7 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
A serial killer roams the city of Milan, Italy, using scissors to assassinate and kill top-models. A park ranger from USA arrives in the city to protect his sister, but realizes that she has vanished. He starts searching for her, meeting with a lot of people and getting to know the (sometimes dangerous) world of international jet-set. But soon the killer will search for him too.
Starring: Tom Schanley, Renée Simonsen, Donald Pleasence, Nicola Perring, Maria McDonaldForeign | 100% |
Mystery | 22% |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
Italian: Dolby Digital 2.0
English: Dolby Digital 2.0 (320 kbps)
BDInfo & PowerDVD verified. 3rd is just a hidden "lossy" track. Italian track is (320 kbps)
English, English SDH
Blu-ray Disc
Single disc (1 BD)
Region A, B (C untested)
Movie | 3.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 4.5 | |
Overall | 4.0 |
Repeated throughout the supplementary features on the “Nothing Underneath” Blu-ray is the production’s quest to replicate Brian De Palma’s 1984 thriller, “Body Double.” Director Carlo Vanzina isn’t messing around with this tribute to the filmmaker paying tribute to Alfred Hitchcock, hiring “Body Double” composer Pino Donaggio to replicate his score, going the sound-alike route to maximize the mood, and harsh violence is awfully familiar, slipping into Dario Argento territory. 1985’s “Nothing Underneath” is an adaptation of a book by Marco Parma, but it’s not big on originality, trying to deliver expected acts of horror and seduction to best capture audience interest. Vanzina isn’t De Palma, but he assembles a functional chiller with the déjà vu endeavor.
The AVC encoded image (1.85:1 aspect ratio) presentation is sourced from a 4K scan of the original 35mm negatives. "Nothing Underneath" certainly has a lot of frame information to survey, including silky and lacy textures on model outfits and deep distances during moments at Yellowstone National Park. Detail is softer but compelling, with decent facial surfaces and decorative additions. Color is fresh, exploring the varied hues of fashion world displays and club lighting. Deeper red is found with blood. Skintones are natural. Delineation is satisfactory. Grain is heavy and film-like. Source is in good condition, with a few visible hairs.
The 2.0 DTS-HD MA sound mix shows some signs of age, and sibilance issues are present. Dialogue exchanges remain intelligible, capturing dramatic emphasis and various accents. Scoring cues support suspense with a clear orchestral sound. Soundtrack selections offer a bit more pop music power to sell club visits and fashion show events.
"Nothing Underneath" occasionally offers violence, with a black-gloved killer picking off pretty people with a long pair of scissors, adding some blood to the crisis. What's missing is defined style, as Vanzina isn't quite as wild as the filmmakers he's lifting from. Still, "Nothing Underneath" provides an intriguing look at the fashion business in the 1980s, where shows were major events and models were disposable, encouraging the wrong kind of attention from predatory, dangerous outsiders. Perhaps the picture would've been more enticing as a true industry expose, getting ugly with the reality of business happenings, but it's a thriller instead. And one that lacks nail-biting elements to really drive home the horror of a madman on the loose. Those interested in De Palma's influence during the 1980s are certain to get a little more out of the feature, which is serviceable entertainment, simply in need of greater creative risks to reach its full potential.
(Still not reliable for this title)
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