4.5 | / 10 |
| Users | 0.0 | |
| Reviewer | 1.5 | |
| Overall | 1.5 |
An Airplane!-style parody of recent sword-and-sandal films, centered on Troy's greatest general, Awesomest Maximus, who is intensely loyal to his father-in-law, King Looney, but isn't terribly bright. Goaded by his ambitious wife, the Princess Hottessa, Awesomest finds himself on a diplomatic mission to Greece that goes horribly awry, leading to a war in which he must face the seemingly undefeatable Greek warrior, Testiclees.
Starring: Will Sasso, Kristanna Loken, Rip Torn, Ian Ziering, Sophie Monk| Comedy | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: Dolby Digital 5.1 (384 kbps)
English SDH, Spanish
25GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 0.5 | |
| Video | 4.0 | |
| Audio | 2.0 | |
| Extras | 0.5 | |
| Overall | 1.5 |
Once upon a time, the name "National Lampoon" came attached to movies that were silly, obnoxious, over-the-top and made millions howl with laughter. Films like Animal House and the best entries in the Vacation series worked because they had memorable characters, told coherent stories with a beginning, middle and end, and took the time to match punchlines with setups, comics with straightmen, Clark Griswold with Ellen, Bluto with Otter, Flounder and Boon. This isn't one of those films. Writer-producer Jason Burinescu is a new media guy who doesn't believe in such old-fashioned virtues. But what else can one expect from someone whose chief claim to fame is co-founding a site called AsktheHotChick.com, which promotes itself with rhetoric like the following (and I swear I'm not making this up):
. . . we searched around the country and met with thousands of girls to find the Smartest, Savviest, Most Caring and Coolest, but REAL Hot Chicks to be our IN-HOUSE HOT CHICK EXPERTS and give it to guys straight on an on-going basis.In his (one can only hope) sole attempt at filmmaking, Burinescu latched onto the technique popularized by Mel Brooks in Blazing Saddles and the "ZAZ" group (for "Zucker, Abraham, Zucker") in Airplane!, where you parody a film genre but stuff the script with joke after incongruous joke, on the theory that something will stick. These creations grow like weeds, as shown by the dreary sequels to Scary Movie, and only a few work. Brooks has made clunkers (see Robin Hood: Men in Tights), and so have members of ZAZ (try not to see Scary Movie 3 or 4). But all of them are masterpieces compared to Burinescu's The Legend of Awesomest Maximus (hereafter, TLAM), which attempts to send up contemporary sword-and-sandal pics, starting with Troy and including Alexander, 300 and, of course, Gladiator. Now, neither Brooks nor ZAZ are known for subtlety, but they do have craftsmanship. Much of Airplane! works, because ZAZ made the effort to set up serious-looking situations stocked with actors known for straight roles (Lloyd Bridges, Leslie Nielsen, Peter Graves, Barbara Billingsley), who then deadpanned the most ridiculous statements imaginable ("Don't call me Shirley." "Joey, do you like movies about gladiators?"). In Blazing Saddles, Brooks and his co-writers (including Richard Pryor) carefully arranged to have a racist frontier town find itself encumbered with a black sheriff; one joke after another could be built on that foundation. Burinescu doesn't have the patience for this kind of planning. For him it's enough to mash up a few references to the films he's parodying with plenty of bare breasts, dick and blowjob jokes, a few flamingly gay characters for mockery, and a lesbian kiss as the pièce de résistance. Now that's entertainment. Incredibly, this script got made.


TLAM was shot on the Red One digital camera by John Darbonne, whose credits are mostly short films and videos. All of the Red One system's virtues are on full display here, including clarity, detail and an absence of video noise. Still, given the quality of the movie itself, a distressed, "grindhouse" look might have been more appropriate. The effects work is fake and cheesy (whether intentionally or due to budgetary constraints is impossible to tell), and the sets look like they were made for standard definition TV. If the point of the hi-def photography's quality was to make a joke out of the production's low budget, it failed miserably. All it did was reveal an eyesore.

Now here's something you don't see anymore: a Dolby Digital 5.1 soundtrack at a bitrate of 384 kbps. Pardon me while I time-travel back to 1997 and the birth of the DVD format, which pretty quickly upped the standard bitrate to 448 kbps. On Blu-ray the usual bitrate for DD is the maximum of 640 kbps, which, with all due respect to lossless purists, yields results that are generally indistinguishable from an uncompressed master. What's going on? My guess is that Image knew what a stinker they had on their hands and cut the production budget for this title to the bare minimum, which included using the same data files for both the DVD and Blu-ray soundtracks. It isn't much of a loss. The sound editing is as cheesy as the visual effects. Surround information is limited to the occasional presence of water. The battlefield effects are non-existent, even when arrows fly, and there's never an attempt to create more of an environment than you'd get on a sketch comedy show. The dialogue is clear enough (unfortunately), and the score by Brian Glasgow (who's obviously trying to build his resume) goes in one ear and out the other.


I am sure there are viewers who will enjoy this film. If you're one of them, you should be able to judge from the description and screenshots. If so, happy viewing. Otherwise, my work here is done.

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