Night of the Blood Monster Blu-ray Movie

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Night of the Blood Monster Blu-ray Movie United States

The Bloody Judge / Il trono di fuoco
Blue Underground | 1970 | 103 min | Not rated | Mar 26, 2024

Night of the Blood Monster (Blu-ray Movie)

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Movie rating

5.8
 / 10

Blu-ray rating

Users0.0 of 50.0
Reviewer4.0 of 54.0
Overall4.0 of 54.0

Overview

Night of the Blood Monster (1970)

Christopher Lee gives one of his most unforgettable performances as Judge George Jeffreys, the infamous 17th-century witchfinder whose unholy obsession with a luscious wench (Maria Rohm of THE BLOOD OF FU MANCHU) fuels a jaw-dropping spree of torture, brutality and flesh-ripping perversion. Howard Vernon (SUCCUBUS), Margaret Lee (EUGENIE), Maria Schell (99 WOMEN) and Oscar® nominee Leo Genn (QUO VADIS) co-star in this landmark epic of sexual violence and sadism, complete with a superb score by Bruno Nicolai (JUSTINE) and directed with spectacularly deviant glee by the one and only Jess Franco.

Starring: Christopher Lee, Maria Schell, Leo Genn, Hans Hass Jr., Maria Rohm
Director: Jesús Franco

Horror100%

Specifications

  • Video

    Video codec: MPEG-4 AVC
    Video resolution: 1080p
    Aspect ratio: 2.35:1
    Original aspect ratio: 2.35:1

  • Audio

    English: DTS-HD Master Audio Mono

  • Subtitles

    English SDH, French, Spanish

  • Discs

    Blu-ray Disc
    Single disc (1 BD)

  • Playback

    Region free 

Review

Rating summary

Movie3.5 of 53.5
Video5.0 of 55.0
Audio5.0 of 55.0
Extras5.0 of 55.0
Overall4.0 of 54.0

Night of the Blood Monster Blu-ray Movie Review

Reviewed by Dr. Svet Atanasov March 15, 2024

Jess Franco's "Night of the Blood Monster" a.k.a. "The Bloody Judge" (1970) arrives on Blu-ray courtesy of Blue Underground. The supplemental features on the release include multiple audio commentaries; archival programs with filmmaker Alan Birkinshaw and critic Stephen Thrower; deleted and alternate scenes; vintage publicity materials; and more. In English, with optional English SDH, Spanish, and French subtitles for the main feature. Region-Free.


The prolific producer Harry Alan Towers married the very beautiful Austrian actress Maria Rohm in 1964. During the next two decades, Towers funded a lot of different films that attempted to transform Rohm into a star, and the most successful of these films were directed by Jess Franco. Rohm appeared in several other films as well, but the ones that did the most to build her image were the films Franco directed.

One of these films is Night of the Blood Monster a.k.a. The Bloody Judge, which Towers co-produced with Enrico Colombo and Arturo Marcos. It is based on an original story by Towers which was adapted by Colombo and Franco, but as is usually the case with the films Franco directed, this is largely an irrelevant detail. Why exactly? In all of the films Franco directed over the years, he was fully in control of their stories, which evolved literally until the moment he declared that he was done shooting. Franco would enthusiastically alter some of these films even after they were supposedly ready, though usually this extra work required an advanced payment that was provided by a distributor. (This is one of the key reasons some of Franco's films have longer, often explicit versions).

In Night of the Blood Monster, which is set in 17th-century England, Rohm is surrounded by several established actors and plays the sister of a young woman who has been accused of being a witch. When she fails to change the mind of a notorious judge (Christopher Lee) who loves to try witches in his court, her sister is burned at the stake. Not too long after that, the judge, who turns out to be an old pervert and lunatic, comes after Rohm and forces her to sleep with him. She gives the judge what he desires to stay alive, but several unexpected developments permanently transform him into the blood monster that is mentioned in the title of the film. Eventually, as the balance of power in England altered, the judge is served a dose of his own medicine.

The mass battle scenes make it easy to conclude that Franco was given an unusually big budget to make Night of the Blood Monster. Most of these scenes are pretty good and a few are even excellent, but the complete film still has the identity of a classic Franco project that takes its atmosphere far more seriously than everything else. Naturally, anyone expecting Night of the Blood Monster to be a proper period film with conventional characters behaving in such a film will be disappointed.

Because they share many identical themes, a comparison between Night of the Blood Monster and Witchfinder General is unavoidable. However, these films have drastically different atmospheres that push them in completely different directions, so their period fireworks have practically nothing in common.

Night of the Blood Monster is, like a lot of Franco projects, a fluid trip. However, instead of a beautiful Spanish coastal resort or some other exotic place, this time the playground is England during one of its darkest periods. But the change is largely irrelevant. Indeed, almost immediately after Rohm fails to save her sister, Franco initiates a familiar subversion game that infuses Night of the Blood Monster with the heavy atmosphere of his contemporary films. This is the very reason why somewhere in the second act Rohm participates in a sexual ritual that would have been most appropriate in an S&M thriller. In other words, all the drama involving the judge, his targets, and the political intrigues is simply a giant façade providing cover for Franco to do what he did best.

Rohm looks great but has serious competition, which is another reason Night of the Blood Monster is not like Witchfinder General. A very attractive Margaret Lee, for instance, plays her doomed sister, but several other uncredited actresses look terrific before the camera as well. The male cast also includes Leo Genn, Hans Hass Jr., Milo Quesada, and Peter Martell. Howard Vernon, a frequent guest in Franco’s films, has the wildest part as the judge’s unhinged executioner.

Franco worked with Spanish cinematographer Manuel Merino, who lensed two of his greatest films, Vampyros Lesbos and She Killed in Ecstasy.


Night of the Blood Monster Blu-ray Movie, Video Quality  5.0 of 5

Presented in an aspect ratio of 2.35:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Night of the Blood Monster arrives on Blu-ray courtesy of Blue Underground.

The release introduces an exclusive new 4K restoration of Night of the Blood Monster that is also available on 4K Blu-ray. You can see our review of this release here.

I viewed the new 4K makeover in native 4K and 1080p, and I think that large sections of it look more attractive in 1080p on the Blu-ray. I explained why in the review that is linked above. Obviously, results may vary on different system, but on my system a lot of primary colors looked richer and darker nuances appeared more pronounced. Delineation, clarity, and depth looked virtually identical, and in some areas I preferred how darker footage looked in 1080p. Obviously, the entire film looked just as healthy and spotless in 1080p as it did in native 4K. So, if you can play 4K Blu-ray and Blu-ray discs, I urge you to test both because, like me, you may discover that the 1080p presentation is more attractive. (Note: This is a Region-Free Blu-ray release. Therefore, you will be able to play it on your player regardless of your geographical location).


Night of the Blood Monster Blu-ray Movie, Audio Quality  5.0 of 5

There is only one standard audio track on this release: English DTS-HD Master Audio 1.0. Optional English SDH, Spanish, and French subtitles are provided for the main feature.

I did not just test the 1080p presentation. I was so impressed with it that I ended up viewing it in its entirety. The comments below are from our review of the 4K Blu-ray release.

The film has a strong soundtrack that creates a lot of memorable contrasts. I thought that it sounded terrific. The dialog was also very clear, sharp, and stable. However, because the 4K restoration is also a reconstruction that uses several inserts from European elements, in a couple of places the English audio switches to German audio. The switches are not errors. It is how you get the longest, most complete version of the film.


Night of the Blood Monster Blu-ray Movie, Special Features and Extras  5.0 of 5

  • Commentary One - this audio commentary was recorded by critics Troy Howarth and Nathaniel Thompson. It covers a wide range of topics, from the conception, production, and promotion of Night of the Blood Monster to the careers of the many people that made it. It is a very objective commentary that highlights some of the film's strengths but also points out several of its weaknesses, like its willingness to veer off in exploration territory where Jess Franco felt comfortable. There are some quite interesting, and true, comments about the mass footage Franco shot, which is surprisingly good.
  • Commentary Two - this audio commentary was recorded by critics Kim Newman and Barry Forshaw. It offers very different information. For example, the commentators share a lot of factual information about the real Judge George Jeffreys and speculate how he may not have been the monster that Jess Franco's film depict because he was "trapped by the system" he served. Also, there is some good information about producer Harry Alan Towers and his relationship with Franco, as well Christopher Lee's acting choices.
  • Commentary Three - this audio commentary was recorded by critics David Flint and Adrian Smith. The commentators speculate why Jess Franco's film has been promoted with drastically different titles in different territories, and discuss its production history and values, Harry Alan Towers' legacy, the type of thrills the film offers, etc.
  • Featurettes -

    1. Bloody Jess - in this archival program, Jess Franco and Christopher Lee discuss the real Judge George Jeffreys and the conception and production of Night of the Blood Monster. In English and French, with English subtitles where necessary. (26 min).

    2. Judgement Day - in this archival program, critic Stephen Thrower discusses the production and unique qualities of Night of the Blood Monster, as well as its placement in Jess Franco's body of work. In English, not subtitled. (34 min).

    3. In The Shadows - in this program, filmmaker Alan Birkinshaw and Stephen Thrower discusses the illustrious career and legacy of the prolific producer Harry Alan Towers. In English, not subtitled. (25 min).
  • Deleted and Alternate Scenes -

    1. Mary's Grief (6 min).
    2. Clothed Love Scene (2 min).
    3. Jeffreys' Nightmare (1 min).
    4. Mary's Release From Dungeon (2 min).
    5. "Bloody Judge" Main Titles (2 min).
    6. "Der Hexentoter Von Blackmoor" Main Titles (3 min).
    7. Ending From German Version (2 min).
  • Trailers and TV Spot -

    1. U.S. Trailer (1 min).
    2. U.S. Combo Trailer (2 min).
    3. U.S. Combo TV Spot (1 min).
  • Still Galleries -

    1. Posters
    2. Advertising Materials
    3. Lobby Cards
    4. B&W Stills
    5. Color Stills
    6. Video & Soundtrack


Night of the Blood Monster Blu-ray Movie, Overall Score and Recommendation  4.0 of 5

It is silly to speculate that producer Harry Alan Towers and Jess Franco might have wanted Night of the Blood Monster to be a historically accurate film about the notorious Judge George Jeffreys. While Night of the Blood Monster was made with an unusually big budget, it is a typical Franco project with all of the typical thrills his work is known for. It was also a big promo piece for the beautiful Austrian actress Maria Rohm, who had recently married Towers. I think that it is a pretty good film, with Rohm looking great in it, though I probably would not recommend it to fans of Witchfinder General. Blue Underground's release introduces an incredible new 4K makeover of it. The same 4K makeover is available on 4K Blu-ray, which is listed and reviewed here. HIGHLY RECOMMENDED.


Other editions

The Bloody Judge: Other Editions