5.5 | / 10 |
| Users | 0.0 | |
| Reviewer | 2.5 | |
| Overall | 2.5 |
A family that has been haunted by an evil spirit for years. Their safety and their surroundings come into question when one of the children questions if the evil is real.
Starring: Halle Berry, Matthew Kevin Anderson, Christin Park, Stephanie Lavigne, Percy Daggs IV| Horror | Uncertain |
| Psychological thriller | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.12:1
Original aspect ratio: 2.00:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
French: Dolby Digital 5.1
Spanish: Dolby Digital 5.1
English SDH, French, Spanish
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Digital copy
DVD copy
Slipcover in original pressing
Region A (C untested)
| Movie | 2.5 | |
| Video | 4.5 | |
| Audio | 5.0 | |
| Extras | 1.5 | |
| Overall | 2.5 |
A frequently used metaphor states that overly protective parents need to "cut the umbilical cord", but what if a concerned parent actually has tethered her children together with rope to keep them safe? Never Let Go depends on that very curious representational conceit to give audiences an instant "hook" into proceedings that are at least horror adjacent, even if the film attempts to introduce any number of "meta" aspects to the narrative, not the least of which is a deconstruction of intergenerational trauma and so-called helicopter mothering. As is discussed in the "making of" featurette included on this disc as a supplement, the whole "horror" aspect is intentionally dealt with ambiguously, until of course it isn't, which may be one of the main problems when attempting to assess Never Let Go as a whole. The film has an undeniably spooky mood and it offers Halle Berry a rather distinctive showcase as Momma, along with two nicely authentic performances from newcomers Percy Daggs IV and Anthony B. Jenkins as her fraternal twin sons, Nolan and Samuel.


Never Let Go is presented on Blu-ray courtesy of Lionsgate Films with an AVC encoded 1080p transfer in 2.12:1. The making of featurette has some brief glimpses of Alexa cameras, which the IMDb specifies as the Arri Alexa 65 and Alexa Mini LF, and while as of the writing of this review the IMDb doesn't yet specify the resolution of the DI, I'm assuming 4K (if anyone has authoritative information to the contrary, Private Message me and I'll happily update things here). As the making of featurette briefly gets into, cinematographer Maxime Alexandre chose not to utilize a bunch of different lenses, and instead tried to differentiate perspective and point of view by simply making changes to framing. One way or the other, the surplus of close-up and midrange framings throughout the film support some excellent fine detail levels in both interior and exterior locales, even in sometimes less than fulsome lighting conditions, as in several scenes within the ramshackle cabin. There's a moody emphasis on darker green and brown tones throughout the presentation, especially in some of the outdoor material. CGI is maybe just slightly on the cartoonish side, but is disturbing nonetheless.

Never Let Go features a nicely expressive Dolby Atmos track. From the film's opening moments, there's a really nice and appealingly subtle use of the all of the surround channels to offer some swirling ambient environmental sounds out in the forest. Everything from slightly menacing breezes rippling through leaves to more aggressive startle effects dot the side and rear channels, and the Atmos speakers regularly provide even more of the encompassing sounds outside the cabin. The interior scenes are perhaps understandably more "confined", but there is still noticeable surround activity, and there are even some sudden bursts of low frequency energy as when Momma slams the door shut on a floorboard hiding spot. Dialogue is rendered cleanly and clearly throughout. Optional English, French and Spanish subtitles are available.


If Never Let Go manages to in fact spark a franchise, I'd argue for the creative staff to maybe take an object lesson (in the negative sense) from how X then went on to Pearl and MaXXXine, with the two follow ups arguably never getting around to answering some salient questions about what went on in the first film. Also somewhat like Ti West's so-called X Trilogy, Never Let Go may be primarily a showcase for its lead actress more than anything else. Technical merits are first rate for anyone who may be considering making a purchase.

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