6.4 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Meet Peltzer Arbuckle, a meek and bullied office employee, humiliated by his megalomaniac boss, teasing colleagues and his cheating partner. Peltzer spends his days in misery, stuck in his own mundane, nightmarish reality. Once news about his embarrassing sexual accident makes it's way around the workplace, Peltzer decides to put up with his humiliation no more, and conjures up his childhood imaginary friend Ronnie. Peltzer's world is soon turned upside down, when Ronnie attempts to manipulate him to exact revenge on his tormenting co-workers in the most gruesome fashion. As the body count stacks up, Peltzer must ultimately decide whether to run away from his past or take control of his future, as he battles between sanity and madness, in this twisted tale of infidelity, revenge and snapped banjo strings.
Starring: Laurence R. Harvey, Lloyd Kaufman, Dan Palmer (II), Damian Morter| Horror | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS 2.0
English, French, Spanish
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region free
| Movie | 3.5 | |
| Video | 4.0 | |
| Audio | 3.0 | |
| Extras | 4.5 | |
| Overall | 3.5 |
Liam Regan's 'My Bloody Banjo' arrives on Blu-ray courtesy of Refuse Films. This release, limited to 1000 units, comes with a slipcover signed and
numbered by director/writer/producer Liam Regan. The first film of the 'Banjo Saga', which also includes 'Eating Miss Campbell', has two cuts presented here,
the Director's Cut (1.33.43) and the Festival Cut (1.26.02). An impressive array of supplemental features are also included. It is available for purchase
at refusefilms.com.
Things are not going well for Peltzer Arbuckle (James Hamer-Morton). His girlfriend Deetz (Dani Thompson) is abusive and emascuating. His tyrannical
and soul-sucking boss Mr. Sawyer (Vito Trigo) torments him daily at the office of "ReamsForLess" where he takes sadistic glee in torturing the other
employees as well. Peltzer is inclined to continue to suffer this nonstop avalanche of indignities until one day when he gets injured in a most tender
place and his imaginary friend Ronnie returns to help him exact his revenge.


The Director's Cut of My Bloody Banjo's MPEG-4 AVC encoded 1080p transfer is beyond what its low-budget roots would suggest. Fine detail
levels are high with many opportunities to appreciate facial and environmental particulars, Deetz's makeup, and the specifics of tattoos. Colors are
nicely saturated, with primaries, most often reds, popping nicely - especially Deetz's necklace and Mr. Sawyer's vest. Skin tones look healthy and
realistic save for those moments where they are obviously impacted by purposeful lighting or makeup choices. Blacks are deep and inky and only
occasionally absorb detail. Banding, however, is noticeable from time to time.
It's a different story with the Festival Cut. Here, detail levels can't consistently reach the heights of what is seen in the Director's Cut. Skin
tones aren't as convincing and can fluctuate between natural, reddish and sallow. Blacks are still deep and inky but can and often do absorb detail in
mid- and long-shots and noise is an occasional offender as well. Optically, the Director's Cut which was re-editing from the source material, is the
superior viewing option.

My Bloody Banjo's video presentation is supported by an English DTS 2.0 audio track that is as utilitarian as the ReamsForLess offices. This front-based track keeps dialogue nicely centered, and it is always crisp and understandable. Ronnie's processed voice carries an excellent amount of menace. Violent sound effects like punches can sound a bit thin, though others, like slices and cuts have all of the oompf and realism they need. Larger sets like the gym and the tiled bathroom have a pleasing echo and help create a cavernous sense of space.

Aside from the Limited Edition signed and numbered slipcover, the this release is outfitted with a wealth of on-disc supplemental material.

Liam Regan, himself a fan of low-budget horror and the works of Troma and Frank Hennenlotter among others, has crafted his own darkly comedic and twisted tale with My Bloody Banjo, a project elevated by the performances of Dani Thompson, Vito Trigo, and James Hamer-Morton. Not for the squeamish, the easily offended, or those used to slick, big-budget Hollywood horror, this project should delight those with similar tastes. While I found the Director's Cut to be a bit more entertaining, and The Director's Cut looks dramatically better as well, the Festival Cut is worth a look. Viewers can choose between the two cuts and decide for themselves which they prefer before digging into the mountain of extras. Gory and unique, My Bloody Banjo comes recommended to low-budget gorehounds.
(Still not reliable for this title)

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