5 | |
Overall | 2.5 |
There's probably no better example of how show business careers can be likened to riding an out of control roller coaster than Robert Altman, an iconic filmmaker who experienced both (to paraphrase a certain legendary series about sports) the thrill of victory and the agony of defeat. For whatever reason and whether warranted or not, O.C. and Stiggs is probably relegated to that second category, and in fact as some of the supplements on this disc get into, even some diehard Altman fans may not be aware of this film, which had a very troubled gestational period and then a typically freewheeling shoot in Arizona where both drug use and dog track betting were evidently rampant. Altman could often be a paradigm of "nothing succeeds like excess", and O.C. and Stiggs certainly is an unkempt feature by virtually any standard. Based rather loosely on a well remembered series of articles that ran in National Lampoon, rather incredibly the film was first going to be helmed by Mike Nichols, who somewhat hilariously wanted Eddie Murphy to star as one of the title characters, this despite the fact that both O.C. and Stiggs are middle class white teens wreaking havoc in a conservative Arizona environment. Altman may not have made that mistake, but the film, while occasionally snarkily humorous, never rises to the heights that its rather fascinating cast might lead some to have hoped for.
O.C. and Stiggs is presented on Blu-ray courtesy of Radiance Films with an AVC encoded 1080p transfer in 2.35:1. Radiance sent only a check disc for purposes of this review, and so I'm not privy to any verbiage about the transfer that might be included in their insert booklet, but this is a largely very satisfying looking presentation, especially once you get past the rather long optically printed credits sequence, which unavoidably looks rough and dupey, with swarms of grain and near pixellation. Once that issue is resolved, clarity improves markedly and grain resolves tightly for the most part, though there are noticeable spikes during several interstitial moments, not necessarily due to differing lighting conditions. Darker colors like some browns, blues and greens can exacerbate some of the more roughhewn qualities the grain field can show at times (see the left side of the frame in screenshot 3 for one example). The palette is nicely suffused and detail levels are typically very good throughout. There is some curious softness that shows up, especially toward the edges of the frame which may indicate a malfunctioning lens. My score is 3.75.
O.C. and Stiggs features LPCM 2.0 Mono audio and the aforementioned appearance of King Sunny Adé may hint at some musical offerings on tap, which sound nicely full bodied. Dialogue is also rendered cleanly and clearly, though this has some typically Altman-esque overlaps that perhaps pay homage to the likes of Howard Hawks. Optional English subtitles are available.
The title characters in this film are more or less in a war with the lemming like Middle Class, and as such would seem to be near perfect stand ins for Altman's general sensibility, and yet this film just never congeals. That said, the cast is undeniably fascinating, and Altman completists will no doubt want to check out this curio, flaws notwithstanding. Technical merits are generally solid and the supplements very enjoyable, for anyone who may be considering making a purchase.
1934
Mr. Hulot's Holiday / The Jacques Tati Collection
1953
1977
Masters of Cinema
1971
Indicator Series
1971
1942
1928
Arrow Academy
1982
Masters of Cinema
1925
Restored
1971
The Big Day / The Jacques Tati Collection
1949
1940
Los amantes pasajeros
2013
1969
Play Time / Restored
1967
タンポポ / Tanpopo
1985
The Oyster Princess / Masters of Cinema
1919
1985
Masters of Cinema
1923
Birds of a Feather
1978