6.8 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Gon, a Korean raised in America, is a professional hitman who is usually flawless in taking out his targets. On his latest assignment, though, Gon makes the terrible mistake of killing an innocent young girl. Overcome by regret, guilt and shame, Gon no longer wants to kill for a living, but his boss orders him to go to Korean -- to eliminate the dead child's mother.
Starring: Jang Dong-gun, Kim Min-hee, Brian Tee, Kim Jun-seong, Kim Hee-wonForeign | 100% |
Action | 6% |
Crime | 4% |
Thriller | Insignificant |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: LPCM 2.0 (48kHz, 24-bit)
Korean: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
Korean: LPCM 2.0
English
50GB Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (C untested)
Movie | 3.5 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 2.5 | |
Overall | 4.0 |
No Tears for the Dead ("NTFTD"), the third film by Korean writer/director Lee Jeong-beom, lacks the elegantly focused plot of his 2010 hit, The Man from Nowhere, but many of the thematic elements will be familiar to fans of that high-octane action thriller with a dark spiritual center. As in The Man from Nowhere, the hero of NTFTD has spent his life immersed in violence, his emotions locked deep inside as a result of childhood trauma of which the full extent is not fully revealed until the film's final moments. And as in the earlier film, an encounter with a little girl sends him on a quest for redemption that pits him against an army of criminals bent on his destruction. The difference in NTFTD is that the hero is one of the criminals—or, at least, he was until now.
No Tears for the Dead was shot by Lee Mo-gae, who won the Asian Pacific Screen Award in 2008 for his stylish work on The Good, the Bad, the Weird. The film was shot digitally at 4k on a Sony CineAlta F65 and finished on a digital intermediate, from which CJ Entertainment's 1080p, AVC-encoded Blu-ray was presumably derived by direct digital conversion. In the "Making of" featurette, cinematographer Lee describes the challenge of finding the right camera speed for some of the physical effects dreamed up by the director and his stunt and practical effects teams, but he seems to have surmounted every obstacle, because the Blu-ray image is gorgeous: sharply detailed yet cinematic; anchored by deep blacks and dark shadows in scenes like the opening assassination in the basement of the nightclub; shiny, bright and business-like with chilly steel and glass in the hedge fund offices; and awash with colors in various settings like nightclubs, rooftops lit with fluorescent lights, hi-tech rooms filled with computer screens, and the kaleidoscopic cityscape of Seoul by day. Colors tend toward the saturated, the better to bring out the copious bloodshed, and the palette favors cool blues and greens, except in the flashbacks to Gon's childhood, where warmer tones dominate, or in Mogyeong's memories of Yumi, which are often hazy and dreamlike. CJ has mastered NTFTD with an average bitrate of 25.004 Mbps, using most of the BD-50 that isn't devoted to extras. It's a perfectly good rate, especially with digitally acquired material. Artifacts are not an issue.
NTFTD comes with a choice of four lossless audio tracks, two Korean and two English. Even the original Korean tracks have large sections of English dialogue because of the film's international cast and because its hero was raised in America. (Gon's conversations with his friend, Chaoz, switch back and forth between English and Korean.) The Blu-ray defaults to an English 5.1 track with the actors' voice dubbed so that all of the dialogue is spoken in English. The viewer can manually select the original Korean 5.1 track. Both are in DTS-HD MA, and I greatly prefer the original Korean, simply because the lip movements always fit the sounds coming from the actors' mouths. The disc also has PCM 2.0 tracks in both English and Korean, but the 5.1 track is the way to go. It has all the energy and directionality one would expect from a modern action film, with bullets and bodies flying, glass shattering, bones crunching, blades slicing, cars roaring and colliding, and various usually immobile items of architecture crashing to the floor or ground. The English dialogue is clear enough that I presume the Korean dialogue to be equally intelligible. The alternately energetic and mournful score, with its distinctive Latin guitar at key moments, is by Choi Yong-rak (The Chaser).
Underneath the elaborate plot mechanics, NTFTD tells a story of lost innocence and asks whether it can ever be recovered. Gon clearly doesn't think so, but that doesn't stop him from disobeying his long-time boss to do something that he feels he must, not so much for the mother of the child whose death he caused, but as a reckoning with his own past. As the film's closing scenes make clear, Gon has been holding back a deep sorrow, a private grief, for so long that he no longer knows how to face it. His quest to save Mogyeong and provide justice for her daughter may bring him relief, but not salvation. In one of our last views of Gon, he is illuminated in a glass-enclosed elevator descending the exterior of an office building, heading down into darkness. It's an elaborate shot that, as the disc's extras reveal, took extensive effort to create, but the reason for it is unmistakable. Gon is a tragic figure, because his journey has only one possible destination. Highly recommended.
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