7.8 | / 10 |
Users | 4.8 | |
Reviewer | 4.5 | |
Overall | 4.5 |
Stanton Carlisle is a lowlife working in a carnival. Knowing a good con when he sees one, he learns the tricks of a mind-reading act from Zeena, then tosses her aside. In time, he becomes "The Great Stanton," star attraction of swanky nightclubs and the darling of society. But with all his notoriety built on lies, it's only a matter of time before exposure brings Stanton's world crashing down around him.
Starring: Tyrone Power, Joan Blondell, Coleen Gray, Helen Walker, Taylor Holmes (I)Film-Noir | 100% |
Drama | 97% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
English: LPCM Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 5.0 | |
Video | 4.5 | |
Audio | 5.0 | |
Extras | 3.5 | |
Overall | 4.5 |
Edmund Goulding's "Nightmare Alley" (1947) arrives on Blu-ray courtesy of Criterion. The supplemental features on the disc include archival interview with actress actress Coleen Gray; new program with performer and sideshow historian Todd Robbins; new interview with critic Imogen Sara Smith; and more. In English, with optional English SDH subtitles for the main feature. Region-A "locked".
They don't stand a chance now.
Presented in its original aspect ratio of 1.37:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Nightmare Alley arrives on Blu-ray courtesy of Criterion.
The following text appears inside the leaflet that is provided with this Blu-ray release:
"This new digital transfer was created in 4K resolution at Cineric in New York, on the facility's proprietary 4K high-dynamic-range wet-gate film scanner, from a 35mm nitrate composite print from the Disney/Fox Collection at the UCLA Film & Television Archive. The origin al monaural soundtrack was remastered from a 35mm nitrate composite print with a variable-density track from the Disney/Fox Collection at the UCLA Film & Television Archive.
4K restoration: Cineric/New York.
Audio restoration: Audio Mechanics/Burbank, CA.
Audio transfer of variable-density track: Endpoint, Audio Labs/Burbank".
The film looks very healthy and, contrary to early reports, has a solid overall organic appearance. However, because the new 4K master wasn't struck from a first-generation element (OCN), there are a few source limitations that occasionally impact areas like density, delineation, and grayscale balance. For example, even though grain is visible throughout the entire film, in some areas it can appear slightly underexposed/subdued. This effect can be further exacerbated by unique lighting conditions and specific stylistic choices, with the most obvious examples emerging in darker areas where different ranges of shadows can become quite prominent. But even in very, very dark areas there is still plenty of natural grain. Screencapture # 10 is from one such very dark area. Screencaptures #1, 2, 5, 20, 24 should give you a pretty good idea how well grain is exposed elsewhere in the film. (To get an idea what a remastered/restored and then thoroughly degrained film from the same era looks like, see Twentieth Century Fox's presentation of Panic in the Streets). Furthermore, while grain can appear underexposed, some highlights can appear very slightly overexposed. You can see examples in screencaptures #15, 17, and 21. However, the grayscale is still very nicely balanced and there are no distracting anomalies to report in our review. Image stability is excellent. Some noise management work has been performed, but this is a standard procedure and the work here is very effective. The entire film looks spotless. So, while ideally this film could look better, the current restoration has strong organic qualities and is very pleasing. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).
There is only one standard audio track on this Blu-ray release: English LPCM 1.0. Optional English SDH subtitles are provided for the main feature.
It is immediately obviously that the audio has been fully restored. It is clear and very stable, with a good range of nuanced dynamics as well. In the upper register, where older film usually reveal signs of weakness and aging, there are no distracting anomalies either.
It is strange that Nightmare Alley exists because once you discard its noir identity it very quickly becomes the type of eye-opener Hollywood has always been uncomfortable tolerating. Indeed, the film's dissection of the game of life is so simple yet accurate that it is actually genuinely disturbing, and this type of social sincerity is never good for business. It can force anyone to discover lies that have had a profound impact on personal relationships, career choices, business relationships, and all the other things that supposedly make our lives meaningful, and once seen, they can no longer be unseen. This is the main reason Nightmare Alley is a timeless classic -- its message is completely immune to intelligent refutation. Criterion's upcoming release is sourced from a new and very good 4K master. VERY HIGHLY RECOMMENDED.
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