8.7 | / 10 |
Users | 4.6 | |
Reviewer | 5.0 | |
Overall | 4.6 |
An advertising executive finds himself mistaken for a government agent by a group of foreign spies.
Starring: Cary Grant, Eva Marie Saint, James Mason (I), Jessie Royce Landis, Leo G. CarrollDrama | 100% |
Mystery | 56% |
Romance | 45% |
Adventure | Insignificant |
Thriller | Insignificant |
Action | Insignificant |
Video codec: VC-1
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: Dolby TrueHD 5.1 (48kHz, 16-bit)
French: Dolby Digital Mono
German: Dolby Digital Mono
Italian: Dolby Digital Mono
Japanese: Dolby Digital Mono
Portuguese: Dolby Digital Mono
Spanish: Dolby Digital Mono (Spain)
Music: Dolby Digital 5.1
Isolated score 5.1/48kHz@640kbps, All DD 1.0 Mono/48kHz@192kbps, Japanese is hidden
English SDH, French, German SDH, Italian, Italian SDH, Japanese, Portuguese, Spanish, Danish, Finnish, Norwegian, Swedish
50GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 5.0 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 4.5 | |
Overall | 5.0 |
“You know, we’re not making a movie,” Alfred Hitchcock reputedly told screenwriter Ernest Lehman during the shooting of North by Northwest. “We’re constructing an organ, the kind of organ that you see in the theatre. And we press this chord and now the audience laughs, we press that chord and they gasp, and we press these notes and they chuckle. Someday we won’t have to make a movie, we’ll just attach them to electrodes and play the various emotions for them to experience in the theatre.” Whether the portly director was being cynical or merely offering a pithy insight into his own mastery of suspense, the fact remains that Alfred Hitchcock was a virtuoso at knowing not only which emotional keys to press, but exactly when to press them, and in what order. Disparaging critics—what few there are—may level the charge that Hitchcock’s films are formulaic, but even if that’s so, it’s undeniable that he worked out the perfect formula, a cinematic golden ratio that balances tension and darkness with romance and wit.
Check out the kid plugging his ears in the background.
As the first of Hitchcock's films to arrive on Blu-ray in the U.S.—The 39 Steps was released recently in the U.K.—there's been a great deal of anticipation and outright skepticism regarding North by Northwest's picture quality. For what it's worth, I'm thoroughly impressed by this new 1080p/VC-1 encoded transfer, which was scanned at an 8k resolution using the film's original VistaVision production elements. The film has also been given an outstanding restoration; there's no print damage at all, not a speck or fleck, and it appears that no tampering has been done with the film's grain structure, which is still readily visible, albeit thin and unobtrusive. (There are exceptions. An insert shot of Martin Landau at the 1:45:50 mark is incredibly grainy. Not sure what the story is here, but it's obviously a source-related issue.) Color has received a slight boost in saturation from prior DVD releases, and the Technicolor hues are rich, stable, and—I'll say it—dreamy, presenting an ideal, Hollywood-ized vision of mid-century America. Black levels are spot on, contrast is pleasantly weighted, and shadow delineation is revealing. Cary Grant looks tan as always, but skin tones are warm and flattering throughout. Though the film isn't razor sharp by today's standards, overall clarity is greatly increased with this release, and for a 50-year-old film, there are several moments of stunning depth and presence. Just check out the crane shot of the empty expanse of highway as Thornhill's bus pulls up to a stop in the middle of nowhere. Or the shot of Grant crouching in the cornfield. Or the meeting between Thornhill and Eve in the pine woods. There were a few times when I rewatched sequences just to take in the beauty of the cinematography. Could the film look any better? Naysayers will always find faults, and it's hard to say what future technology holds, but at our present state it's difficult to imagine a more aptly realized version of North by Northwest.
The film's original monaural presentation has been expanded into a Dolby TrueHD 5.1 surround track here, and though purists may cry foul, few will have any complaints after hearing the subtle and impressive ways that the rear channels are implemented. Of course, the most striking aspect is how Bernard Hermmann's classic orchestral score has been bled into the surround speakers, creating a tense and immersive experience. Strings spiral dizzyingly up and down, timpani drums pound mercilessly, and flutes dart and weave with a clear and breathy timbre. Considering the age of the source material, the music is remarkably full, with deep, mellow bass and crystalline high-end clarity. The rear channels also broadcast some ambience from time to time—like the bustle of the New York City streets—but I was struck most by the bold, directionally accurate panning effects used during the iconic crop-duster chase scene. The plane makes several passes, from front to back and side to side, and each time the roar of the engine screeches convincingly through the channels. Some of the foley sounds are a little weak—especially the puny punches—but that's always been the case. Dialogue is well-prioritized and easily discernable throughout, but I should note that the whole audio track seems mixed rather low, as I had to ratchet the volume on my receiver up about 8 or 9 notches from my usual listening level.
Commentary by Screenwriter Ernest Lehman
Lehman offers up a quiet, subdued, but ultimately enlightening commentary that owners of the
film's DVD release will immediately recognize. Aside from the occasionally lagging pace, this is a
great track filled with stories about working
with "Hitch" and making movies the old-school Hollywood way.
The Master's Touch: Hitchcock's Signature Style (SD, 57:32)
Like an introductory course on Hitchcock's directorial trademarks, this excellent documentary is
broken into sections that cover the master's editing techniques, ideas about suspense, theory of
the Macguffin, his use of music, and his love of glamour and Hollywood blonds. Several directors,
including Martin Scorcese, William Friedkin, and Guillermo Del Toro dissect and pay tribute to
Hitchcock's often-imitated style.
Destination Hitchcock: The Making of North by Northwest (SD, 39:27)
Eva Marie Saint hosts this retrospective look at the making of North by Northwest,
guiding us through the shooting schedule with the help of screenwriter Ernest Lehman, actor
Martin Landau, and Hitchcock's daughter Pat. There are a lot of great stories here, including the
revelations that the entrance to the UN building was secretly—and illegally—filmed from a
VistaVision camera hidden in a delivery truck and that Cary Grant, always the businessman,
charged 15 cents for autographs.
North by Northwest: One for the Ages (SD, 25:29)
Directors Curtis Hanson (L.A. Confidential), Francis Lawrence (I Am Legend),
Guillermo Del Toro (Pan's Labyrinth), William Friedkin (The Exorcist), and writer
Christopher McQuerrie (The Usual Suspects) examine North by Northwest from
start to finish, giving their expert analysis of the film's character development and Hitchcock's
visual acumen.
Cary Grant: A Class Apart (SD, 1:27:12)
This PBS documentary gives a thorough and unflinching look at the inimitable British-born actor,
covering his unhappy childhood in Bristol, his journey to America in 1920, his rise from
vaudevillian to Hollywood leading man, and his often unhappy family life, marked by failed
marriages and experimentation with LSD. Features interviews with ex-wives, friends, and
colleagues, as well as footage from many of the actor's now-classic films.
Trailers (SD, 6:30 total)
Includes a TV spot, the A Guided Tour with Alfred Hitchcock promo, and the film's
theatrical trailer.
Music Only Track
Choose this option to isolate Bernard Herrmann's classy score, via a Dolby Digital 5.1
track.
Stills Gallery (1080p, 5:52)
Digibook Packaging
This 43-page full-color digibook contains two short essays, actor/director/screenwriter bios, and
lots of great publicity stills, behind-the-scenes photos, and one-sheets.
As the first film by Hitchcock to appear on Blu-ray in the U.S., North by Northwest is a must-have release for many regardless of the film's picture and audio quality. Purchase with confidence, then, because I have no qualms whatsoever about this disc's stunning A/V treatment. The video presentation is uniformly excellent—as close to a definitive version of the film as we're going to get in 1080p—and the new TrueHD soundtrack means North by Northwest sounds bigger and more clear than ever. With a generous host of supplementary features and one of the best digibook packages to come down the Warner pipeline, I'm confident in giving North by Northwest my highest recommendation.
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