5.5 | / 10 |
Users | 0.0 | |
Reviewer | 2.5 | |
Overall | 2.5 |
A young man arrives at his father's mansion in Louisiana to discover that a secretive cult is using winged creatures to raise the dead to do their bidding.
Starring: Michael Bendetti, Denise Gentile, Anjanette Comer, Robert Sampson, Alex DatcherHorror | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: Dolby Digital 5.1 (448 kbps)
English: Dolby Digital 2.0
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 2.0 | |
Video | 4.0 | |
Audio | 3.0 | |
Extras | 1.5 | |
Overall | 2.5 |
Remember the good ol' days of horror? When filmmakers could throw anything at the screen, however bad, however weird, however experimental? When some things would stick and far more things would slide down the wall, flop on the floor, and lay there forgotten until finding VHS cult fame or being lost to the annals of the home video bargain bin? Would horror directors could take their shot and find an audience regardless of how poorly a film was received? Journey back with me to the early '90s, just before VHS would fall into rapid decline, all the way back to 1992, where we find our hero: a little known, far less lovable voodoo-horror romp in the bayou named Netherworld. Heard of it? Neither had I. But oh man, do I remember that hand bursting out of its VHS cover art when I was a kid. How many times did I pass by? Would I have enjoyed it then? Added a guilty pleasure to my 1990s nostalgia list? Or would I have realized then what I know now? That Netherworld is a film best left where it belongs; in my memory as a box sitting on a video rental shelf that my hand hovers over before picking up a better movie instead.
Netherworld is blessed with a rather strong 1080p/AVC-encoded video presentation, remastered from the original camera negative to great effect; a welcome surprise for sure, especially when considering we're talking about a barely known, low-budget '90s pseudo-horror flick released by a distributor with a reputation for less-than-consistent AV quality. Colors are lively and bold, with rich primaries, deep black levels and lovely, mostly lifelike skin tones. Contrast is dialed in nicely too, although if I have any big complaint with the remaster and subsequent Blu-ray transfer it's that the brightest whites crush, swarm with grain that has a gritty artificial appearance, and occasionally result in an obvious edge halo or two. It's not a problem that pops up often, but it mars the otherwise attractive image when it does. Detail, thankfully, doesn't really take much of a hit at all, aside from a scant few soft shots. Any reduction in clarity, though, traces back to the original photography and elements. Fine textures are largely well-resolved and frequently impressive, edges are typically crisp and natural, and shadow delineation is pleasantly revealing. Again, that harsh digitized appearance I mentioned creeps in and makes an eyesore of itself -- you'll know it when you see it -- but it fortunately amounts to a mere handful of significant instances over the course of the entire film. Artifacting and banding seem to be absent, and the vast majority of the grain field has been restored to a handsome state. My only remaining gripe? The film is presented at 1.78:1, despite the remastering of a 1.85:1 negative.
Full Moon Features has once again chosen to skip lossless audio and utilize a lossy 448kbps Dolby Digitial 5.1 surround track. The resulting mix isn't bad by any stretch of the imagination. Cheap 1992 horror has a distinct tone and tenor; sometimes with canned, tinny or thin effects and glaring ADR. But so it goes. Netherworld's Dolby track doesn't shrink from the challenge. Prioritization is decent, voices are clean and clear, Bon Jovi's David Bryan's music is given nice representation throughout the soundscape, and the LFE channel throws a bit of welcome though short-lived weight into more ominous sequences. The rear speakers aren't very engaging, nor do they always seem to have a sense of how loud or soft an element should be, and the soundfield struggles to grab hold of you and make an immersive Louisianna that comes to life in your home theater. But again: 1992. Some fans will be disappointed by the lack of a lossless mix. Honestly, though, I doubt it would've helped all that much, other than in offering the absolute best presentation of the film's flawed, dated sound design.
You could do a whole lot worse when perusing forgotten '90s horror relics than Netherworld. But you could certainly do a whole lot better. Netherworld isn't anything special, cursed with far more problems and flaws than anything that might elevate it to the level of a cult classic. But genre completists will enjoy its remastering here, along with its colorful 1080p video presentation. Its lossy audio and slight supplemental package isn't doing the release any favors, but so it goes.
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