7.1 | / 10 |
| Users | 5.0 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
Features performances from Neil Young's 1984-1985 US tour with the International Harvesters. A Treasure is Volume 9 in Young's Archives Performance Series, but only the sixth to be released to date.
Starring: Neil Young (I)| Music | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080i
Aspect ratio: 1.33:1
Original aspect ratio: 1.33:1
English: LPCM 2.0 (48kHz, 24-bit)
None
25GB Blu-ray Disc
Two-disc set (1 BD, 1 CD)
Region free
| Movie | 4.5 | |
| Video | 1.5 | |
| Audio | 4.5 | |
| Extras | 2.5 | |
| Overall | 4.5 |
Neil Young has always been something of a scrappy iconoclast, and that tendency certainly is in full flower on the new combo Blu-ray/CD release of A Treasure, a 13 song compendium of country flavored tunes culled from Neil’s 1984-85 tour with the road band International Harvesters. Neil, who not so long ago released the patently weird but hugely enjoyable Blu-ray Le Noise, pretty much discards half of what typically draws consumers to high definition—namely, a sparkling image—and actually is on record on an interview included here stating that he doesn’t much care what things look like on this Blu-ray. That’s a good thing, for the limited video presentation included on A Treasure is mostly culled from grainy bootleg video that seems to have been shot by fans in the audience who didn’t exactly have state of the art equipment to begin with, and who, either by dint of herbal or other enhancement, or due to the raucous surrounding crowds, can’t quite hold the camera steady in any case. Young famously released the 10 disc Archives Volume 1 a few years ago at a hefty multi-hundreds of dollar price point (there’s a trailer for the set included on this Blu-ray), and this release is a continuation of that project, which should ultimately give us everything Neil has recorded in high definition audio at least. Never really content to be a pop-rock superstar, or at least one pigeonholed into a single formulaic genre, Neil has been the closest thing to a good ol’boy, country style, in terms of the Los Angeles coterie with whom he initially entered the mainstream limelight, including of course Buffalo Springfield and Crosby, Stills, Nash and Young. While both of those supergroups certainly built on the nascent folk-rock idiom of the early to mid-1960’s, Neil has had more of a purist’s heart at times, delivering occasional rockabilly and even outright country flavored tunes, and that predilection is firmly on display throughout A Treasure. Neil’s plaintive, at times semi-screechy vocals seem perfectly suited for the country idiom, and when he’s backed by such a stellar group of iconic country sidemen, the results are often viscerally exciting.


A Treasure has mostly bootleg quality video presented in 1080i and 1.33:1 via an AVC codec. "Amber Jean," as mentioned above in the main body of the review, is sourced from a Nashville cable television program and so at least sports relatively passable video. The other offerings (with one exception) are pretty lamentable, with shaky, grainy, extremely fuzzy quality that is close to unwatchable. One has to wonder why Neil even chose to include these elements, especially as he states unequivocally in one of the extras that he doesn't much care how things look. It probably would have been better to just go with audio only on at least a couple of these, which also suffer from tracking problems and incredible noise. Just don't turn your television on for the concert offerings unless you're really, really curious and you'll be fine. Or take a deep breath and look over the screencaps here for some idea of what's in tap should you choose to actually watch as you listen.

A Treasure has only one audio option, an LPCM 2.0 24-bit 48kHz mix that is brilliantly clear and precise and ably recreates an exciting live ambience without resorting to a faux surround mix. Fidelity is spot on here, especially robust in the low and mid ranges, with sparkling clarity that is really rather surprisingly nuanced in terms of instrument separation. The jingle-jangle of Neil's guitar is crisp without sounding brittle, and everything from the fiddle to keyboards is very well mixed, offering exceptional balance and tone. The low end thumps along quite nicely with clearly defined bass and drums, again with a rather surprising lack of muddiness. As hideous as at least some (most?) of the video is on this release, few if any fans are going to be disappointed with the audio quality here, despite the fact it's approaching 30 years old now (wow!) and is sourced from live performances.


Not knowing quite what to expect with Neil Young is half the fun of being one of his fans. This is an incredible compilation of rare tracks and old chestnuts that show Neil is about as able a country music practitioner as anyone could imagine. His rapport with the International Harvesters is palpable, and this music is unusually joyful and ebullient for a Young outing. Forget the video elements here and just concentrate on the outstanding music. Highly recommended.