7.4 | / 10 |
| Users | 4.5 | |
| Reviewer | 3.5 | |
| Overall | 3.8 |
An ambitious young carny with a talent for manipulating people with a few well-chosen words hooks up with a female psychiatrist who is even more dangerous than he is.
Starring: Bradley Cooper, Cate Blanchett, Toni Collette, Willem Dafoe, Richard Jenkins| Mystery | Uncertain |
| Drama | Uncertain |
| Thriller | Uncertain |
| Crime | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 5.1 (48kHz, 16-bit)
English SDH
Blu-ray Disc
Four-disc set (4 BDs)
4K Ultra HD
Region A (locked)
| Movie | 3.5 | |
| Video | 5.0 | |
| Audio | 5.0 | |
| Extras | 3.5 | |
| Overall | 3.5 |
Remember when colorizing old black and white films was all the rage (rightly or wrongly)? Well, some wags may want to joke that the venerable Criterion Collection is reversing things now by offering black and white versions of films originally released in color. Much as with Criterion's release of Basquiat 4K and Basquiat (1080), the label's new release of Nightmare Alley offers the original theatrical version in color and a rejiggered black and white edition, one which in this particular instance is a longer Director's Cut of the film. In this case Criterion is not offering separate standalone 1080 and 4K releases, and instead has packaged four discs, two 1080 and two 4K, offering either the theatrical cut or Guillermo del Toro's new Director's Cut in 1080 and 4K.


Note: Screenshots are sourced from the 1080 disc offering the black and white Director's Cut of the film. There are many more screenshots
of the Theatrical Cut in color available in the above linked reviews of the previous Disney / Buena Vista releases.
This four disc release offers Nightmare Alley in HEVC / H.265 encoded 2160p and AVC encoded 1080p transfers in 1.85:1. As I'd be hard
pressed to cite any real differences between the presentations Criterion offers of the Theatrical Cut when compared to the Disney / Buena Vista release,
I'll simply recommend those interested to head over to those reviews for my thoughts on the color version. This black and white version is absolutely
sumptuous in both 1080 and 4K, and in fact the 4K presentation proves quite admirably that HDR / Dolby Vision grades can often offer as much luster
to monochromatic presentations as they do for films bursting with color. I have to say I was repeatedly impressed not just with the absolutely
crystalline detail levels and lustrous contrast offered in both the 1080 and 4K versions, but also from a perhaps more subliminal, interior perspective,
simply the mood this change makes for the entire film. Yes, of course, this probably more aptly echoes what many think of as a traditional
noir ambience by offering a "vintage" look, but this black and white version perhaps surprisingly can offer what to my eyes looks at least
intermittently like better fine detail levels on things like patterns on costumes and also superior shadow detail, as in the disturbing early look at a
"geek". Black levels are impressive throughout and help to establish a suitably troubling atmosphere.

In a way this release repeats the audio codecs that were offered on the Disney / Buena Vista releases, though in a slightly different fashion. Instead of offering a Dolby Atmos track on the 4K UHD discs and a DTS-HD Master Audio 5.1 track on the 1080 discs (as the Disney releases did), this instead offers an Atmos track on the Theatrical Cut (in both resolutions) and a DTS-HD Master Audio 5.1 track for the Director's Cut (both resolutions). Both the Atmos and 5.1 tracks struck me as basically identical audio presentations to the former releases, and so I'll repeat some of my original review comments here. The Theatrical Cut offers a nicely wrought Dolby Atmos track, one which takes all of the already excellent immersive qualities of the Director Cut's DTS-HD Master Audio 5.1 audio and literally and figuratively ups the ante with some new if at times subtle spaciousness. The Atmos channels are winningly engaged in moments like the first scene where Stan witnesses a geek, which involves the audience in a kind of arena up above the poor man, with an appealing verticality added to the sound design. A lot of the carnival material has at least some new overhead activity, though engagement of the side and rear channels was to my ears more or less identical to the DTS-HD Master Audio 5.1 version. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.

Note: The Theatrical Cut's 4K UHD disc offers no on disc supplements.
Theatrical Cut 1080 Disc (2:30:19)

I frankly found the black and white version of Basquiat to be a "thought experiment" of sorts, but perhaps surprisingly, Nightmare Alley may really benefit from this monochrome version, as it adds a really interesting subliminal component to an already arresting production design. Technical merits are first rate, and the new supplements featuring del Toro are especially interesting. Recommended.

2014

2001

2017

2002

1971

Seven 4K
1995

2014-2019

2017

2001

2014

2008

includes "The Missing Pieces" (2014) on BD
1992

Limited Edition
1998

1991

2001

2016

2003

2015

2011

1964