| Users | 5.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
A sadistic count tortures and murders his unfaithful wife and her lover, then removes their hearts from their bodies. Years later, the count remarries and the new wife experiences nightmares and hauntings. The ghosts of the slain return to exact their bloody revenge, until their hearts are destroyed...
| Horror | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.66:1
Original aspect ratio: 1.66:1
English: LPCM 2.0 (48kHz, 16-bit)
None
50GB Blu-ray Disc
Single disc (1 BD)
Region free
| Movie | 2.5 | |
| Video | 4.0 | |
| Audio | 3.5 | |
| Extras | 4.5 | |
| Overall | 3.5 |
Giallo may be the term that many international films think of when asked to name an Italian horror genre, but Italian horror is not necessarily consigned “merely” to outings by such iconic names as Mario Bava or Dario Argento. At least a few years before giallo films became something of a rage, Italian filmmakers were plying a more traditional gothic territory that tonally and even subject wise was a bit closer to that explored by Roger Corman and similar folks in their extremely successful adaptations of works by Edgar Allan Poe (many available on Blu-ray in The Vincent Price Collection and The Vincent Price Collection II, among various other standalone releases). Such is the case with the 1965 film known variously as Nightmare Castle, Faceless Monster and/or Night of the Doomed, the last of which is actually the title the credits sport on this release. Borrowing at least an idea or two from such redolent Poe works as The Tell Tale Heart, Nightmare Castle is a showcase of sorts for Italian gothic horror icon Barbara Steele, who gets to strut her stuff as two different (related) characters in the film. Nightmare Castle is supremely silly stuff a lot of the time, and it is hobbled by the typical Italian post-dubbing issues, something that gives the already outré proceedings something of a surreal edge at times, but there are at least a couple of good scares that may jolt viewers, and the overall mood of the piece is enjoyably daffy in much the same way that many of the Price Poe films are.


Nightmare Castle is presented on Blu-ray courtesy of Severin Films with an AVC encoded 1080p transfer in 1.66:1. How you feel about
this transfer will probably depend at least somewhat on your history with this film—those used to the many shoddy public domain releases
through the years will probably look at my 4.0 score and say, "What's he on?" (i.e., complaining that the score is too low), while those
who have never seen this before may well look at the same score and think I've rated it far too high. Severin did a great job on this title with
their DVD from several years ago, and this release is trumpeted as having been remastered and restored in HD from the original negative. The
results are quite commendable, but not completely without issues. There's still some damage to be seen quite clearly throughout the
presentation, including some fairly large chunks missing from some frames, and one anomaly at slightly past the 58 minute mark where it looks
like some giallo obsessed Editor took a razor blade to
the left side of the frame for a moment. I captured just the beginning of this anomaly in screenshot 19 (look toward the left side of the frame,
just to the right of Helga Liné's face), but it fails to show how part of the frame
almost lifts away and then returns. Extant damage aside, there's extremely nicely modulated gray scale on display, and some wonderfully deep
blacks (blacks which occasionally are crushed, leaving Steele's inky tresses merging with some shadows in a couple of moments). Grain is just
slightly variable at times, but looks natural and never tips over into noisy territory. Detail is quite commendable, especially in close-ups, where
some of the "seams" of the makeup on various actors is visible.
Note: Screenshots 1-20 are from the main feature. Screenshots 21-25 are from Castle of Blood and screenshots 26-30 are from
Terror Creatures from the Grave.

Nightmare Castle features a serviceable LPCM 2.0 mono track which like many dubbed Italian features from this era has an inescapably boxy sound, but which provides good support for the film's dialogue and fun score by Ennio Morricone (no, that's not a typo). The track is understandably narrow sounding, but there's sufficient depth to support some of the effects and the lower ranges of Morricone's music.

Two other films starring Steele are included as supplements on this release, both sourced from fairly problematic prints that have spotty contrast and quite a bit of damage like scratches and speckling, and each equipped with Dolby Digital 2.0 mono soundtracks. Each of the films is authored with only one chapter spanning the entire length of the film (so note timecode if pausing/stopping to return later).

Even Barbara Steele seems to realize that Nightmare Castle is not exactly a lost masterpiece, but it's quite moody and often good, hyperbolic fun in a kind of quasi-Poe mode. This is one release where the supplemental features may outweigh the actual quality of the main feature, for taken as a whole, this release provides a field day for Steele fans. Nightmare Castle looks great and sounds fine, and with such a nice array of supplements, while the film itself may be more than a bit on the silly side, the release as a whole comes Recommended.