6.2 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
A modern Western inspired by the real-life "no man's land" areas along the Texas-Mexico border. While out on a father-son border patrol, Jackson accidentally kills a Mexican immigrant boy. When Jackson's father tries taking the blame, Jackson flees south on horseback, becoming a gringo "illegal alien" in Mexico. Chased by Texas Rangers and Mexican federales, Jackson journeys across Mexico to seek forgiveness from the dead boy's father only to fall in love with the land he was taught to hate.
Starring: Frank Grillo, Andie MacDowell, George Lopez, Alex MacNicoll, Jake Allyn| Thriller | Insignificant |
| Adventure | Insignificant |
| Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English: DTS-HD Master Audio 2.0
English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 2.5 | |
| Video | 4.0 | |
| Audio | 5.0 | |
| Extras | 1.0 | |
| Overall | 3.5 |
“No Man’s Land” begins in a Texas border town on the edge of the Rio Grande, but it largely plays out on the other side of river, in Mexico. This blurring of border and culture inspires parts of the screenplay, credited to David Barraza and Jake Allyn, who labor to build some level of suspense around a central ideal of understanding between fragile communities. It’s an immigration story explored from a different perspective, and if “No Man’s Land” remained there, providing a strange education for its characters, perhaps the picture might’ve been meaningful. Barraza and Allyn don’t trust such softness of feeling, injected a tedious revenge subplot into the feature, which torpedoes much of its honest intent to study the bitter realities and karmic dangers of intolerance.


The AVC encoded image (2.40:1 aspect ratio) presentation deals with a darker feature, but screen particulars remain, with clear facial surfaces (on a weathered cast) and textured costuming that includes tough cowboy gear and tighter law enforcement uniforms. Outdoor activity is dimensional, capturing open world travel and small-town tours. Interiors highlight decoration, visiting homes and churches. Colors are sharp, offering lush greenery and natural skintones. Household primaries, including flower displays, are bright, and evening lighting for club visits are vivid with reds and greens. Delineation is satisfactory. Some banding is detected.

The 5.1 DTS-HD MA mix offers compelling atmospherics, visiting the activity of ranch life, with subtle panning effects for horse movement and community sounds for group gatherings. Dialogue exchanges are sharp, supporting dramatic escalation without distortion, and accents are distinct. Scoring supports with various moods, offering more percussion for suspense sequences, and sharp strings for reflective moments. Low-end delivers some rumble with animal movement and violent activity.


"No Man's Land" desires to be an open-hearted understanding of human frailty and programmed ignorance, but director Conor Allyn often goes one- dimensional to do so, weakening any lasting messages. Performances are acceptable (it's a nice change of pace for Lopez), but Delgado goes overboard as Luis, portraying a key character as a video game criminal, which doesn't fit the tone of the movie. In fact, everything involving Luis should've been cut out, as the menace is intended to bring a more expected level of gun-wielding threat to the picture, offering worthless emphasis in a story that's better off with an internal processing of pain. "No Man's Land" gets obvious when it run out of ideas, losing its primary purpose as a story of a unique awakening, hoping to share such soulful illumination with its audience.
(Still not reliable for this title)

2019

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