6.5 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
Scientists poison the water supply of a small town, turning the residents into homicidal maniacs who kill each other and anybody who passes through.
Starring: Wings Hauser, Bo Hopkins, George Kennedy, Kimberly Beck, Brion JamesHorror | 100% |
Sci-Fi | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: LPCM 2.0 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 3.5 | |
Overall | 3.0 |
Anyone here remember the "Mother of All Bombs"? The Department of Defense's GBU-43/B, as it is officially known, was developed in the early aughts of the 21st century and then rose (or perhaps more appropriately, fell) to prominence when it was used in a 2017 Air Force strike in Afghanistan. The GBU-43/B has its own military sobriquet, namely Massive Ordnance Air Blast, whose acronym may have given rise to the more colloquial Mother of All Bombs, and hence a somewhat confounding (at least to some, ahem) hashtag. One way or the other, as someone who was born and raised in Utah and who often spent at least part of every summer vacation in the rural latitudes of the state, I was seriously confused (yes, what else is new?) when #MOAB suddenly started populating in my social media feed in April of 2017. "What could possibly be happening in Moab?" I mused, referring to a Utah town that was, at least in my childhood, a couple of rows of hotels and restaurants built up around a largely abandoned feeling Main Street (which it looks like has been subsumed by U.S. 191). Well of course, nothing was happening in that Moab, at least to the level that it would warrant a hashtag explosion (no bomb pun intended), but for anyone wondering what the little burg in southeastern Utah might be like, look no further than this 1988 opus by the typically at least slightly gonzo Nico Mastorakis.
Nightmare at Noon is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 1.85:1. Arrow's insert booklet contains the following information on the restoration:
Nightmare at Noon is presented in its original 1.85:1 aspect ratio with 5.1 and stereo 2.0 audio. The film was restored in 2K resolution from a 35mm interpositive by Silver Salt Restoration, London. The high definition master was provided by Nico Mastorakis.This is a frequently pretty great looking transfer, especially in some of the brightly lit outdoor material, where everything from the gorgeous red sandstones of Utah to nicely blue skies help the palette to really resonate appealingly. Detail levels are also at their best in some of the outdoor material, and fine detail on things like the glut of denim fabrics or even the crags on George Kennedy's face is typically excellent. There are some noticeable variances in grain resolution and resultant clarity, with some interior shots in the police station in particular looking a bit grittier and without the same general levels of detail. My score is 4.25.
Nightmare at Noon features DTS-HD Master Audio 5.1 and LPCM 2.0 options. The surround track definitely opens up the soundstage in the outdoor material in particular, and some of the big effects sequences, including things like car crashes and/or explosions, have considerable force and energy in the surround track in particular. I frankly would not rate the score here at the apex of either Stanley Myers' or Hans Zimmer's careers, but the music does have a more spacious accounting in the DTS-HD Master Audio 5.1 track as well. Dialogue and the occasional incoherent quasi-zombie babbling is presented cleanly and clearly. Optional English and (kind of charmingly) Greek subtitles are available.
- Wings Hauser (HD; 12:39)
- Bo Hopkins (HD; 11:06)
- Kimberly Beck (HD; 7:36)
- George Kennedy (HD; 4:28)
- Brion James (HD; 17:09)
Some may remember the lesser known Woody Allen comedy Don't Drink the Water (the link points to a less than hilarious film adaptation), and this release actually includes that "warning" on its back cover. You actually kind of have to drink something to "get" Nico Mastorakis' often decidedly outré filmography, but this outing is well produced and generally well performed, even if it's patently ludicrous. Technical merits are solid and the supplements very appealing for anyone who may be considering making a purchase.
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