7.1 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
One dark night, in the deserted streets of Nice... An American car slowly drives past Victor Menda, then slowly pulls up... A come on from the mysterious blonde at the wheel and Victor finds himself kissing her and making love with the gorgeous creature... But as soon as the embrace is over the mantis-like beauty rejects him and, under the threat of a gun, makes him leave the car... Worse, she tries - and nearly manages - to kill him by running over him. Now, cars have plates and Victor traces the address of the monstrous nymphomaniac rather easily. To his amazement he discovers that in the beautiful villa - in front of which the American car is parked - TWO blonde sisters live together, both of whom looking sweet and harmless...
Starring: Robert Hossein, Marina Vlady, Odile Versois, Héléna Manson, Henri Crémieux| Foreign | Uncertain |
| Mystery | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.66:1
Original aspect ratio: 1.66:1
French: LPCM Mono
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 4.5 | |
| Audio | 4.0 | |
| Extras | 3.0 | |
| Overall | 4.0 |
Note: This film is available on Blu-ray as part of the Wicked Games: Three Films by Robert Hossein set from Radiance Films.
As an actor, Robert Hossein is probably best remembered on this side of the pond for his supporting role in Jules Dassin's iconic
Rififi, but as a so-called "multi-hyphenate" he had a rather
interesting career as both a writer and director, including the three films Radiance has aggregated in this appealing new collection. The set includes
The Wicked Go to Hell, Hossein's debut as director and (co-)writer, which came out in 1955, the same year as Rififi. After a
1956 effort called Pardonnez nos offences, Hossein took on sole writing credit in addition to directing with 1959's Nude in a White Car
(as it's titled here, though there are multiple variant titles, including the original French Toi, le venin). Two other interstitial films,
1959's Double Agents and 1960's Les scélérats, appeared before the final film offered in this triptych, 1961's The Taste of
Violence. Two of the three films in this set, as well as some of Hossein's other efforts, are based on novels by Frédéric Dard.


Nude in a White Car is presented on Blu-ray courtesy of Radiance Films with an AVC encoded 1080p transfer in 1.66:1. Radiance's insert booklet lumps the three films together for pretty minimal information on the provenance of the transfers:
Each film in this collection was restored in 2K by Gaumont. Additional colour correction was applied to The Taste of Violence by Radiance for this release. The films were supplied to Radiance Films as digital files and are presented in the original aspect ratio.Things are just a little iffy looking at the very beginning of this transfer due to extreme low light and optically printed credits, but one things segue to the main story, clarity improves markedly and grain becomes much more tightly resolved. Both an abundance of outdoor material as well as a surplus of well lit scenes redound to the benefit of fine detail levels throughout. Contrast is appealing, and the opening vignette documenting the "pick up" in the Cadillac offers some impressively deep blacks and almost blazing whites like the shock of blonde hair of the driver. It's perhaps instructive to note how whites and blacks are utilized in the production design, and the secure contrast helps to elevate that perhaps subliminal element.

Nude in a White Car features another nice sounding LPCM Mono track in the original French. In a kind of cheekily comical moment, Marina Vlady mentions in her interview how Robert often sold his films as a "package", with her presumed involvement in what she calls a "family affair", and that seems to have included Hossein's father André (working under the pseudonym André Gosselain), here offering another really well considered score, this one suitably minor inflected and drenched in sax. Ambient environmental effects are well rendered in several outdoor scenes. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.


The "climax" of this film may be somewhat curiously tamped down considering the histrionic subtext that pervades the almost What Ever Happened to Baby Jane? adjacent relationship between the sisters in this film. It's notable that the original French title of Dard's source novel translates more or less to You're the Poison, without overtly clarifying who is referenced by the titular pronoun. A certain degree of ambiguity may therefore be sacrificed in this film version, but this is a fun, twisty tale that shows off several extended Hossein family members to very good advantage. Technical merits are solid and the supplements very interesting and well done. Recommended.
(Still not reliable for this title)

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