| Cover coming soon |
6.2 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
The sequel to 'Galaxy Destroyer' which finds our hero Harry Trent wandering Earth's post-apocalyptic landscape full of mutants, monsters, and fragmented human tribes.
Starring: Matt Mitler, Deborah Quayle, Cameron Mitchell, Mark Deshaies, Alex Pirnie| Sci-Fi | Uncertain |
| Adventure | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio Mono (96kHz, 24-bit)
BDInfo
English SDH
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Region A (B, C untested)
| Movie | 2.0 | |
| Video | 4.5 | |
| Audio | 4.0 | |
| Extras | 4.5 | |
| Overall | 4.5 |
1988’s “Mutant War” is generally considered a sequel to 1985’s “Battle for the Lost Planet,” but writer/director Brett Piper doesn’t entirely believe in the potential of a true continuation. While the lead character returns to duty, there’s little else that syncs up with the previous endeavor, finding the helmer in rehash mode, only something is weirdly askew with follow-up. Piper has more money and filmmaking technology to give “Mutant War” proper thrust, but he’s made a mostly lifeless picture that doesn’t possess the same DIY vibe of special effects that kept “Battle for the Lost Planet” vaguely interesting. The fun has been drained out of the endeavor, watching as Piper labors on a needless do-over that plays considerably smaller than its predecessor, while the titular promise for sci-fi chaos isn’t kept.


Like "Battle for the Lost Planet," "Mutant War" has been newly scanned for Blu-ray, with Vinegar Syndrome working from a 35mm OCN. The AVC encoded image (1.85:1 aspect ratio) presentation is clear and vivid, with appealing primaries on punker costumes and car paint jobs, while greenery looks fresh, providing a sense of outdoor life for the low-budget production. Skintones are natural, and make-up effects retain their intended hues. Detail is strong, picking up on costuming textures and plastic weaponry, also surveying industrial interiors with proper dimension. Grain is fine and filmic. Delineation is challenged quite a bit by limited interior lighting, but frame information doesn't solidify. Source is in strong shape, with some light scratches and single-frame blotches, and mild judder.

The 1.0 DTS-HD MA sound mix supplies a basic listening event for "Mutant War," emphasizing dialogue exchanges, which offer inherent thinness hit with a few stretches of sibilance issues. Dramatic ranges register acceptably, and electronic scoring is simple and persistent, with an adequate synth push to support the action. Sound effects are mostly effective, managing laser blasts and gun fire, though a few shots are mysteriously dialed down along the way.


"Mutant War" promises so much with its title, and it certainly seems like Piper is working to a proper match between man and monster, but the payoff never arrives. Instead, there's limp plotting with Reinhart, who's brought into the plot far too late to make a difference, and the production's limited scope prevents major carnage with punkers, sex slaves, and Harry. "Battle for the Lost Planet" detailed the destruction of Earth, and all "Mutant War" can muster is some minor gunplay and deadly dialogue for Harry, who tries to be a stand-up comedian during this test of gallantry. Piper didn't exactly master B-movie form the last time around, but he's clearly mentally checked out here, giving up on an unlikely franchise right as it's permitted a chance to take shape.
(Still not reliable for this title)

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