| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
My Name Is Myeisha is a hip-hop musical inspired by the 1998 police shooting of California teen Tyisha Miller (as well as countless other acts of police brutality against African American citizens) and adapted from the internationally acclaimed play, Dreamscape. At the moment of Myeisha's death at the hands of police, she guides us inside her mind and muses over the life she will be leaving behind, told through hip-hop, spoken word poetry, and dance.
Starring: Rhaechyl Walker, John Merchant, Dominique Toney, Dee Dee Stephens, Rickerby Alexander Brown-Hinds| Drama | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.24:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Region A (locked)
| Movie | 3.0 | |
| Video | 4.5 | |
| Audio | 4.5 | |
| Extras | 3.5 | |
| Overall | 4.0 |
Joining the list of movies addressing police violence in America, “My Name is Myeisha” at least tries to do something different with its tale of a young life taken by a cop with an itchy trigger finger. Instead of generating a mournful understand of loss, co-writer/director Gus Krieger endeavors to explore events that shaped the deceased’s experiences, adapting a play by Rickerby Hinds that’s more about performance art than a gritty understanding of an oncoming crime.


The AVC encoded image (2.24:1 aspect ratio) presentation handles the HD-shot feature with care for detail. Skin surfaces are distinct throughout the viewing experience, as is costuming, preserving fibrous qualities and style. Interiors offer decoration for survey, and exteriors are dimensional. Colors deliver on vividness, with striking lighting on signage and club visits, and domestic holiday celebrations explore sharp hues. Skintones are natural. Delineation is comfortable. Compression issues are periodic, with banding creeping into view.

The 5.1 DTS-HD MA mix secures a sharp understanding of dialogue exchanges and performance art pieces. Loud, clear voices are the star of the show, and come through without disruption. Beatboxing interludes are equally defined. Surrounds are helpful with atmospherics, delivering a full sense of club spaces and car violence. Sound effects are crisp. Low-end isn't challenged, but weight is felt with hip-hop musical sequences.


Hinds has a few misdirections to keep his audience alert, but trickery and the material's repetition doesn't do the endeavor any favors. The feature's stronger with passion and culture, giving the production something emotionally authentic to appreciate, generating a more powerful comprehension of tragedy and finality.