6.5 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
A pilgrimage to the birthplace of the blues... Louisiana State Maximum Security Penitentiary, a.k.a Angola Prison. Music has given these inmates something to live for behind the bars of what was once the bloodiest prison in America. It is their only escape. Steeped with hope, these remarkable voices guide us on a journey of men on a quest for forgiveness.
Starring: Rita Chiarelli| Documentary | 100% |
| Music | 77% |
| Musical | 64% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.79:1
Original aspect ratio: 1.85:1
English: Dolby Digital 2.0
None
25GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 3.0 | |
| Audio | 3.0 | |
| Extras | 3.0 | |
| Overall | 3.0 |
Angola Prison, often called the “Alcatraz of the South,” has a history of violent inmates and chaotic rule. It’s not a place few intentionally decide to visit, but musician Rita Chiarelli has a special mission in mind. Armed with a wealth of musical interests and desire to fill a place of darkness with some sense of hope, Chiarelli decided to stage a concert, teaming up with three prison bands (The Jazzmen, Little Country, and Pure Heart Messenger) to share the blues and a little country with a captive audience.


The AVC encoded image (1.79:1 aspect ratio) presentation on "Music from the Big House" suffers from a few noticeable artifacts, including moiré patterns, jagged edges, and mild ghosting during an introductory segment. It's not a visually explosive documentary to begin with (utilizing commercial grade camera equipment), but the basics are adequate, with stable contrast and passable blacks. Fine detail is accessible but never remarkable, with textures best served on the faces of the inmates.

The 2.0 Dolby Digital seems somewhat limited for such a musically minded movie, but the performances, the heart and soul of the effort, are reasonably detailed with distinct instrumentation. Bass drum activity does register more densely than necessary, causing slight discomfort, but it's a minor concern. Conversations are satisfactory, offering crisp voices and intended emotion, supported by prison-life atmospherics.


McDonald attempts to disturb storytelling expectations by sharing the actual crimes committed by the inmates during an epilogue, hoping to establish the men before revealing their evil. It's an interesting tactic to interrupt generalizations, but it also undermines the emotional value of the picture. After all, these aged and fatigued men committed horrible acts of violence, a few triggering life sentences, making McDonald's approach of humanization better in theory than in practice. The philosophical and therapeutic value of Chiarelli's mission remains intact, but the moment "Music from the Big House" reveals its manipulation, it immediately deflates.