Rating summary
Movie | | 3.0 |
Video | | 4.5 |
Audio | | 3.5 |
Extras | | 0.5 |
Overall | | 3.0 |
No Orchids for Miss Blandish Blu-ray Movie Review
Reviewed by Dr. Svet Atanasov August 4, 2019
St. John Legh Clowes' "No Orchids for Miss Blandish" (1948) arrives on Blu-ray courtesy of Kino Lorber. The only bonus feature on the disc is an original trailer for the film. In English, with optional English SDH subtitles for the main feature. Region-A "locked".
Slim
You enjoy early crime films and have seen and own many of the classic American film noirs --
Double Indemnity,
They Live by Night,
In a Lonely Place,
Night and the City,
The Asphalt Jungle and
Out of the Past are amongst your favorites. Then one day a friend suggests that you also check out French director Jean-Pierre Melville’s films because they are really cool.
Cool? What does your friend mean exactly? You research a few of them and now you remember hearing about
Le Samouraï. Aha. But this film is from the late 1960s, and you and your friend were discussing earlier films. What about
Bob le Flambeur? Its English title,
Bob the Gambler, sounds familiar, but you have not seen it. You do some additional research on it and learn about its plot; you even realize that it has inspired other classic crime films that you like. You decide to track it down and see it, but are still unsure what your friend meant when he used the word
cool. Was he referring to characters, visual style, or both? Or, could it be that he was trying to describe something entirely different?
Believe it or not, St. John L. Clowes’ film
No Orchids for Miss Blandish can answer all of your questions about
Bob le Flambeur, and even clarify for you everything that makes Melville’s crime films special. Why? Because
No Orchids for Miss Blandish is everything that
Bob le Flambeur and the rest of Melville’s popular crime films that are frequently tagged
cool are not. I will try to explain, so pay attention now.
The original material for
No Orchids for Miss Blandish comes from British writer James Hadley Chase’s popular novel of the same name, which actually does a lot of what Melville’s films do. (It copies the style of the equally popular American crime novels from the 1920-1930s but adds even more machismo to make it stand out. Melville’s early crime films also borrow a wide range of stylistic elements from the classic American film noirs and then do certain things to make them more effective). In the film there are a few small alterations, but the key conflicts remain as they are described in the novel. A small-time gangster (Bill O’Connor) and his accomplices target Miss Blandish (Linden Travers), the daughter of the very wealthy businessman John Blandish, and craft a perfect plan to snatch her enormously expensive necklace. On paper the plan sounds great, but when they go to work complications arise and they end up killing Miss Blandish’s fiancée. Then a much bigger gang led by Ma Grisson (Lilly Molnar) and her brutish son Slim (Jack La Rue) intervenes and Miss Blandish’s elderly father is informed that he must pay a huge ransom if he wants to see his precious girl again. However, while being kept hostage in Ma Grisson’s club, Miss Blandish becomes attracted to Slim, and after a while the two fall madly in love. Slim then tries to figure out a way to call off the ransom negotiations, but the veteran detective Dave Fenner (Hugh McDermott ) who has been hired to solve the kidnapping case sees a perfect opportunity to finally take down Ma Grisson’s notorious gang.
No Orchids for Miss Blandish is like the big bully from your childhood years that used to give your neighborhood an awful name. It’s got a serious attitude, it frequently punches at will, and takes great pleasure in being a troublemaker. Yep, you remember the sucker now. But you also remember how the bully stopped being relevant once you realized that the ‘badness’ it exuded was just an act. You saw through it, and then stopped caring.
No Orchids for Miss Blandish does a lot of the same showboating as well, the kind that is supposed to make it look and feel legitimately bad. (And when it was released theatrically, it absolutely did. The film became quite scandalous because of its awful attitude and attention-seeking violence).
Bob le Falmbeur is a different kind of baddie. First, it is not a street bully, it is a classy mobster. But it is grounded in reality, and follows a philosophy of life (and crime) with strict rules that cannot be broken. It is why its main character is a loner, because in order to continue to be effective in his work and remain ahead of his opponents he has to be a total pro. Also, this is the precise reason why in
Bob le Flambeur as well as the other popular crime films that Melville directed often there are long periods of time where the main characters do not utter a single word -- their work speaks for them. So, the
cool comes from the silent professionalism that Melville and his characters valued.
No Orchids for Miss Blandish looks and sounds quite dated now, and not in ways that work in its favor. A lot of the violence, for instance, is so grotesque that it makes the colorful characters and their dilemmas look unbearably artificial. The cliché-ridden conversations do plenty of damage as well, though it is probably fair to say that the bulk of the bad was unavoidable because it is an integral part of the bully that is described above.
No Orchids for Miss Blandish Blu-ray Movie, Video Quality
Presented in an aspect ratio of 1.33:1, encoded with MPEG-4 AVC and granted a 1080p transfer, St. John Legh Clowes' No Orchids for Miss Blandish arrives on Blu-ray courtesy of Kino Lorber.
The release is sourced from the same remaster that Indicator/Powerhouse Films worked with to produce this Region-B release in May. I think that it is really good. Some careful cosmetic work would have made it look even healthier than it is, but I like its basic technical characteristics a lot. Depth and clarity in particular remain very strong throughout the entire film, and even tough there are a few small fluctuations overall density is solid as well. The grading is convincing. Also, there are no traces of problematic digital corrections. Really, if you use a big-screen TV or project, I think that you would be very pleased with the nice organic appearance of the remaster. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).
No Orchids for Miss Blandish Blu-ray Movie, Audio Quality
There is only one standard audio track on this Blu-ray release: English DTS-HD Master Audio 2.0. Optional English SDH subtitles are not provided for the main feature.
The same issues that I reported in our review of the Indicator/Powerhouse Films release are present here. They are primarily stability issues that emerge in areas where the music becomes prominent. Obviously, this means that they are inherited from the elements that were used to prepare the remaster, and that likely only very serious lab work could address them.
No Orchids for Miss Blandish Blu-ray Movie, Special Features and Extras
- Trailer - vintage trailer for No Orchids for Miss Blandish. In English, not subtitled. (2 min, 480/60i).
No Orchids for Miss Blandish Blu-ray Movie, Overall Score and Recommendation
I don't particularly care for this film. (I have James Hadley Chase's novel and even though it has quite a reputation it isn't a masterpiece either). It tries to be a legit baddie with an attitude, but once you see through its brash act -- which is basically a lot of character posturing and over-the-top violence -- there isn't a whole lot left to excite. If you decide that you wish to own a copy of it in your collection, you should consider this Region-Free release from Indicator/Powerhouse Films because it has more bonus features and also comes with optional English SDH subtitles. The two releases are sourced from a very nice organic remaster. RECOMMENDED to fans of the film. Otherwise, RENT IT.