8.1 | / 10 |
Users | 4.9 | |
Reviewer | 4.5 | |
Overall | 4.6 |
Live performance by British rock band Muse at the Stadio Olimpico, Rome. Filmed in front of an audience of more than 60,000 people on 6th July 2013. The first concert film ever to be filmed in 4K, a format soon to be adopted by Hollywood as standard for all blockbuster films.
Starring: Matt Bellamy, Chris Wolstenholme, Dominic Howard, MuseMusic | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080i
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (96kHz, 24-bit)
English: LPCM 2.0 (96kHz, 24-bit)
English: Dolby Digital 5.1 (640 kbps)
None
50GB Blu-ray Disc
Two-disc set (1 BD, 1 CD)
Region free
Movie | 4.5 | |
Video | 5.0 | |
Audio | 5.0 | |
Extras | 2.0 | |
Overall | 4.5 |
The team of Lennon and McCartney has become so iconic in the annals of contemporary songwriting that a lot of people tend to forget that in their early years at least, The Beatles were occasionally a so-called “cover band”. One of their first chart hits was their version of the evergreen “Twist and Shout”, but another early song that received considerable airplay (even if it didn’t officially chart) was one of the more unusual songs The Fab Four ever deigned to record. “Till There Was You” had already been a chart hit for a couple of artists by the time The Beatles got around to recording it, and it was one of the songs the group performed on The Ed Sullivan Show in February 1964. This song may have been an attempt by the group to reach beyond its teen female fan base, for in that simpler time (despite the then recent assassination of President Kennedy), probably most every listener knew that the song came from Meredith Willson’s musical The Music Man. “Till There Was You” probably appealed to an older demographic automatically, which may have been convinced, if only marginally, that the world wasn’t coming to an end with all of these “long” haircuts and wails of “yeah, yeah, yeah”. The song remains the only Broadway tune that The Beatles ever recorded, an oddity in a career that is remembered more today for the epochal contributions of its main writing team, as well as occasional classics penned by George Harrison. One wonders how many younger listeners in this attention deficit disorder age will know that Muse is following in The Beatles’ footsteps with their version of “Feeling Good”, a tune which like “Till There Was You” is culled from the stage, in this case the West End and Broadway smash by Anthony Newley and Leslie Bricusse The Roar of the Greasepaint – The Smell of the Crowd (the same show provided hits for Tony Bennett with “Who Can I Turn To?” and Sergio Mendes & Brasil ’66 with “The Joker”, and “A Wonderful Day Like Today” has also entered the lexicon of standards). Some fans may be paying attention, for Muse’s version came in rather high in a British poll of “best cover songs”, and the band’s rendition has been utilized in a rather large number of multimedia enterprises, which has probably only further raised its public profile. (Prior to Muse’s recording, the best known version was probably Nina Simone’s.) “Feeling Good” is the odd song out (so to speak) in Live at Rome Olympic Stadium, in an often bracing performance that is otherwise made up of originals by Muse’s frontman Matthew Bellamy (with one contribution by the band’s bassist Chris Wolstenholme.
Muse: Live at Rome Olympic Stadium is presented on Blu-ray courtesy of Warner Music with an AVC encoded 1080i transfer in 1.78:1 (a few split screen moments are in wider—and variable—aspect ratios). This is a 4K presentation which sets a new bar for video quality in live concert outings. The clarity and precision of the image here is truly awesome. Even things which regularly present major problems, or at least minor anomalies, in other concert videos create only niggling concerns at best here. Take for example the bluish-purple lighting scheme, which in lesser efforts would probably result in rampant posterizing. While there is a minor loss of detail (see screenshot 1), no actual artifacting ever crops up. When the huge array of projected lights illuminates in the background, that would typically dissolve into a mass of moiré on many a concert Blu-ray, but here it's sharp as a tack, with each and every bulb separately apparent. Black levels are deep and solid, colors are accurate and very nicely saturated (Bellamy's bright red pants are a standout), and overall this is simply one fantastic looking high definition presentation all around.
Muse: Live at Rome Olympic Stadium features crisp and clear DTS-HD Master Audio 5.1 and LPCM 2.0 stereo mixes. There's no question that you should opt for the surround mix if your home theater system allows you to do so, for it much more aggressively presents the driving low end of the band from Wolstenholme and Howard. Bellamy's voice is really well mixed here, though he's occasionally buried in the immense crowd noises. In fact, it's the ubiquitous screaming (and of course singing) of the crowd which may annoy some listeners, though it must be acknowledged that Bellamy encourages their participation throughout the concert. But both mixes offer sterling fidelity and some appealing dynamic range. One of the nice things about Muse is, as aggressive as they sometimes can be, they're also not afraid to explore more lyrical, softer passages as well, and both extremes are presented with excellent clarity on both of these tracks.
1. Supremacy
2. Panic Station
3. Resistance
4. Hysteria
5. Animals
6. Knights of Cydonia
7. Explorers
8. Follow Me
9. Madness
10. Guiding Light
11. Supermassive Black Hole
12. Uprising
13. Starlight
Muse is one of the more interesting bands making music today, as perhaps evidenced by their fearless cover of a stage musical tune! This amazing concert is a nonstop array of high energy performances, some really astonishing stagecraft, and some good direction on the video side of things. (It should be stated that this video, like so many other recent concert outings, does tend to indulge in unending quick edits, which can be distracting after a while.) The band sounds absolutely fantastic here, especially Bellamy, whose voice has matured very nicely and who is able to both growl and croon with equal authority. The video quality of this Blu-ray is simply astounding and instantly becomes the new benchmark for live concert fare. The audio is similarly excellent (I'd personally subtract a quarter point if I could simply because I wish the audience had been mixed down a bit —I want to hear the band, not the fans). While the supplementary material is a bit on the light side, otherwise this is a solid package and comes Highly recommended.
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