8.1 | / 10 |
Users | 4.5 | |
Reviewer | 4.0 | |
Overall | 4.0 |
A chronicled look at the criminal exploits of Colombian drug lord Pablo Escobar.
Starring: Pedro Pascal, Wagner Moura, Boyd Holbrook, Alberto Ammann, Paulina GaitánBiography | 100% |
Drama | Insignificant |
Crime | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 5.1
English SDH, Spanish
Blu-ray Disc
Three-disc set (3 BDs)
UV digital copy
Slipcover in original pressing
Region A (locked)
Movie | 4.0 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 3.5 | |
Overall | 4.0 |
Sean Penn’s at least somewhat questionable journalistic competency aside, the recent brouhaha involving his interview with El Chapo kind of reinvigorated stateside debates about drug cartels and the men who head them, a topic that had grown somewhat stale in light of newer, “shinier” news stories. Though really not that much older than El Chapo (somewhere between five and eight years, since El Chapo’s real birthdate has been variously reported), another cartel kingpin named Pablo Escobar was the subject of a lot of headlines back in the day, long before anyone had ever really heard of El Chapo. Escobar’s territory was Colombia, as opposed to El Chapo’s Mexico, and his favored drug, at least after he recognized its enormous profit potential, was cocaine. It’s almost impossible to separate the influx of cocaine into the United States from the efforts of Escobar, for the one flowed from the other in an unquestionable fashion, as the often riveting Netflix limited series Narcos makes clear. While narrated by Drug Enforcement Agent Steve Murphy (Boyd Holbrook), one of several characters culled from the "real life" story, perhaps unavoidably a lot if not most of the first season of Narcos is focused squarely on Pablo Escobar (Wagner Moura), a ruthless businessman whose “business” just happened to be smuggling. While the term “Medellin drug cartel” has become more or less synonymous with the name of Escobar, it’s notable that in its early years at least the cartel didn’t actually traffic in drugs (at least not that much), preferring instead more mundane items like booze and electronic items like televisions and stereos. Escobar had dreams of political power beyond the sheer aggressiveness of his smuggling activities, as is made clear in any early episode when he reveals he’s already done “oppo research” on a coterie of army types who are attempting to keep him from delivering his contraband. The character of Escobar provides a fascinating entré into what is still a peculiarly unknown story of what was going on in Colombia from the 1970s on with regard to illicit drug activity, and how that ultimately led to a huge impact in the United States. Narcos may in fact play fast and loose with at least some of the facts at hand, but it offers a compelling overview of a story that continues to have ramifications for both countries to this day.
Narcos: Season One is presented on Blu-ray courtesy of Lionsgate Films with an AVC encoded 1080p transfer in 1.78:1. The IMDb lists this as having been shot (mostly) with Red Epic cameras at what looks like a 5K source resolution, and the results are quite dramatic at times, offering nicely detailed views of everything from Colombia's teeming urban environments to the leafy environs of various tropical rain forests where Escobar sets up cocaine processing labs. There are some unusually lit (if not outright graded) moments, with various characters frequenting clubs that are bathed in red, or out in a tropical wilderness that is awash in green tones, and the palette looks very healthy and nicely suffused. There is still some minor murk in some dimly lit interior scenes, but the presentation is commendably noise free nonetheless. Fine detail is excellent, though that's a double edged sword as the series never flinches from showing some of the horrifying after effects of various killings (not necessarily limited to humans—dog lovers are forewarned). Contrast is generally strong (I personally wouldn't have minded a bit of a boost in some of those aforementioned dimly lit sequences), and there are no issues with image instability.
Narcos' lossless DTS-HD Master Audio 5.1 provides a fitting sonic analog to the generally excellent video quality. The show may not have a " Miami Vice" soundtrack in terms of source cues, but Pedro Bromfman's quite evocative score resides very comfortably in the surrounds and provides a nice wash of activity at various junctures. Some of the frightening shootouts offer good punches of sonic activity and some occasional bursts of LFE. Dialogue is rendered cleanly and clearly (the show is virtually bilingual, lapsing into Spanish at the drop of a hat and/or sombrero, with optional English subtitles).
Disc One
Having been wowed by Sicario if perhaps just a little underwhelmed by The Bridge: The Complete First Season, I wasn't quite sure how I'd react to Narcos. I ended up getting rather heavily involved in the show almost from the get go, even as I wished that we cared for some of the characters a little bit more. Moura is a force of nature as Escobar and gives the series an incredible amount of almost frightening energy at times, but Holbrook's Murphy is still a work in process, part of which I ascribe to some inartful writing choices. Overall, though, Narcos is both educational and insightful, always a good combination. Technical merits are strong, and Narcos: Season One comes Highly recommended.
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